Los Angeles Times (Sunday)

If I don’t eat soul food, what kind of Black person am I?

- By Christophe­r Carter Christophe­r Carter teaches theology at the University of San Diego. He is the author of “The Spirit of Soul Food: Race, Faith, and Food Justice.” This article was produced in partnershi­p with Zócalo Public Square.

Soul food is famously revered for pork and barbecue, for savory side dishes cooked in lard. I am a Black man who grew up loving my mother’s cornbread dressing and my aunt’s macaroni and cheese. Then I became a vegan. At first I wondered, if I did not eat soul food as I had historical­ly conceptual­ized it, what kind of Black person would I be?

Cultural identities are baked into culinary identities. This is especially true for people of color: What you eat or don’t eat speaks volumes about where you belong. The term “soul food” can be traced back to the 1960s, and as “soul” became a linguistic signifier for Black culture, it became a selfempowe­ring shorthand for being able to survive in a racist society, and for resisting dehumaniza­tion. The roots of soul food are antiracist.

I know that not eating meat can be antiracist, too, and that veganism aligns with these selfempowe­ring principles. Not consuming animal products resists factory farming’s dehumanizi­ng forces and disproport­ionate effects on Black people and on the Earth.

But there have been moments when my evolving diet has compromise­d my ability to feel like part of my community — even part of my family.

For us, soul food consists of the classics: fried chicken, collard greens, dirty rice, jambalaya, okra, cornbread dressing and pretty much anything one can eat off a pig. Over the years, these foods have given me comfort. When racism knocks me off-center, the red beans and rice I grew up with is the ground from which I remember myself as beloved and belonging. For me, red beans and rice feels like home.

When I left Battle Creek, Mich., to attend graduate school on the outskirts of Los Angeles, my family was concerned the move would “change” me. They may have been right. When I arrived in Claremont I was your typical, grilled meatloving omnivore. Three and a half years later I was a vegetarian, and not too long after, I was a vegan. I grew dreadlocks and a beard.

I dreaded my first trip back home after I became a vegetarian. I knew my family would question my diet and challenge my cultural authentici­ty. Sure enough, my dad made a show of cooking meat to add to the beans and rice I had prepared for Christmas dinner — though there were plenty of other meat dishes for him to choose from. My beans and rice were not authentic to our family, and he made sure everyone knew it.

My experience is not unique. Countless other people of color feel alienated for being vegan, even though their veganism may be rooted in a commitment to community. In America, food has long been — or been mixed up with — an engine of oppression, and the Black body serves as a constant reminder of it. Black people were enslaved because of our agricultur­al and culinary acumen. Economic exploitati­on of traditiona­l farm and factory farm laborers, who are predominan­tly Black and Latinx, persists today.

Soul food is how Black people define ourselves and celebrate the stories of how we survived. And yet, soul food’s overwhelmi­ng cultural power presents a strong argument for reexaminin­g it. Are the old stories we tell ourselves about soul food still useful? Is the idea of soul food really about the food itself, or is it rooted in the wisdom of the communitie­s that created it? How might soul food tell stories about who we want to become, and not only who we once were?

I suggest that we begin by decolonizi­ng soul food — unearthing the ways white stereotype­s have shaped our understand­ing of the cuisine of our Black ancestors. We don’t have to look further than Aunt Jemima and Uncle Ben — characters created to normalize segregatio­n — to see the influence of white assumption­s about Black cookery. Delinking these images from soul food helps us uncover knowledge that has always existed on the margins.

For instance, there is no static definition of what it means to eat in a way that is “Black.” In his book “Hog and Hominy,” culinary historian Frederick Douglass Opie writes that what Americans think of as a traditiona­l West African diet, consisting of “darker whole grains, dark green leafy vegetables, and colorful fruits and nuts” supplement­ed with meat, evolved because during slavery and its aftermath, Black folk had to eat what they had.

What animates soul food isn’t the chicken or the hog — but rather a spirit of preservati­on and community. And this realizatio­n should prompt ethical reflection.

Black veganism forces us to examine how the language of animality has been used to justify the oppression of any being who deviates, by species, race or behavior, from white cultural norms. By challengin­g the racist stereotype­s within these norms, Black veganism invites us to learn more about Black food and food culture beyond the terror that was slavery, tenant farming and picking cotton. I find parts of myself in the stories of chefs such as Hercules Posey and James Hemings, and food justice activists such as Fannie Lou Hamer.

Studying this history, in conjunctio­n with changing my diet, helped me lean into my Black and vegan identities. And I think it helped my family along, too. Over dinner, we started talking about the foods of my grandfathe­r’s childhood in Mississipp­i — rice, beans, vegetables, stews, eggs and occasional­ly meat. We learned that one reason he worked on farms, despite the abuse he faced, was to decrease his own food insecurity.

Telling and retelling these stories allows Black people to understand our food within the context of our own histories — and to ensure that our dietary changes preserve and promote the communitie­s we come from.

 ?? Kristen Radtke ?? is the author of two books, including “Seek You: A Journey Through American Loneliness.” She is the art director at The Verge. @kristenrad­tke
Kristen Radtke is the author of two books, including “Seek You: A Journey Through American Loneliness.” She is the art director at The Verge. @kristenrad­tke

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