Los Angeles Times (Sunday)

Permanentl­y attached to our arty friends

- CHRISTOPHE­R KNIGHT ART CRITIC

E T E N D T O R A N K art museums according to the importance of their permanent collection­s, even as those rooms likewise tend to be the quietest, less-traveled spaces in the building. “What’s new?” we ask ourselves as we make a beeline to the special exhibition galleries to see the latest offering.

In truth, nothing makes me happier than spending time in those quieter galleries where objects in the collection become like friends you’re happy to run into again. The experience is how one develops a special bond with a museum, which can otherwise feel institutio­nally aloof. Lunch at the cafe or sale-shopping at the store can be a fun diversion, but extra time with the collection is finally more satisfying.

Temporary, changing exhibition­s draw most of the attention at Los Angeles art museums, as they do everywhere, but together the city’s museums hold hundreds of thousands of absorbing works of global art in their collection­s. Here are some examples, selected not because they represent the cream (though some do) but because aesthetic value spreads wide and the major and the minor have their own charms. Each is something I find myself returning to, so the more time one spends, the more they reveal themselves.

Not all museums have permanent permanent-collection displays, however, instead changing what’s on view from the collection with regularity; others have only modest gallery space for it. So before you go it’s often worth checking the institutio­n’s website if you hope to see a specific object.

Henri de Toulouse-Lautrec, “Touc, Seated on a Table,” circa 1879-1881, oil on panel

As portrait paintings go, this one is a dog. The Parisian pup’s name is Touc, and Henri de Toulouse-Lautrec, denizen of bohemian nightlife, has set the chunky brindle, black and white dog (a bull terrier?) atop a cafe table as a stage for the portrait sitting. Touc grins and casts a sideways glance at an unseen person or happening just outside the frame, alert and ready to join in. The artist, known for lively pictures of cabaret personalit­ies who exude a fierce sense of theatrical self-possession, extends the range to include a best-friend icon of the urban animal world. UCLA Hammer Museum, 10899 Wilshire Blvd., 90024

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UCLA Hammer Museum

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