Los Angeles Times (Sunday)

Suspicious Minds 1969

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Elvis’ final No. 1 was first recorded by its songwriter, Mark James, a year before Elvis’ take. James had been enjoying great success, having penned “Hooked on a Feeling” for B.J. Thomas and co-written “Always on My Mind,” which Presley would later cut. The song, about the scourge of jealousy, boasts one of the most innovative arrangemen­ts in Elvis’ career. It features two time-signature changes, a jangling electric guitar, spiraling strings, pumping horns and a barreling backup choir. The setting of the recording may have inspired the innovation: It marked the first time Presley had recorded in his home city of Memphis since 1955.

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