Los Angeles Times (Sunday)

HOT LPs, TOURS (KENDRICK LAMAR, FINALLY!) AND A FOO TRIBUTE

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H I S FA L L brings potential breakout albums from up-and-coming artists Rina Sawayama, Yeat and Khruangbin and Vieux Farka Touré, but the big-name action will be found in arenas and stadiums: Kendrick Lamar (finally!) at Crypto.com Arena, Harry Styles setting up shop at the Kia Forum, two nights of global superstar Bad Bunny at SoFi Stadium and a sure-to-beemotiona­l (and loud) tribute to the late Foo Fighters drummer Taylor Hawkins at the Forum.

SEPT. 6 Richard T. Rodríguez, ‘A Kiss Across the Ocean: Transatlan­tic Intimacies of British Post-Punk and US Latinidad’

What made people embrace “goth” culture in Latin America? Why does Morrissey count so many Mexican fans today? In this part-memoir, partethnog­raphy of England and SoCal in the 1980s, author Rodríguez, a professor of media and cultural studies and English at UC Riverside, investigat­es what binds these two seemingly disparate cultures. Starting with his own tweenage fandom of Boy George and the Culture Club, Rodríguez plumbs the depths of the passionate, sometimes tainted love affair between British post-punks and the Latinos who worship at their altar.

— Suzy Exposito

SEPT. 9 Ari Lennox, ‘age / sex / location’

It’s been three years since Lennox released her acclaimed debut, “Shea Butter Baby.” In the time since, Dreamville’s lead songstress has threatened to quit music after feeling offended by an invasive interviewe­r, asked to be released from her recording contract and attempted to quit social media. Despite the turmoil, her music has remained stellar, from her feature on Jazmine Sullivan’s Grammy-winning album “Heaux Tales” to Lennox’s own sweatshirt-stealing anthem “Hoodie.” Her upcoming album “age / sex / location” should reaffirm Lennox’s status at the forefront of R&B and soul music. — Kenan Draughorne

KENDRICK LAMAR holds

court at Crypto.com Arena in September.

Yeat, ‘LYFÊ’

Noah Smith, a.k.a. Yeat, may have had one of the most unconventi­onal ascents in recent memory. After generating a swarming buzz by spitting barely legible lingo over rage beats, he broke through to the mainstream in a most unlikely way, crafting the TikTok hit “Rich Minion” for the

Cole Bennett-directed trailer for “Minions: The Rise of Gru.” Millions of suited-up teens later, his 12-song EP should further solidify the 22-yearold as one of hip-hop’s rising stars. (KD)

SEPT. 14-17 Kendrick Lamar

Since its long-awaited release in May, not long after Lamar played a part in Dr. Dre’s blockbuste­r Super Bowl halftime show, his thorny “Mr. Morale & the Big Steppers” hasn’t spun off anything like the inescapabl­e hit singles that 2017’s “Damn.” did. But little

about the acclaimed Compton rapper’s latest tour suggests he finds that particular­ly disappoint­ing: Reports from the road describe a sober and highly theatrical concert experience focused more on storytelli­ng and speechifyi­ng than on getting folks hyped. > Crypto.com Arena

— Mikael Wood

SEPT. 16 Death Cab for Cutie, ‘Asphalt Meadows’

Frontman Ben Gibbard spent the COVID-19 pandemic live-streaming from home — peep his sweet rendition of Fountains of Wayne’s “Barbara H.” — raising money to help protect voting rights and assembling a Yoko Ono tribute album that includes covers by Sharon Van Etten and Japanese Breakfast. Now, Death Cab is back with its first studio LP since 2018, “Asphalt Meadows,” on which the veteran indie-rock band applies a New Order-ish sheen to its tender sad-boy anthems. Gibbard and his mates will play the Greek Theatre on Oct. 21 with support from Yo La Tengo. (MW)

Blackpink, ‘Born Pink’

Three years is an eternity in K-pop, but in the time since Blackpink’s groundbrea­king 2019 Coachella set, the group has released a debut LP, cut tracks with Lady Gaga and Selena Gomez, starred in a Netflix documentar­y, “Light Up the Sky,” and quietly navigated a complicate­d relationsh­ip with its Korean record label YG. The act’s second album, “Born Pink,” will likely be the genre’s biggest event of the year — lead single “Pink Venom” packs in hard turns between stomping hip-hop and sci-fi pop harmonies. Expect Blackpink to make a strong play for the very top of festival bills next year.

— August Brown

Michelle Branch, ‘The Trouble With Fever’

“I’m a Man,” the first single from Branch’s new album, is about a skeevy partner wreaking havoc at home: “I’m a man / And I’m out of control / And I can’t help myself.” The song probably hits a little different now, after Branch filed for divorce from her husband, Patrick Carney, of the Black Keys, alleging infidelity just months after she gave birth to their first child together. Branch surely hoped

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[Pop music,

“Fever” would be a confident showcase of her songwriter skills in a revival moment for ’00s culture. A trip to jail after allegedly punching Carney lends these songs a darker, if sympatheti­c subtext. (AB)

EST Gee, ‘Never Felt Nun’

EST Gee’s rise has been years in the making, with multiple releases each year dating to 2019. In early 2022, he paired with 42 Dugg for the joint album “Last Ones Left,” on which the two traded street boasts over rattling production. Gee and Dugg are part of Yo Gotti’s red-hot Collective Music Group, home to Moneybagg Yo, Mozzy and “F.N.F.” rapper GloRilla. Look for more commanding bars on “Never Felt Nun,” from a rapper who’s become a model of consistenc­y. (KD)

RINA SAWAYAMA doesn’t hold back on album “Hold the Girl.” Rina Sawayama, ‘Hold the Girl’

If the rapture is indeed imminent, expect the raver pop-rock princess to party all the way to the end of the world. “God hates us? Alright then, buckle up, at dawn we’re riding!” belts the Japanese-British singer on her single “This Hell” — a righteous anthem for those shunned from religious communitie­s. Sawayama’s sophomore album, “Hold the Girl,” does not hold back on the diva-caliber sass and nü-metal fury that has endeared her to collaborat­ors like Elton John and Charli XCX. Sawayama performs at the Hollywood Palladium on Nov. 19. (SE)

SEPT. 16-18

Primavera Sound L.A. Founded in Barcelona, Spain, one of Europe’s most celebrated music festivals will make its U.S. debut this year at the L.A. State Historic Park. Famous for cherry-picking the most offbeat talent from across the globe, Primavera Sound L.A. has named Arctic Monkeys, Lorde and Nine Inch Nails as headlining acts; the weekend will also feature a circuit of exclusive shows in venues all over the city, including Stereolab at the Wiltern, Bad Gyal at the Echoplex and Giveon at Hollywood Forever Cemetery. (SE)

> Los Angeles State Historic Park

SEPT. 23 Divino Niño, ‘Last Spa on Earth’

To those who prefer their coffee cortado-style and their Latin pop left-ofthe-dial: The psychrocke­rs of Divino Niño have just the record for you. A project born of five guys from Bogotá, Colombia, and Chicago, the album is a jaunt through indie rock, electro-house, R&B and reggaetón, resulting in a hook-y collection of Spanglish songs as bizarre as they are fit for any dance floor. Divino Niño previews its pop experiment live at the Echoplex on Sept. 14. (SE)

Alex G, ‘God Save the Animals’

Philadelph­ia indie-rock weirdo and Frank Ocean collaborat­or Alex G (née Giannascol­i) resurfaces

BAD BUNNY is heading to SoFi Stadium. Get started on those

moves.

perreo

in September with his ninth studio album, the spirituali­zed follow-up to 2019’s “House of Sugar.” Amid the twangy electrofol­k churn of songs like “Blessing” and “Cross the Sea,” Giannascol­i sings of interperso­nal affections and affliction­s with a quiet reverence for what they’ve come to teach him. (SE)

Khruangbin & Vieux Farka Touré, ‘Ali’

Khruangbin has already released two joint EPs with Leon Bridges, both of which showcased the instrument­al-focused band’s ability to pair its psychedeli­c grooves with a vocalist attuned to the same frequency. Now, its latest collaborat­ive effort will involve Malian guitarist and singer Vieux Farka Touré, son of the late renowned singer Ali Farka Touré. “Ali” was crafted in his honor, and Khruangbin is a natural fit to complete his son’s vision. (KD)

SEPT. 27 Taylor Hawkins Tribute Concert

The late Foo Fighters drummer, who died in March at age 50, is set to be honored with an allstar tribute concert featuring a truly eclectic cast of admirers that includes Pink, LeAnn Rimes and Miley Cyrus along with rockers like Joshua Homme, Joan Jett, Geddy Lee and Brian May. Also on the bill: Alanis Morissette, with whom Hawkins played before Dave Grohl recruited him for Foo Fighters, and an array of world-class drummers including Omar Hakim, Chad Smith of the Red Hot Chili Peppers and Queen’s Roger Taylor. Expect a long night — and an emotional one. (MW) > Kia Forum

SEPT. 28 Roxy Music

It’s been two decades since the great rakes of U.K. rock toured in the U.S. But Bryan Ferry’s combo has always stood outside of time in its panache, and the band’s 2020 Rock & Roll Hall of Fame induction seemed to stir the old blood. Super producer Brian Eno won’t be joining the group on this run, alas (opener St. Vincent will be). Ferry, Andy Mackay, Phil Manzanera and Paul Thompson were one of the last holdouts of the classic-rock reunion wave; fans will now finally get their chance to see them off in style. (AB)

> Kia Forum

SEPT. 30 Kid Cudi, ‘Entergalac­tic’

Cudi’s upcoming project won’t just be music — it shares a title and release date with his adult animated television series coming to Netflix. Cudi has teased the project since 2019, but the title dates back 10 years prior, when the song “Enter Galactic (Love Connection Part I)” appeared on his breakthrou­gh album, “Man on the Moon: The End of Day.” True to that song’s lyrics and parenthese­s-enclosed subtitle, Cudi said in 2019 that the album would revolve around “love and relationsh­ips,” which was validated in his Esquire cover story this August. With Netflix in tow, Cudi is elevating the definition of a “visual album.” (KD)

Slipknot, ‘The End, So Far’

Any tally of the last great American festival bands had better include the gory pride of Iowa near the top. The group’s seventh album of gutchurnin­g, spike-clad metal has some notable new influences — the doom-stricken balladry of Tom Waits on “Yen,” and a bit of brutal blues as promised by maniacal drummer Jay Weinberg in recent interviews. The band has lived long enough to see its numetal roots come back in fashion for Gen Z, but the gang choruses on “The Dying Song (Time to Sing)” and “The Chapeltown

Rag” will cut right through any crowd of the Knotfest devoted. (AB)

SEPT. 30 AND OCT. 1

Bad Bunny

After spending nine nonconsecu­tive weeks at the top of the Billboard 200, it’s safe to say Bad Bunny’s fourth album, “Un Verano Sin Ti,” is the de facto soundtrack of the summer. Halfway through what’s been dubbed the World’s Hottest Tour, the Puerto Rican hitmaker will stop by Inglewood’s SoFi for two nights before sailing on to the Caribbean and South America. If it’s anything like the concerts-turned-raucous block parties he’s thrown in his home base of San Juan, we say: Save up and start practicing your

perreo moves, stat. (SE)

> SoFi Stadium

SEPT. 30-NOV. 2 Desert Daze

2022 kicked up some high drama in the high desert over the effect of L.A.’s mystics on the fragile ecosystems of Joshua Tree. The decade-old psych-rock festival has contribute­d to that much-debated gentrifica­tion, but the fest’s fullfledge­d return to Lake Perris promises one of the country’s best-curated lineups: vets like Tame Impala and Iggy Pop finding a wavelength with the wilder Kikagaku Moyo, the Marías, Mariachi Reyna de Los Angeles and Black Country, New Road. (AB) > Lake Perris, Calif.

OCT. 3 Stevie Nicks

L.A. witches, assemble: Nicks will touch down at the Bowl for what may be the largest coven meeting this town’s ever seen. Judging by her setlists from this year’s Bonnaroo and New Orleans Jazz & Heritage Festival, it’s sure to be a night filled with magic, intrigue and a resounding sing-along

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Getty Images Jason Koerner
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Alexander Tamargo Getty Images
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WireImage Steve Jennings

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