Los Angeles Times (Sunday)

WHAT’S NEW 1983

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What was it like to work with the orchestral arranger Nelson Riddle on this album of standards? It was like swimming in cream. He’s just a brilliant arranger. He can put strings on a song without making it sound syrupy. I really learned those songs by polishing up my voice singing on Broadway [in The Pirates of Penzance]. Standards require what they call “the mix,” which combines your head voice and your chest voice. And the songs are so amazing. When you think of what Americans have contribute­d to the culture of the world at large over the last 150 years, it’s been the popular song. And those are the best popular songs.

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