THE MAKING OF A STAR
Newman was born on Jan. 26, 1925, to a well-off father who ran a sporting goods store and quietly drank. A lot. Most of his life, Newman drank a lot too. “I didn’t know that about him,” says Mankiewicz. “I’m told now that everyone knew.”
Newman acted in school plays and local productions but didn’t take acting seriously. After serving in World War II, he did summer stock, met his first wife, Jackie, got married and had three kids, all before turning 30. His first break was being cast in a new Broadway play, Picnic, in 1953. His second break was working with the understudy for the female lead: Joanne Woodward, who’d grown up in Georgia. “Joanne is a force of nature,” says Michael Ontkean, who co-starred with Newman in 1977’s Slap Shot. “Where would Paul have been without her giving him the keys to access the voices and souls of his early Southern and Texan characters? Those guys were courtesy of Joanne.”
Mankiewicz agrees. “When they met on the Broadway production of Picnic, there was this universal understanding that he’s this pretty boy who has some talent and she’s Joanne f---ing Woodward,” he says. “She’s better. And she was probably better for decades, until circumstance and baked-in Hollywood sexism meant that she had to give up her career.”
Newman divorced his wife to marry Woodward and had three more kids. Their film careers skyrocketed. Woodward won an Oscar for 1957’s
The Three Faces Of Eve. Newman followed her lead with Oscar-nominated roles in Cat on a Hot Tin Roof (1958), The Hustler (1961), Hud (1963) and
Cool Hand Luke (1967).Then in 1968, Newman directed Woodward to an Oscar nomination for her performance in Rachel, Rachel.
In spite of successes like Butch Cassidy and the Sundance Kid (1969) and
The Sting (1973), Newman was modest, says Sally Field, who starred with him in Absence of Malice (1981). “At the end of the block [where we were shooting] there was a barricade and people were there, watching. Paul saw them and said, ‘Oh, look at that crowd. I wonder what’s going on down there?’ I said, ‘Don’t you know? Paul Newman is making a movie.’ ”
Field also worked with Woodward in the 1976 TV miniseries Sybil and credits the couple with her political awakening. “I learned from them,” she