REVEALING TALES
11 TITLES SHOWCASE HISPANIC HERITAGE MONTH’S MANY WORLDS OF POSSIBILITIES.
WHEN Iwas a high school student in La Puente, the required readings in my English classes were anything but diverse. There were novels about poor English orphans and jilted Victorian brides. Our textbooks were filled with epics of European men facing danger on the high seas or braving the untamed American West. We were overwhelmingly brown and working class. I never saw myself in the books I was reading, which led me to believe that our stories were invalid, unworthy of being documented in books.
If you were Latino and wanted to write, you were told to look to John Steinbeck, Nathaniel Hawthorne and, of course, Shakespeare. In my earliest attempts at writing, stories often took place in England or some other unspecified location in Europe. There were references to castles and moats, countryside cemeteries and fog, lots of fog.
Not until after I enrolled in an English class at San Bernardino Valley College did I discover that writers of color did indeed exist and had been making significant strides in the world of literature.
In recognition of Hispanic Heritage Month, I’ve compiled a collection of works by Latino authors. Some names will be familiar, others new. Of course, no reading list is able to capture the range of our collective experiences as a people. But I chose these, a mix of conventional and unorthodox narratives, to illustrate the scope of our literary capabilities.
“THE LAST KARANKAWAS” Kimberly Garza
The time is 2008. Hurricane Ike is about to batter the Gulf Coast, unraveling the lives of a group Mexican and Filipino residents in Galveston, Texas. Garza manages to expertly capture a range of voices in this stunning and elegiac polyphonic novel published in August. Expect great things from this debut writer. (Henry Holt, 2022)
“HIGH-RISK HOMOSEXUAL”
Edgar Gomez
This book examines
Latinx queer identity in all its layers while incisively critiquing the notion of machismo as a cultural marker. In prose that is at turns funny and savvy as it is serious and contemplative, Gomez has written the memoir I wish I could have. (Soft Skull Press, 2022)
“LOCAS” Yxta Maya Murray
Murray’s tale of two female gang members in East L.A. holding their own amid the violence and mayhem around them is searing and unapologetic, giving us a far more complicated depiction of Latino inner city life than what is typically offered. As more of Los Angeles experiences gentrification, Murray’s book provides us with a look back at what our neighborhoods once were. (Grove Press, 1997)
“THIS THING BETWEEN US”
Gus Moreno
Alexa and Siri are no match for Itza, the sinister voice-controlled smart assistant in Moreno’s heart-pounding horror novel, named a best book of the year by NPR and the New York Public Library. Read this one with the lights on. (MCD x FSG Originals, 2021)
“THEIR DOGS CAME WITH THEM”
Helena María Viramontes The shadowy Quarantine Authority is but one of the many threats the four women at the heart of this novel must face. There’s also violence, displacement and the bulldozers tasked with flattening whole neighborhoods to make way for the construction of freeways. Viramontes’ literary prowess is on full display in this unvarnished look at East Los Angeles in the 1960s. (Atria Books, 2007)
“CITY OF GOD” Gil Cuadros
Cuadros was only 34 when he died of AIDS in 1996. This book, a fusion of fiction and poetry, documents the lives of young men exploring their burgeoning sexuality as the AIDS crisis ripped through the queer Chicano community of Los Angeles. It’s a vital and necessary read. (City Lights, 2001)
“THE BARBARIAN NURSERIES”
Héctor Tobar
It’s hard to pick one of Tobar’s books to highlight because he’s just that good. His second novel introduces Araceli, the live-in nanny of the dysfunctional TorresThompson clan. In Tobar’s hands, though, Araceli is more than just a criada, far more than a disembodied presence relegated to the background. Instead, he places her front and center as she sets off on an odyssey across Southern California. In doing so, Tobar, a former Times reporter, provides us with a panoramic vision of Los Angeles written with grace and compassion. (HarperCollins, 2011)
“NIGHT-BLOOMING JASMIN(N)E: PERSONAL ESSAYS AND POETRY”
Jasminne Mendez
In another hybrid text, Mendez chronicles her struggles as an AfroLatina facing multiple chronic illnesses and a long and tangled legacy of distress and loss. But these are also accounts of hope and resiliency. She’s a talented writer whose star is on the rise. (Arte Publico Press, 2018)
“BROTHER, SISTER, MOTHER, EXPLORER”
Jamie Figueroa
Rufina, with the help of her sister, devises a plan to save brother Rafa from ruining his life in this debut novel. Oh, and there’s also the ghost of their dead mother, Rufina’s missing child who crawls into her arms at night and an androgynous flea-infested angel. Her work is imaginative, lyrical and utterly captivating. (Catapult, 2021)
“PARTICULATE MATTER”
Felicia Luna Lemus
In Lemus’ first foray into nonfiction, the author chronicles a year in her marriage when the whole world turned upside down. Some pages are brief, containing only one or two words, but their emotional weight, and that of the entire book, packs such a punch readers will feel the sensation long after the end. (Akashic Books, 2020)
“SANA SANA” Ariana Brown
The poems in Brown’s collection shed light on the experiences of her queer Afro-Mexican roots. As the title suggests, Brown seeks to heal, but it is a different kind of healing she covets. These are words written with empathy and fortitude, requiring your complete attention to be fully appreciated. (Game Over Books, 2020)
Espinoza is the Tomás Rivera Endowed Chair of creative writing at UC Riverside. His latest book is “Cruising: An Intimate History of a Radical Pastime.”