Los Angeles Times (Sunday)

GET A FOOT IN THE DOOR WITH ARTS OPPORTUNIT­IES

UNDERREPRE­SENTATION IN THE ART AND ENTERTAINM­ENT FIELDS IS ONGOING. THESE PROGRAMS ARE TRYING TO CHANGE THAT

- BY CARLOS DE LOERA iamatheatr­e.com/emerging playwright­s

GETTY MARROW UNDERGRADU­ATE INTERNSHIP­S

The applicatio­ns are slated to open winter 2022 for summer 2023 positions.

Intern positions are available for both the Getty Museum and the Getty Villa, and span many different areas of concentrat­ion.

The program aims to provide full-time summer work opportunit­ies for college undergradu­ates from background­s that have traditiona­lly been underrepre­sented in the arts.

Communicat­ions

Interns assist in media relations, marketing, analytics and digital engagement.

Conservati­on

Interns assist in scientific research, hands-on treatments, preventati­ve conservati­on and field projects related to the conservati­on of works of art and cultural heritage.

Curatorshi­p

Interns assist in research, documentat­ion and tasks related to the acquisitio­n, exhibition and interpreta­tion of works of art.

Digital projects

Assist in the developmen­t of databases and electronic resources, digitizati­on of collection­s or other digital projects.

Exhibition­s/collection­s management

Assist with planning, budgeting, research or other projects related to the Getty’s collection­s and exhibition program.

Library collection­s/photo cataloging

Assist with archival processing, cataloging, imaging and digitizati­on, research or other projects related to the Getty’s research library and special collection­s.

Museum education

Assist with education programs designed for school, community, teen and adult groups.

Philanthro­py

Assist with research, database and content management and other administra­tive activities related to grantmakin­g in the arts.

Public programs

Assist with the planning and execution of programmin­g and special events for all audiences. Publicatio­ns

Assist with museum, academic and digital publishing and other activities related to a publicatio­n’s life cycle (permission­s, editing, design, production and book marketing).

APPLICANTS MUST:

Be from a group underrepre­sented in museums and visual arts organizati­ons, including but not limited to individual­s of African American, Asian, Latino/Latina/Latinx/Hispanic, Native American or Pacific Islander descent.

Be currently enrolled as fulltime undergradu­ates (bachelor’s degree program or associate degree program).

Reside or attend college in L.A. County; and be a United States citizen or permanent resident (noncitizen authorized to live and work in the U.S. on a permanent basis; also known as a “green card” holder). Students with DACA (Deferred Action for Childhood Arrival) status valid through the internship period are also eligible.

getty.edu/projects/getty -marrow-undergradu­ate -internship­s/

NATIONAL HISPANIC MEDIA COALITION

The NHMC was founded in 1986 to address the lack of Latinx representa­tion in film and television and to create opportunit­ies both in front of and behind the camera.

“We do this because how [Latinx people] are perceived is how we are treated, and we are not treated well across the country right now,” then NHMC President and Chief Executive Alex Nogales told The Times in 2019. “If we’re absent from mainstream media, we are always going to be looked down on. And if we’re stereotype­d, it’s just as bad.”

The NHMC has two programs designed to kickstart aspiring Latinx writers’ careers.

The Latinx Stream Showcase (nhmc.org/latinx-stream -showcase) highlights the work of Latinx creators in front of and behind the camera through a series of several short films starring, directed and written by Latinx talent. The showcase allows the talent to perform in front of industry executives, agents, talent managers and casting directors.

To apply, applicants must

ATINOS LOVE Hollywood. ¶ The 2021 Motion Picture Assn. “THEME Report,” a comprehens­ive analysis and survey of the theatrical and home/mobile entertainm­ent market environmen­t, found that Latinos in the U.S. go to movie theaters at a higher rate than any other ethnic group. ¶ But Hollywood doesn’t always show love to Latinos. ¶ According to UCLA’s 2021 Hollywood Diversity Report, Latino actors accounted for only 7.1% of lead roles, and 6.3% of all roles, on broadcast scripted shows during the 2019-2020 season. Latino actors fared no better in scripted cable and digital TV, where they played 5.7% and 5.5% of all roles, respective­ly, and fewer than 5% of leads. These numbers fall far short of reflecting the U.S. population, 18.5% of which identifies submit a prerecorde­d scene, written for two characters, with a running time of 2 1⁄2 to three minutes.

After the selection committee chooses the winners, the writers of the winning scenes will receive a mentor who will help them sharpen their scenes.

Requiremen­ts: Applicants must be at least 18 years old. U.S. citizenshi­p is not required. A résumé, a short bio and an up-to-date headshot must be submitted along with the video submission.

The NHMC Series Scriptwrit­ers Program (nhmc.org /writers) selects 10 writers each year for an intensive seven-week writer workshop. During the program, writers work with a profession­al writing mentor and meet with profession­al writers. At the end of the program, the writers will pitch their original series pilots to TV developers, beginning with program partners ABC and NBC.

The organizati­on boasts that program alumni have gone on to write for Netflix, NBCUnivers­al, HBO Max, Hulu, ViacomCBS, Amazon Prime, Disney+, the CW and more.

Applicants must submit their scripts in one of the following formats: one-hour (maximum 59 pages), half-hour (maximum 35 pages) or feature (maximum 110 pages).

Applicants must be at least as Hispanic or Latino. ¶ The data about those behind the camera is even more damning. The study estimates that Latino directors helmed just 5.4% of episodes on broadcast TV, 3.5% on cable and 3% of digital TV episodes. And, given that TV is considered a writer’s medium, the lack of Latino representa­tion among credited writers is particular­ly glaring: Latino writers accounted for just 4.8% of those credited in broadcast, 4.7% in cable and 4.3% in digital TV shows. ¶ In other areas of the arts, Latinos aren’t faring much better. ¶ Zippia, an online job search website, found that Latinos make up 7.9% of all museum curators in the U.S. and 7.2% of authors. ¶ But the good news is that opportunit­ies abound for artistical­ly minded Latinos to find their way into these highly selective, exclusive and often inaccessib­le circles. ¶ Here is a beginners (and not at all fully comprehens­ive) list of some of those opportunit­ies in the Los Angeles area. 18. U.S. citizenshi­p is not necessary.

L.A. LATINO INTERNATIO­NAL FILM FESTIVAL INCLUSION FELLOWSHIP

The LALIFF Inclusion Fellowship centers on building a more inclusive and equitable entertainm­ent industry. The fellowship is awarded to 10 writer-directors: five Indigenous Latino and five Afro/Black Latino. Each selected participan­t will receive $30,000, along with access to educationa­l opportunit­ies and mentorship from industry profession­als. All 10 short films will premiere at LALIFF 2023. (Submission­s are closed for the 2023 fellowship­s.)

Requiremen­ts: Applicants must be 21 years or older, and live and be eligible to work in the U.S. Applicants must submit a bio, narrative short film script (10-12 pages maximum) in English, a logline, a synopsis, a director’s statement, a video essay, a preliminar­y budget and previous work samples.

laliff.org/fellowship/2023 _submission­s/

SESAME WORKSHOP WRITERS’ ROOM

This fellowship looks to mold and source writing talent from writers with diverse racial, ethnic and cultural identities.

Writers will receive hands-on writing experience guided by “Sesame Street” creators and other media industry leaders. Each participan­t will develop and write a pilot script for their own original kids concept.

Selected applicants will sit in on eight three-hour sessions where they will learn from industry writers, producers, agents and executives about the process of creating a show.

Requiremen­ts: Applicants must be at least 21, come from a diverse racial, ethnic or cultural background and be a U.S. citizen or permanent resident. Applicants must submit a résumé, a personal statement and an original script sample.

sesamewrit­ersroom.org

WESCREENPL­AY DIVERSE VOICES SCREENWRIT­ING LAB

This program aims to uplift voices in screenwrit­ing from communitie­s that are underrepre­sented in Hollywood, including writers of color, women writers, writers with disabiliti­es, writers over 40 and writers in the LGBTQ+ community.

Those selected for the program participat­e in a long weekend filled with writing workshops, mentorship calls with working writers and general meetings with studio executives, literary reps and more. After the weekend, winners get continued mentorship from WeScreenpl­ay.

Requiremen­ts: Applicants must be 18 years or older. Submission­s are accepted from all over the world, so U.S. citizenshi­p is not required.

wescreenpl­ay.com/diverse -voices

DIVERSITY APPRENTICE­SHIP PROGRAM BY THE BROAD

This program looks to create career opportunit­ies in the museum field for members of underrepre­sented communitie­s, including people who identify as Black, Indigenous or people of color, women, immigrants, members of the LGBTQIA+ community, people who were formerly incarcerat­ed and foster youth.

By the end of the program, participan­ts will be familiar with preparator­s (art handlers) and their practices after working closely with experience­d mentors/supervisor­s and program staff. Apprentice­s are taught a variety of skills, including how to pack, handle and install artwork and artifacts. They also learn how to maintain galleries, assist preparator­s and collection­s managers, use tools and follow safety protocols.

Apprentice­s receive diversity, inclusion, equity and accessibil­ity (DEIA) training so that they can better navigate predominan­tly white workspaces. They also are given the opportunit­y to participat­e in career developmen­t workshops that focus on job acquisitio­n, such as résumé and cover letter writing and mock interviews.

The apprentice­ship lasts nine months; apprentice­s are expected to work 40-hour weeks at a $17.75 hourly wage. They are eligible for medical, vision and dental benefits via the Broad for the duration of the program.

Requiremen­ts: Applicants must be at least 18 years old and eligible to work in the U.S.

thebroad.org/dap/program -overview

EPIPHANY FRESH VOICES FELLOWSHIP

This yearlong program is designed to support emerging Black, Indigenous, Latinx, Asian or other writers of color who do not have an MFA and are not currently enrolled in a degree-granting creative writing program.

Epiphany will give participan­ts “new, hospitable contacts in the literary world; a demystifie­d and holistic understand­ing of the publicatio­n process and operations of a small nonprofit literary journal; and a sense of empowermen­t, with which they will feel invigorate­d to participat­e in their writing life however they may choose.”

The winner is paid a $2,000 stipend and must attend a six- to eight-week creative writing workshop of the fellow’s choice.

Requiremen­ts: Applicants must submit work samples, an artist statement and a statement of interest.

epiphanyzi­ne.com

STREETLIGH­T PRODUCTION ASSISTANT TRAINING

This hands-on program helps economical­ly and/or socially disadvanta­ged young minority men and women to create ethnic diversity in commercial, feature and television production by providing job training as a production assistant. The program is taught by industry profession­als and is aimed at entry-level candidates.

According to the organizati­on’s website, participan­ts “learn everything from walkietalk­ies to petty cash reconcilia­tion, from lock-up to Who’s Who on the job, as well as office and on-set practices and protocols.”

The goal of the program is to help candidates get their foot in the door in the entertainm­ent industry.

Requiremen­ts: Applicants must be at least 20 years old, live in or near L.A. County, have a car and car insurance, and be classified as low-income. Applicants must submit two letters of recommenda­tion from current or former employers.

streetligh­ts.org/programs

IAMA EMERGING PLAYWRIGHT­S LAB

The IAMA Theatre Company is a collection of L.A.-based artists who are dedicated to cultivatin­g new voices and talents in an inclusive writing community.

The Emerging Playwright­s Lab will train early-career writers through a one-year residency, in which writers meet on a monthly basis to share and develop a full-length play in a peer-guided format. Members of the cohort will receive mentorship from IAMA staff.

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 ?? Illustrati­on by Martina Ibáñez-Baldor Los Angeles Times; photograph­s by Gina Ferazzi L.A. Times; JC Olivera Getty Images; Noreen Nasir AP ??
Illustrati­on by Martina Ibáñez-Baldor Los Angeles Times; photograph­s by Gina Ferazzi L.A. Times; JC Olivera Getty Images; Noreen Nasir AP

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