Los Angeles Times (Sunday)

Drone captures ruins of Ukrainian city, now a ghost town

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BAKHMUT, Ukraine — Amid the smoking ruins, a lone dog pads in the snow, unaware or perhaps too hungry to care that death rains down regularly from the skies on the remnants of this Ukrainian city that Russia is pounding into rubble.

But for now Bakhmut stands growing as a symbol of Ukrainian resistance with each day that its defenders hold out against shelling and waves of troops in a monthslong campaign to capture it.

New aerial drone video of Bakhmut shows how the longest battle of the yearlong Russian invasion has turned the city of salt and gypsum mines in eastern Ukraine into a ghost town.

The recording — shot Feb. 13 — shows no people. But they are still there — somewhere, out of sight, in basements and defensive stronghold­s, trying to survive. Of the prewar population of 80,000, a few thousand residents have refused or been unable to evacuate. The size of the garrison that Ukraine has stationed in the city is kept secret.

Tire tracks on the roads and footprints on the paths covered with snow speak to a continued human presence. In one shot, a car drives swiftly away in the distance. Graffiti on the charred, pockmarked walls of a blown-out storefront show people are or were here. “Bakhmut loves Ukraine,” it reads. Next to that is the stenciled likeness of Valerii Zaluzhnyi, the commander in chief of Ukraine’s armed forces, holding up two fingers in a V-for-victory gesture. “God and Valerii Zaluzhnyi are with us,” reads writing underneath.

A top Ukrainian intelligen­ce official likened the fight for Bakhmut to Ukraine’s dogged defense of Mariupol earlier in the war, which tied up Russian forces for months, preventing the Kremlin from deploying them elsewhere.

Likewise, “Bakhmut is also an indicator and a fortress,” the official, Vadym Skibitskyi, said in an interview. He said that the city has come to represent “the indomitabi­lity of our soldiers” and that by holding it, Ukraine is inflicting “unacceptab­le” casualties on the Russians.

From the air, the scale of destructio­n is plain to see. Entire rows of apartment buildings have been gutted, with just the outer walls left standing and the roofs and interior floors gone, exposing the ruins’ interiors to the snow and winter frost — and the drone’s prying eye.

Like a caver descending into a chasm, the drone drops slowly into one of the blown-out hulks — all four of its floors now collapsed into a pile of ashes, rubble and rusting metal at the bottom.

Another five-story apartment building has a giant bite torn out of it. A black crow flies through the gap. The drone peers into a kitchen, a once-intimate family place now exposed because one of its outer walls has been torn away. There is a strainer in the sink and plates on the drying rack above, as though someone still lives there. But the undisturbe­d dusting of snow on the cloth-covered table suggests they are long gone.

As the drone continues its journey, along streets where crowds no longer walk and past stores where they no longer shop, over parks where children no longer play and where old-timers no longer chew the fat, the names of towns and cities flattened in previous wars spring to mind.

Such as Fleury-devant-Douaumont, France — a village razed in World War I, changing hands 16 times in fighting between France and German from June to August 1916. Never rebuilt, it was declared to have “Died for France” — along with eight other villages destroyed in the battle for the French town of Verdun.

Or Oradour-sur-Glane, France, destroyed in World War II. Its ruins have been left untouched as a memorial to 642 people killed there on June 10, 1944. Nazi troops from the SS “Das Reich” division herded civilians into barns and a church and torched the village — the biggest civilian massacre by France’s wartime occupiers.

For Ukraine, Bakhmut also is becoming etched indelibly in the collective consciousn­ess. Its defense is already hailed in song. “Bakhmut Fortress,” by Ukrainian band Antytila, has over 3.8 million views.

“Mom, I’m standing,” they sing. “Motherland, I’m fighting.”

 ?? Associated Press ?? THE DAMAGE as of Feb. 13 in Bakhmut, Ukraine, from the longest battle yet in the war with Russia.
Associated Press THE DAMAGE as of Feb. 13 in Bakhmut, Ukraine, from the longest battle yet in the war with Russia.

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