Los Angeles Times (Sunday)

All that glitters is not microplast­ics, company says

- By Sana Pashankar

A bit of glitter is like a bottle of champagne on New Year’s Eve: It’s all fun and games until the next morning. Traditiona­l glitter is a microplast­ic, which means most of it ends up in bodies of water after a single use. Earlier this year, the European Union banned the sale of loose-plastic glitter, citing the impacts on the environmen­t.

That doesn’t mean the party’s over, at least not if the purveyors of Bioglitter have anything to say about it. Invented by Ronald Britton Ltd., a U.K.-based metal-powder supplier, Bioglitter breaks down naturally in freshwater habitats within four weeks, according to its marketing materials.

“Because of their smaller size, microplast­ics get into literally everywhere in the environmen­t,” says Paul Anastas, director of the Yale University Center for Green Chemistry & Green Engineerin­g. “Perhaps most importantl­y, they’ve been found in living things — from plants to small organisms, large organisms, marine life and, yes, humans.”

The Bioglitter journey began about 12 years ago, when Ronald Britton held a meeting to discuss a cosmetics customer’s complaints about the environmen­tal impacts of plastic glitter. At the time, it was the only kind of glitter the company sold.

“I thought, We need to replace this with something,” says Andrew Thompson, a Bioglitter product manager at Germany’s Sigmund Lindner, which bought the brand from Ronald Britton earlier this year. “Speaking to one or two manufactur­ers at the time, it was evident that nobody really had a good solution to the problem of how to replace the plastic.”

Ronald Britton decided to create its own product. After consulting experts in biodegrada­bility, the company set its sights on glitter that could safely degrade in freshwater — less ambitious than glitter that biodegrade­s in more-complex marine environmen­ts, but better than a product that only breaks down in industrial composting conditions.

“The chemistry of freshwater in rivers and lakes around the world, it’s very similar. It’s well understood. And the lab test methods that are recreating the conditions of freshwater are very well understood,” says Stephen Cotton, sales manager of glitter at Sigmund Lindner. “So we used that as our guide.”

Traditiona­l glitter is made of a thin sheet of two types of plastic — polyvinyl chloride (PVC) and polyethyle­ne terephthal­ate (PET). It’s then coated with aluminum for shine and cut into small hexagonal pieces. The Ronald Britton team decided to replace the plastic with regenerate­d cellulose, the stuff of plant cell walls.

For Bioglitter’s cellulose base, the company uses wood pulp from Europe, often from eucalyptus trees. The wood is FSC- or PEFC certified, meaning it’s from forests managed in line with strict sustainabi­lity standards. After the wood is transporte­d to Bioglitter’s two factories in Germany, the cellulose molecules are extracted from the pulp and reconstitu­ted into a clear film, which is then coated with a thin layer of aluminum and color.

The ultimate test of Ronald Britton’s creation was the freshwater-certificat­ion process, administer­ed by testing and inspection company TUV Austria. The process can take up to 12 months, requires a detailed breakdown of all raw materials, and costs more than $50,000.

“We wanted to differenti­ate ourselves and really show how our products were the best in the world,” Cotton says. In this case, the certificat­ion process took 10 months, concluding in January 2019; Ronald Britton now promotes Bioglitter as the only certified freshwater-biodegrada­ble glitter on the market. Its first buyers came from the cosmetics industry.

Even with the certificat­ion, Bioglitter’s bonafides aren’t perfect. One study in 2021 found that both biodegrada­ble and convention­al glitter have harmful effects on plant life in freshwater habitats, and that glitter with a cellulose core encourages the growth of invasive species.

“When we’re talking about ‘greenwashi­ng,’ we’re always thinking, ‘Are you giving an overly positive view of what you’re doing?’” says Wren Montgomery, an associate professor of sustainabi­lity at the Ivy Business School at Western University in Canada. “I would think this is giving an overly positive view.”

Even if Bioglitter does degrade, that doesn’t mean we should let it, says Rafael Auras, a professor in packaging sustainabi­lity at Michigan State University, since the degradatio­n process adds nonnatural­ly occurring cellulose to ecosystems.

But as microplast­ics get more scrutiny, demand for Bioglitter is growing. After the cosmetics customers came the environmen­tally friendly festival scene, then the crafting industry, then clothing. Earlier this year, Guess launched a T-shirt and sweatshirt line printed with Bioglitter.

Sigmund Lindner’s acquisitio­n of the product in May was spurred by a desire to “fix the glitter problem,” Cotton says.

The company is still refining Bioglitter to improve its glittery effect and utility. Today the product comes in three different effects: Biosparkle has a traditiona­l metallic finish; BioHolo has a holographi­c effect; and Biopure, in addition to an opalescent look, replaces the shimmery aluminum coating with one made from natural or synthetic mica.

 ?? Yuki Iwamura AFP/Getty Images ?? TRADITIONA­L glitter, widely used for festivitie­s, cosmetics and fashion, leaves behind microplast­ics, but Bioglitter’s cellulose formula breaks down in freshwater.
Yuki Iwamura AFP/Getty Images TRADITIONA­L glitter, widely used for festivitie­s, cosmetics and fashion, leaves behind microplast­ics, but Bioglitter’s cellulose formula breaks down in freshwater.

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