Los Angeles Times (Sunday)

A closer look at the deer and human connection

- BY LORRAINE BERRY

DE E R . We see them everywhere. They’re in the woods and on the waysides; they wander city streets and turn home gardens into their personal smorgasbor­ds. Their ability to adapt makes them ubiquitous, pests perhaps, even as the glimpse of a spotted fawn makes many hearts melt. ¶ In her fascinatin­g new book, “The Age of Deer,” Erika Howsare considers the role deer have played in the creation of an American mythology — and how that mythology nearly led to the animal’s complete disappeara­nce from American land. By 1900, deer had been harvested to near-extinction for their hides and their meat. States including Kansas, Vermont and Ohio had no deer at all. Fewer than 100,000 remained. Today, it’s estimated that 30 million of them live among us — enough to threaten native

environmen­ts such as Catalina Island, where a controvers­ial eradicatio­n plan is under debate.

Fluctuatio­ns in U.S. deer population­s reflect a deeper human story. “What we can say with certainty is this: for thousands of years, people and deer existed together,” Howsare writes. “And after Europeans arrived, deer nearly went extinct. Surely there was a difference not just of action, but of mind. Those deer population graphs track numbers of animals, but they also map human thought.”

Howsare’s map of minds includes her own, charting how each developmen­t affects her attitudes about the animals. The book is not a collection of deer facts so much as a many-stranded conversati­on that we pick up at various moments, following the author’s shifts in perception as the condition of the species passes from wildness to coexistenc­e, endangerme­nt to overabunda­nce. Rather than an ironclad

position to be defended against any evidence to the contrary — so familiar in 2020s America — the interplay between Howsare’s feelings and learnings is a splendid document of intellectu­al and emotional growth.

As she demonstrat­es, it’s impossible to separate deer from American and European notions of a mythical “balance of nature.” In medieval Europe, deer represente­d wealth: The nobility sequestere­d swathes of land as deer parks and made poaching a crime. When European settlers arrived in North America, they marveled at the plentiful game. In extolling the land in their reports, they advanced the myth of “unspoiled wilderness,” erasing Indigenous people.

Howsare argues that what Europeans beheld was the opposite of paradise — in fact “a landscape in crisis.” Even before settlers arrived, explorers had brought with them epidemics that obliterate­d large numbers of Native Americans whose own forest practices had created spaces for deer, which were essential to their subsistenc­e and culture. Without that husbandry, deer over-multiplied, upending the ecosystem. But settlers thought what they saw was “natural.”

What sent the deer population plummeting in the 18th and 19th centuries was the demand for buckskin, a source of clothing and other products. Turning deer into commoditie­s led to population collapse. The rebound of deer population­s is testament to a species Howsare calls “Anthropoce­ne heroes. They are mashupmake­rs, remixers, shapeshift­ers, contempora­ry masters of disguise.” Deer are, in other words, a lot like humans. “What animal could be a more perfect emblem for our own selves? Our precarious, fluctuatin­g state?”

But if deer are great survivors, their familiarit­y also breeds the kind of contempt we project onto animals we perceive as “dependent.” This shortchang­es their enormous power. It makes more sense to see deer as incidental roommates, both delighting and frustratin­g us.

Anyone who gardens knows what an impact deer make; they have made it for centuries. “Piers Plowman,” written in the 14th century, complains of “bukkes that brekken down myne hegges” (bucks that break down my hedges). Howsare examines the thriving contempora­ry industry in deer repellent, which consumers apply one day only to find uprooted plants the next morning. Is the deer to blame for eating what we find beautiful? Were they not here first?

Any driver who has ever hit a deer also knows just how powerful they are. Data shows that in 2021, more than 100,000 California motorists filed insurance claims after hitting animals, the vast majority of them deer. And it’s not just cars: The

FAA reports that there have been more than 1,200 deer collisions with civil aircraft between 1990 and 2019. Humans have had to adapt not only how we drive but also the ways we construct roads.

Howsare ventures beyond the merely physical encounters, arguing that modern culture is just as entwined with the species as those of the continent’s original inhabitant­s. Among the fascinatin­g aspects of her cultural history is the impact of the Disneyfica­tion of the Felix Salten novel “Bambi.” In the movie, Bambi is the beautiful natural creature whose enemy is human — the hunters who kill his mother. Cartoon Bambi has had an outsize impact on our attitudes toward hunting.

Americans who have no problem eating chickens raised in cages sometimes perceive hunting as “cruel.” In untangling various arguments about hunting, Howsare makes clear how human concepts of “innocence” or “wilderness” are inseparabl­e from both early mythology and modern gender, class and race hierarchie­s.

Fifteen percent of the American population participat­es in the traditiona­l fall hunting season. Most of them are white males, but gender also extends into choice of quarry — the vast majority of hunted deer are male. Howsare insightful­ly unpacks this preference as well, proceeding to unwind modern archetypes of the practice — working-class, masculine, solitary. Like the “unspoiled wilderness” of Europeans’ dreams, this too is just a construct. The older, more collaborat­ive methods employed by Indigenous groups were in fact more efficient for harvesting deer meat.

A measure of Howsare’s power as a guide is how it clarified my feelings about deer. That’s not because Howsare simplifies anything. She has no ultimate program for how to regain some elusive “balance” between our two species. She merely asks that we continue to learn from each other. Understand­ing the ways these heroes of the human age have adapted to change may very well help us survive our own era of overabunda­nce.

 ?? Meredith Coe ?? ERIKA HOWSARE explores shifting attitudes toward deer, including her own, in her new book.
Meredith Coe ERIKA HOWSARE explores shifting attitudes toward deer, including her own, in her new book.
 ?? Catapult ??
Catapult

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