Los Angeles Times

Rediscover­ing artist’s ‘Universe’

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At Jack Rutberg Fine Arts, “Claire Falkenstei­n:

An Expansive Universe” is a treasure trove of idiosyncra­tic gems by an artist who was once well known in the U.S. and Europe but is not currently thought of as an integral part of Los Angeles art history. That may change. In any case, don’t miss this opportunit­y to see 33 works Falkenstei­n (19081997) made from 1939 to 1981.

It’s a pleasure to discover her funky little collages on painted wood, jittery abstract gouaches and rocksolid clay sculptures, all made in San Francisco before she moved to Paris in 1950. Three pieces from her years in Paris stand out: a brass necklace that seems primitive and Egyptian; a dense little tumbleweed made of strands of copper and partially melted chunks of glass; and a 6-foot-long swirl of metal woven to resemble a Space Age chrysalis.

In 1963, Falkenstei­n moved to California, where she settled into a beachfront studio in Venice and began working on many public commission­s. She also made tiny sculptures that fused copper and glass, dot paintings that paid homage to Lee Mullican and elegant screen-like reliefs, all while experiment­ing with unlikely combinatio­ns of cast resin, Mylar and enamel.

Throughout the show, the sense of discovery is palpable. It matches the ethos of fearless experiment­ation that Falkenstei­n embraced as she hopscotche­d among media, finding surprises and laying the groundwork for such contempora­ry artists as Liz Larner and Pae White. Like Falkenstei­n, neither confines herself to a single medium and both are equally inspired by art, craft and design.

Jack Rutberg Fine Arts, 357 N. La Brea Ave., (323) 9385222, through April 28. Closed Sundays and Mondays. www.jackrutber­gfinearts.com.

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