Los Angeles Times

WILL A NEW FILMMAKER SAVE THE DAY?

Warner Bros. will soon have to go without Christophe­r Nolan for its superhero films

- BY BEN FRITZ

Warner Bros. will need a new hero to invigorate its DC Comics brand on the big screen, now that director Christophe­r Nolan’s successful Batman trilogy is coming to an end with next week’s “The Dark Knight Rises.”

Home to such superheroe­s as Superman, Batman and Wonder Woman, DC has struggled to find the same success on the big screen as its Walt Disney Co.-owned rival Marvel Entertainm­ent — despite having a betterknow­n collection of characters.

Nolan’s Batman movies have been the DC brand’s only hits of the last decade, surrounded by modest flops such as 2006’s “Superman Returns” and 2009’s “Watchmen” and such major money-losers as 2010’s “Jonah Hex” and last year’s “Green Lantern.”

As a result, top Warner executives had hoped that Nolan, who is producing next summer’s Superman reboot “Man of Steel,” would agree to serve the same role on the studio’s “Justice League,” which may hit theaters in 2015.

“It was a conversati­on we had,” Warner Bros. film group President Jeff Robinov said. “Obviously anything you can get Chris involved in is great.”

But Nolan has declined the studio’s overtures, the filmmaker confirmed last weekend in interviews promoting the release of his final Batman installmen­t. He also doesn’t plan to produce Robinov’s hoped-for Batman reboot.

The news probably will come as a disappoint­ment to the thousands of people in San Diego this week for Comic-Con Internatio­nal, the annual gathering of genre entertainm­ent aficionado­s. Fans have been eagerly awaiting news of a next DC movie since “Man of Steel” was announced in 2010.

‘My hope is that over the next month or so, we’ll be ready to lay out the plan for the next DC movies.’ — JEFF ROBINOV, president, Warner Bros. film group

Like all Hollywood studios, Warner craves new film franchises, which tend to perform best overseas, generate sequels and drive sales of DVDs, toys and other ancillary products.

Warner’s most successful franchise, “Harry Potter,” came to a close last year. While the studio has a pair of “Hobbit” films kicking off in December, it’s on the hunt for more. The comic book library is the most obvious source of material, given the success Marvel has had over the last few years with movies based on Iron Man, Thor, and Captain America, culminatin­g in May’s $1.5-billion box-office blockbuste­r “The Avengers.”

But none of the DC movies in the works has a producer, director or cast, save for Zack Snyder’s $200-million-plus “Man of Steel.”

As a result, it probably will be at least three years before a new DC title hits the big screen, according to several knowledgea­ble people close to Warner Bros. who were not authorized to speak publicly.

Marvel, by contrast, has four new films coming out by 2014 — new sequels to “Iron Man,” “Thor” and “Captain America,” along with the debut of the interstell­ar team “Guardians of the Galaxy.”

In 2009, Warner reorganize­d its 78-year-old comic book subsidiary under the name DC Entertainm­ent. The new unit was supposed to serve as a guiding force for projects throughout the company. Over the last three years, under former “Harry Potter” brand manager Diane Nelson, DCE has relaunched its line of comics and grown publishing revenue 10%, shepherded a new lineup of animated shows and video games, and helped bring a new TV series based on Green Arrow to the CW Network this fall.

But DCE has not been able to accelerate the movie slate overseen by Robinov, even though its chief creative officer, veteran comic book writer Geoff Johns, has consulted on some of the projects. Johns played no role in Nolan’s Batman movies or “Man of Steel,” said people close to both pictures.

One of the people described Nolan’s creative process as a “black-box operation” into which outsiders have little input.

Despite the studio’s desire to make the most of its DC library, Warner’s creative approach to its DC movies is very different from Marvel’s.

It has tried to keep a single filmmaker involved in numerous pictures, as shown by the attempt to get Nolan for “Justice League.”

Marvel, by contrast, typically hires filmmakers with little experience on big-budget tentpoles who can be had at a low price, such as “Lethal Weapon” screenwrit­er Shane Black, who is directing “Iron Man 3,” and TV comedy veterans Anthony and Joe Russo on “Captain America 2.” They are often replaced by stillnewer filmmakers for sequels. Although Warner would put most of its DC heroes on the big screen for the first time in “Justice League” and then potentiall­y spin them off into their own movies, Marvel introduced four of its key characters in their own movies before teaming them up in “Avengers.”

But with Nolan moving on to other projects, Warner must take a leap of faith. Robinov claims he’s ready to do it soon.

“My hope is that over the next month or so,” he said, “we’ll be ready to lay out the plan for the next DC movies.”

 ?? Ron Phillips Warner Bros. ?? CHRISTOPHE­R NOLAN, shown on the set of Warner’s “The Dark Knight Rises,” has declined to produce the film “Justice League.” His Batman films have been the DC brand’s only hits of the last decade.
Ron Phillips Warner Bros. CHRISTOPHE­R NOLAN, shown on the set of Warner’s “The Dark Knight Rises,” has declined to produce the film “Justice League.” His Batman films have been the DC brand’s only hits of the last decade.

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