Los Angeles Times

Homing in on Pinter

- By F. Kathleen Foley calendar@latimes.com

The pith of Harold Pinter is in the subtext. Innocuous interchang­es — about a pilfered cheese roll, a ticking clock, a piece of fried bread — take on layers of meaning and menace that transcend the infrastruc­ture of text.

That is, given the right combinatio­n of director and actors. Together, they must dig in and do their homework in order to interpret this most challengin­g and rewarding of playwright­s.

The stars certainly align in Pacific Resident Theatre’s current production of Pinter’s “The Homecoming” — an optimum effort from all involved.

The action is set in a working-class English household in 1965, before the advent of the metrosexua­l male, for whom cooking and housekeepi­ng hold no terrors. And, indeed, Norman Scott’s grimily claustroph­obic set, with its grubby Charlotte Perkins Gilman wallpaper, is a distinctiv­ely masculine milieu, untouched by a female hand for many years.

The ruling rooster of this grubby roost — or so he would like to think — is Max (Jude Ciccolella). Max is the viciously irascible patriarch of a thoroughly unsavory clan, which includes Max’s unmarried and possibly homosexual brother, Sam (An- thony Foux), and Max’s sons, punch-drunk aspiring boxer Joey (Steve Spiro) and scheming Lenny (Jason Downs).

A surprise visit of eldest son Teddy (Trent Dawson), a philosophy professor now living in America, and his icily attractive wife, Ruth (Lesley Fera), violently upends the balance of this womanless household. Ruth quickly becomes the cynosure of desire — and loathing — for her in-laws, whose atavistic longing takes bizarre twists.

Director Guillermo Cienfuegos elicits multilayer­ed performanc­es from his excellent actors, who, under his inspired tutelage, dig deep for their subterrane­an motivation­s.

The dapper Downs and the reserved Fera are particular­ly chilling standouts. Fera has the stone-faced quality of a carved Madonna, but her Ruth conceals depths of blithe depravity, while Downs’ Lenny has the creepy impishness of a grown-up Peter Pan poised on the brink of mayhem.

 ?? Ashley Boxler Pacif ic Resident Theatre ?? TRENT DAWSON, left, Steve Spiro, Lesley Fera and Jason Downs in Harold Pinter’s “Homecoming.”
Ashley Boxler Pacif ic Resident Theatre TRENT DAWSON, left, Steve Spiro, Lesley Fera and Jason Downs in Harold Pinter’s “Homecoming.”

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