Los Angeles Times

Capturing irony in an epic war

‘ Sus’ Ito’s photos offer intimate portrait of the life of Japanese Americans fighting in Europe amid families’ internment at home

- By Carolina A. Miranda

Susumu Ito took thousands of photos while he fought for the U. S. in World War II. His images, on display in Little Tokyo, are an intimate portrait of Japanese Americans fighting in Europe while their families were interned at home.

Just two weeks shy of his 96th birthday, a dapper Susumu “Sus” Ito strolls easily around an exhibition of his work at the Japanese American National Museum in Little Tokyo wearing a bright gingham shirt, a gardenia peeking from the lapel of his sport coat.

Memories come flooding back as he walks past his photograph­s, taken when he was a soldier during World War II: the ornery mule his unit encountere­d somewhere along the border between Italy and France. The weary peasant couple standing outside their bullet- strafed home. The fellow serviceman who playfully covered his face when I to attempted to snap his portrait in the middle of the Vosges Mountains in France.

“I can’t stop looking at some of these,” Ito exclaims joyfully. “I’m seeing some of them for the first time!”

Ito’s pictures offer an intimate view of daily life in the middle of one of the 20th century’s most epic conflagrat­ions. But they are remarkable for another reason, too. The photograph­er was part of the U. S. Army’s 442nd Regimental Combat Team, a segregated unit made up of Japanese American soldiers.

As many of their families sat in internment camps in the U. S., this group of young men fought in eight major European campaigns. They also led the daring rescue of a group of nearly 300U. S. soldiers— the so- called Lost Battalion— that had been surrounded by Germans in the Vosges. In the process, the 442nd became the most decorated unit in U. S. military history, a title it holds to this day.

Through it all, Ito was taking pictures ( despite the fact that he wasn’t supposed to have a camera on him at the front). And he has donated his vast archive— thousands of images— to the Japanese American museum, where several dozen went on view this week as part of the exhibition “Before They Were Heroes: Sus Ito’s World War II Images.”

“It covers a gap in the imagery of World War II,” says Lily Anne Welty Tamai, the museum’s curator of history. “We don’t just see white soldiers. We see Asian American soldiers sitting in cafes with Italian and French women. We see Asian American men holding the American flag. We see some of the only images of Asian American men in combat during thewar. Asian Americans can be so invisible. That’s what makes this so important.”

During the war, Ito says, Europeans were often stunned to see a regiment of Japanese soldiers in American uniforms roll into town. “Sometimes when Germans

were captured,” he recalls with a belly laugh, “we’d tell them, ‘ Don’t you know that Japan is fighting with the U.S Army now?’ ”

Certainly, Ito didn’t set out to become an important chronicler ofwar.

The American- born son of Japanese immigrants who worked as sharecropp­ers in Stockton, he was a mischievou­s student in elementary school ( one particular­ly good tale involved young Ito coming to class with his pockets stuffed full of grasshoppe­rs). He straighten­ed out by high school and was even accepted to UC Berkeley. But concerned that his Japanese heritage might be a hindrance, Ito’s parents pushed him to do something more practical.

“I was a good mechanic,” he says, “so I focused on that.”

He was drafted into the Army and spent much of the early war years as a motor sergeant in Riverside. But the job, he says, was boring. When the opportunit­y arose to join the 442nd as a forward observer, he jumped on it.

Amongthe belonging she took to Europe was an Agfa Memo, a 35mmcamera that fit neatly into the palm of the hand. Itwas cheap, with limited focus and zoom capabiliti­es, but itwas easy to transport.

“I wanted to take one because we weren’t allowed to,” Ito says with a wry grin. “I like to break the rules.”

But, surprising­ly, the camera was never confiscate­d — and somehow Ito made it from Newport News, Va., to Italy’s Adriatic Coast with the little Agfa tucked safely into the front pocket of his field jacket.

Ito spent his deployment in Europe, which began in 1944 and lasted through the war’s end, taking pictures.

He would load the cartridges under his blankets at night so the film wouldn’t become exposed and then wrap the cartridges carefully in tin foil for safe- keeping.

“Then I’d get them developed along the way,” he recalls. “Photo shops pop up like magic when you liberate a town.”

He would then send the negatives to his parents, who were being held at the Rohwer internment camp in Arkansas.

Ito was never interned himself. But his family— his father, mother and two sisters — was. During basic training at Camp Shelby in Mississipp­i, he had an opportunit­y to visit them at Rohwer, whichwas just a few hours away. While he was there, naturally, he took plenty of pictures, including images of family members sitting before their militaryst­yle barracks. ( These are also on display at the Japanese American museum.)

And the fact that he was fighting for a country that had imprisoned his family? “Well,” he says nonchalant­ly, “itwas ironic.”

In his European images, Ito captures plenty of charming moments and picturesqu­e scenery, but he also records the harsh realities of war. There are photos of the dazed- looking soldiers of the Lost Battalion, who had some how fended off the Germans until help arrived. There are silhouette­d outlines of fleeing refugees. And there is the image of Adolf Hitler’s bombed- out Bavarian retreat.

Some of the most powerful photos capture concentrat­ion camp prisoners after their release. Oneman, clad in stripes, smiles deliriousl­y into the camera’s lens.

Ito was part of the 522nd Field Artillery Battalion ( a subdivisio­n of the 442nd), which was sent into Germany toward the end of the war). The battalion was the first to arrive at some of the subcamps at Dachau.

“To suddenly see the prisoners in the stripes,” says Ito, “it was ...” For the first time in our interview, he is unable to find words to express what he saw.

After the war, Ito moved to Cleveland, where his family had settled after its release from internment. He attended college, where he became obsessed with biology. And for more than half a century, he had an extraordin­ary career as a cell biologist— spending much of itas a researcher and professor at Harvard Medical School. He also married ( his wife, Minnie, died three years ago), had four children and is the grandfathe­r of five.

When he shipped out to Europe in 1944, Ito took with him three important objects: his camera, a small Bible and a senninbari, a Japanese belt given to soldiers on their way to war. His mother had crafted this traditiona­l protective amulet out of a bleached flour sack — the only material available to her in the internment camp. Ito never wore it in the field, since he was worried itmight raise eyebrows among his superiors. But he dutifully carried it in his pocket wherever hewent.

“Howdid I stay safe when so many colleagues died?” he asks. “I accept the possibilit­y that the senninbari protected me. I give credit to my mother’s love.”

 ?? Photograph­s by Katie Falkenberg
Los Angeles Times ?? ITO’S WORK
“covers a gap in the imagery ofWorldWar II,” says the Japanese American National Museum’s Lily AnneWelty Tamai.
Photograph­s by Katie Falkenberg Los Angeles Times ITO’S WORK “covers a gap in the imagery ofWorldWar II,” says the Japanese American National Museum’s Lily AnneWelty Tamai.
 ??  ?? “I LIKE to break the rules,” Susumu “Sus” Ito says of sneaking a camera with him to Europe inWorldWar II.
“I LIKE to break the rules,” Susumu “Sus” Ito says of sneaking a camera with him to Europe inWorldWar II.
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 ?? Katie Falkenberg
Los Angeles Times ?? IMAGES
taken by Susumu “Sus” Ito are the focus of “Before TheyWere Heroes” at the Little Tokyomuseu­m.
Katie Falkenberg Los Angeles Times IMAGES taken by Susumu “Sus” Ito are the focus of “Before TheyWere Heroes” at the Little Tokyomuseu­m.

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