Los Angeles Times

The secret of the ‘Segundas’

‘Luchadora’ is part of an art project, says Lorenzo Hurtado Segovia. He calls its reemergenc­e ‘unreal.’

- By Carolina A. Miranda carolina.miranda@latimes.com Twitter: @cmonstah

One of artist Lorenzo Hurtado Segovia’s works he donated has a new owner.

In late July, artist Javier Ramirez went to a thrift store in Reseda and spotted a somewhat surreal painting. The image of a little girl wearing what appeared to be a wrestling mask appealed to him so much that he snapped a picture of it with his phone. But he didn’t buy it, even though it was priced at just $4.99.

What Ramirez didn’t know was that “Luchadora,” as the piece was called, was from the “Segundas” series of paintings created as part of a conceptual art project by Lorenzo Hurtado Segovia.

The Los Angeles artist’s work has appeared in galleries and museums all over California and beyond, but for the “Segundas” series, Hurtado makes art pieces inspired by thrift-store paintings — then he turns around and donates the works to random thrift stores to be sold for whatever the floor manager thinks they might draw. (Hurtado sells photograph­s of the paintings through his downtown gallery CB1, but never the works themselves.)

After a story about Hurtado’s thrift store series appeared in this paper, Ramirez recognized the painting he’d seen in the Reseda shop as one of the “Segundas” pieces.

He returned to the thrift store, this time with the intention of buying the painting, but it had been sold. He nonetheles­s sent Hurtado the photo he’d snapped via Instagram.

“I took the pic on July 30,” Ramirez wrote. “Thought it was cool. Gotta learn to trust my thrift store intuition a bit harder. Haha. Was very close to buying it that day.”

“Luchadora” was floating around out there, in the hands of a lucky unknown buyer.

That unknown buyer was Sean Riley.

Riley lives in L.A. and works at the Recording Academy, which administer­s the Grammys and much more.

In his spare time, he likes to dig around thrift stores. About a month and a half ago, he bought Hurtado’s piece at the Reseda shop — for $4.99. Since then, it has hung in his office in Santa Monica.

“I liked it immediatel­y,” he said via email. “It jumped out at me from the rear of the store. I nearly gave up on getting it because it took forever for the staff at the store to find a ladder to get the picture down from the wall and I had my three-year-old daughter with me.”

He learned of the painting’s history only when a colleague emailed him a link to the Times story, which included a reproducti­on of “Luchadora,” painted in 2014 after Hurtado was inspired by a hand-drawn portrait of a little girl.

Hurtado says the experience of having one of his works reemerge is “unreal.” The artist has made roughly two dozen “Segundas” (Seconds) over the last decade and wasn’t aware of the fate of any of his works.

“I had only imagined the possibilit­ies,” he says. “So to see something concrete, it’s quite incredible. And the path is so amazing.”

Part of Hurtado’s “Segundas” experiment is toying with the mechanisms of the art market — his donated original paintings can end up in the hands of a random buyer like Riley, or, for all he knows, in the garbage.

So he was thrilled to find out that someone had bought the work simply because he enjoyed it.

“Someone clicked with it and liked it enough and wanted it enough,” he says. “He considered it worthy — and not just because it hung in a gallery.”

Now that the secret of the “Segundas” is out, Hurtado says he is going to take a break from making further donations to thrift stores. The whole intent of the project is to subvert art-market hysteria — not drive it. But he will probably continue to make the works.

“I need to think about how I move forward,” he says.

“The question that comes up now is of provenance. The piece was bought for $4.99, but what is its value now? How much would it be? And now that we have the original, what happens to the reproducti­ons? I’m still processing everything.”

Riley, for one, says the story behind the picture doesn’t change his view of it.

“But many people seem to think it validates both my taste and my thrift store habit,” he says. “Thrift stores are like the lottery: There’s always the chance you’ll find something amazing.”

 ?? Lorenzo Hurtado Segovia CB1 Gallery ?? “LUCHADORA” was inspired by thrift store art, and then donated back to a thrift store, says its creator.
Lorenzo Hurtado Segovia CB1 Gallery “LUCHADORA” was inspired by thrift store art, and then donated back to a thrift store, says its creator.

Newspapers in English

Newspapers from United States