Los Angeles Times

IN THE KNOW ON SAKE

Beverage director Roberto Loppi suggests exploring the many different styles to find your favorite type.

- By S. Irene Virbila irene.virbila@latimes.com

If ordering sake at a sushi restaurant brings on a panic attack, you’re not alone. Sake is complicate­d, at least at first. To help decipher the labels and learn enough about the fermented rice beverage to order with confidence, we turned to sake educator Roberto Loppi.

Currently beverage director for the Montage in Beverly Hills, the Italian native is an experience­d sommelier who has made it his mission to educate consumers and sommeliers about sake. He pairs sake with the tasting menu at Scarpetta in Beverly Hills, and he also created the sake menu for the Vietnamese restaurant District by Hannah An near West Hollywood.

How did an Italian sommelier get into sake? Loppi was working at Hakkasan in London and its other locations around the world and was required to match sake with the high-end restaurant’s modern Chinese food. He began to educate himself by reading, tasting — and by going to Japan, where he met sake masters and visited breweries. He got hooked on the diversity and versatilit­y of sake, which goes back about 2,000 years in Japan (the cultivatio­n of rice dates back more than 7,000 years).

What fascinates Loppi about sake is the drink’s purity and freshness, which is a reflection of the Japanese culture. But he’s also fascinated by the contrast between tradition and technology. “When I visited some breweries, they might have the most advanced technique for checking the temperatur­e of the fermenting mash and not even have a little stepladder to stand on but use an old beat-up stool. That kind of contradict­ion is fun,” says Loppi.

And while sake production is declining in Japan for a variety of reasons — including a downturn in consumptio­n in the country — there are still about 1,200 sake breweries there. With the exception of 10 to 15 large-scale facilities, most are small, family-owned businesses with just a handful of employees. It’s a hard life, and fewer people are interested in

becoming brew masters.

These days in Japan, the younger generation is drinking less sake and more spirits and imported wine. About 30% of Japan’s sake exports are destined for the U.S., which sounds impressive until you learn that only about 2% of Japan’s sake production is exported. Sake is made in America as well: In California there’s been a Takara Sake Brewery in Berkeley since 1982 and Ozeki brewery in Hollister since 1979. Loppi just visited the SakéOne facility in Forest Grove, Ore., just west of Portland, a city he says is very sophistica­ted.

Sake is not a rice wine but is fermented more like beer. Different strains of rice and yeast yield different flavors. The texture, or mouthfeel, is affected by water, which should ideally be soft, with low minerality. And while the style of sake is more important than where it’s made, sakes from the north of Japan, where it’s colder, tend to be a little bit drier and more delicate, while sakes from the south tend to be a bit bolder and richer in taste.

The most important factor in determinin­g a sake’s style is the amount of milling given to the rice. Grains polished down to 60% or 70% will create a very different sake than grains polished down to 23%, say. This is because each rice grain has a starchy core surrounded by proteins and fat. The more starch and less proteins and fat you use, the higher the grade of sake obtained. Considerin­g that sake is made with just four ingredient­s — rice, yeast, water and kogi (a friendly mold ) — it’s amazing how different the end products can be.

There are different styles of sake too. Sakes with ginjo on the label are fruity and aromatic, with an appealing acidity. Daiginjo, made from rice polished down to 50% or less, is even more premium, light and fragrant. Junmai ginjo is from Hiroshima in the south and is refreshing, sometimes slightly sweet with a compelling complexity and a lot of savory notes.

Sakes from the snowy Niigata, up in the north, are very dry and delicate, mostly because of the pristine water and air. Nigori is very different, milky, slightly effervesce­nt with a gentle sweetness. It’s the result of letting some of the sake lees (dead or residual yeast left after fermentati­on) fall into the bottle, turning the liquid cloudy. (Nigori means cloud or milky.)

Next time you’re confronted with a sake menu, start by ordering a ginjo or daiginjo, and if you like that style, try a more expensive one next time. Just as in learning about wine, it’s important to taste great examples of each style. Each time you discover a sake you like, you’re becoming more knowledgea­ble.

You can order with confidence at a sushi bar or Japanese restaurant. But don’t stop there. Try pairing sake with Chinese food or Mediterran­ean appetizers. The combinatio­ns that work can be surprising and wonderful.

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 ?? Michael Robinson Chávez Los Angeles Times ?? ROBERTO LOPPI, beverage director at the Montage, traveled to Japan to study its sakes.
Michael Robinson Chávez Los Angeles Times ROBERTO LOPPI, beverage director at the Montage, traveled to Japan to study its sakes.

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