Los Angeles Times

Violence repels in new ‘Martyrs’

- — Noel Murray

Writer-director Pascal Laugier’s 2008 French horror film “Martyrs” has a wellearned reputation as one of the scariest, goriest movies ever made — so extreme that it pushes past exploitati­on into art. The new American remake from screenwrit­er Mark L. Smith (“The Revenant”) and directors Kevin and Michael Goetz sells a softer version of Laugier’s vision. The result is pointlessl­y repellent.

Bailey Noble stars as Anna, a compassion­ate young woman who’s shocked when her childhood best friend, Lucie (Troian Bellisario), murders a kindly doctor and his well-to-do middle American family, claiming that they were responsibl­e for imprisonin­g and torturing her when she was a girl. Anna doubts Lucie — until she’s abducted and beaten herself by a related cult.

The movie’s title refers to the cult’s stated goal: to study the spiritual awareness that allegedly awakens within women as they “endure the unspeakabl­e sins of the Earth.” To that end, pretty much the entire last half-hour of “Martyrs” consists of characters being punched, shocked, flayed and shot.

Smith and the Goetzes have taken liberties with Laugier’s plot, shuffling the order of events and changing which characters live or die. And while the violence is relentless in the final third of the new “Martyrs,” it’s much less explicit than the French version.

Yet it looks uglier, because the remake doesn’t alter the material substantia­lly enough to give it fresh meaning. Without that reason to be, the movie feels like a thin excuse to show image after image of women being abused. This “Martyrs” has the bones of its predecesso­r, but it’s been bled dry. “Martyrs.” No MPAA rating. Running time: 1 hour, 26 minutes. Playing: TCL Chinese 6, Hollywood.

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