Los Angeles Times

Rise and fall of mash-up master

- — Noel Murray

When Adam “DJ AM” Goldstein died of a drug overdose in 2009, he was one of the world’s best-known turntablis­ts, yet aside from a posthumous cameo in “Iron Man 2” and a few appearance­s on other people’s songs, he didn’t leave behind the kind of recorded legacy that other popular artists do.

If nothing else, Kevin Kerslake’s “As I AM: The Life and Times of DJ AM” offers a chance to see and hear what made Goldstein a millionair­e. A master of the “mashup” — that crowd-pleasing style that weaves multiple songs into one delirious mega-mix — DJ AM delighted drunken dancers by making sonic connection­s that few could imagine.

But given how little of the man’s best work is commercial­ly available, it’s disappoint­ing that Kerslake’s film skews so much toward the personal, dwelling on Goldstein’s turbulent childhood, his struggles with obesity, his debilitati­ng crack habit and — for some reason — his sneaker collection.

Kerslake does chart how Goldstein helped legitimize the kind of celebrity DJ who makes millions for spinning at superstars’ birthdays. “As I AM” is also a useful document of a minor cultural revolution, facilitate­d by advances in music-splicing software.

It’s just that too much of the film prioritize­s the DJ’s problemati­c personal life over what made him famous. AM’s fans should get a lot out of the documentar­y, but casual music-lovers may wish Kerslake would just get back to the party.

“As I AM: The Life and Times of DJ AM.” MPAA rating: None. Running time: 1 hour, 49 minutes. Playing: Arclight Cinema, Hollywood.

 ?? Misha Vladimirsk­iy ?? AWAY FROM his turntable, Adam “DJ AM” Goldstein surfs the crowd in a scene from “As I AM.”
Misha Vladimirsk­iy AWAY FROM his turntable, Adam “DJ AM” Goldstein surfs the crowd in a scene from “As I AM.”

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