Great leap into summertime
Missed the Coachella Valley Music and Arts Festival? Bummed you didn’t score tickets to Adele’s upcoming six-night stay at Staples Center or Radiohead’s two-night jaunt at the Shrine Auditorium? Well, there’s plenty of music still to be had this summer, b
THURSDAY-FRIDAY
Corinne Bailey Rae Best known for her breezy 2006 hit “Put Your Records On,” this British folk-soul singer thickened her sound for her funky new album, “The Heart Speaks in Whispers,” which she made partly in Los Angeles with help from the adventurous R&B trio King, among other local talent. Perhaps some of those pals will turn up to jam with Rae during her two-night stand here, the final dates of a U.S. headlining tour before she heads home to open a string of British stadium shows for Lionel Richie. — Mikael Wood Lyric Theatre, thelyricla.com, $25
FRIDAY
Garbage “Strange Little Birds” (Stunvolume) The pioneering synth-rock group reunited four years ago for “Not Your Kind of People,” and now it’s back with a second comeback disc that seems informed by the gigs Garbage played in support of the earlier album. Though it’s still streaked with inventive studiowhiz textures — the bells and whistles that have helped make drummer Butch Vig an in-demand producer — “Strange Little Birds” emphasizes big, fuzzy guitars and singer Shirley Manson’s ultradramatic vocals. — M.W.
Allen Toussaint “American Tunes” (Nonesuch) The swan song recording by the veteran New Orleans songwriter, producer, arranger, pianist and singer, who died last fall at age 77 while on tour in Spain, is a rich pianistic tour de force of American music. Toussaint and producer Joe Henry, with assists from singer Rhiannon Giddens and Renaissance man Van Dyke Parks, put his signature on songs by Fats Waller, Duke Ellington, Bill Evans, Louis Moreau Gottschalk, Professor Longhair and Paul Simon’s elegant title track. It’s a gorgeous, grace-filled journey through the history of American popular music by one of its most artful proponents. — Randy Lewis
Nite Jewel “Liquid Cool” (Gloriette Records) For her first album in four years, Los Angeles artist and producer Ramona Gonzalez pared her sound to its bedroom-disco essence. Drawing on the vibe of contemporary R&B, vintage synth pop and underground beat music, her new album, “Liquid Cool,” brims with anthemic hooks but offers them with a relaxed ambivalence. With textures that suggest “Dirty Mind”-era Prince, the concise three- and four-minute tracks vibe like never-were AM radio hits. It was written and performed by Gonzalez in her home’s walk-in closet; as a result, “Liquid Cool” is missing the commercial sheen that propels couldbe hits onto the mainstream charts. In its stead, though, is something more vital: a singular artistic vision. — Randall Roberts
FRIDAY-JUNE 12
L.A. Pride Music Festival The annual weekend-long LGBTQ celebration has greatly expanded its music offerings this year with ticketed multi-act concerts. Among the high-profile headliners are Carly Rae Jepsen and Charli XCX, two nimble pop singers who know how to match their voices to sleek electronic arrangements. But other worthy acts pepper Pride’s undercard, including New Orleans bounce ambassador Big Freedia, R&B veteran Faith Evans, rising soul singer Gallant and young dance-rap phenom Shamir. — M.W. West Hollywood Park, www.lapride.org, $25-$125
JUNE 17-19
EDC Las Vegas This is the 20th Electric Daisy Carnival, and America’s largest music festival shows no signs of slowing down. While a lot of the EDM-centric lineup has passed through the fest before — top acts again include the likes of Kaskade, Tiesto and Zedd — the main attraction is the heaving maw of neon-clad teens and twentysomethings and the unmatched production design. After three days of 6 p.m. to 6 a.m. partying, you’re going to need a vacation all over again. — August Brown Las Vegas Motor Speedway, lasvegas.electricdaisy carnival.com, $355
JUNE 18
John Carpenter Best known for his work directing horror movie classics, including “Halloween,” “Christine,” “The Fog” and “Escape From New York,” John Carpenter is also an innovative electronic composer who has scored many of his own movies. A few years ago, Carpenter unleashed “Lost Themes,” his first release of new music not tied to a film; last month, he issued its sequel, “Lost Themes II.” In honor of its release, Carpenter is embarking on his first music tour, where he and a band will play works from throughout his remarkable career. — R.R. The Orpheum, laorpheum.com, $36.50-$76.50
JUNE 23-26
BET Experience Since 2013, BET has anchored its awards spectacle with a multi-day festival at downtown’s L.A. Live. Expect free concerts from buzzy emerging artists alongside ticketed headliners at Staples Center as well as late-night club shows, celebrity panels, wellness seminars and a film festival. Usher, Lil Wayne, 2 Chainz and the Roots are this year’s marquee acts. But it’s the wide range of emerging artists that makes the bill worth checking out, including genrestretching R&B singers Kehlani, Byrson Tiller and Ty Dolla Sign, as well as rap producer du jour Metro Boomin. Rappers Fetty Wap, ASAP Ferg and Tory Lanez round out the four-day fest. — Gerrick D. Kennedy L.A. Live, www.bet.com /bet-experience.html, Single-day Staples Center show tickets start at $49.50, with three-day packages starting at $148.50. Ticket prices for those appearing at other L.A. Live venues will vary by artist.
JUNE 24
Rae Sremmurd “SremmLife 2” (Ear Drummers/Interscope) Tupelo, Miss.-born brothers Khalif “Swae Lee” Brown and Aaquil “Slim Jimmi” Brown broke out of the South in 2015 with a string of hardened hip-hop tracks rife with catchy melodies and screamalong hooks. The best of them, “Come Get Her,” “Throw Some Mo” and “No Flex Zone,” turned the two into teen idols. Like the first album, “SremmLife 2” has been overseen by executive producer and platinum hitmaker Mike Will Made It, and the three tracks issued suggest a summer once again soundtracked by Rae Sremmurd. — R.R.
JUNE 27
Anderson .Paak .Paak was a highlight at this year’s Coachella — bouncing across the stage and taking to a drum set while leading his band through the blurred lines of hip-hop, R&B and weirdo electronics. It’s obvious now that Dr. Dre saw a special talent when he brought .Paak onto his “Compton” LP, and .Paak is more than ready for his star-making turn. This Ace Hotel set should feel as much like a coronation as an introduction. — A.B. The Theatre at the Ace Hotel, www.acehotel.com/losangeles /theatre, $25-$100
JULY 1
Blink-182 “California” (BMG) Longtime fans of the SoCal poppunk trio are likely to balk at the official use of the Blink-182 name, given that “California” is the band’s first album without founding singer-guitarist Tom DeLonge (who’s focusing on his own projects, including an impenetrable sci-fi novel). Still, lead single “Bored to Death,” featuring new guy Matt Skiba, undeniably hits all the vintage notes: propulsive tempo, shouty melody, words about how it’s a long way back from 17. It’ll fit right in with the oldies that Blink — or “Blink” — plays on its extensive summer tour. — M.W.
Maxwell “BlackSUMMERS’night” (RCA) In 2009, Maxwell issued “BLACKsummers’night,” his first album in eight years and the first in a planned trilogy. The album was one of the year’s most lauded releases. He went on two back-toback successful tours. And then he disappeared — again. It took seven years, but the next installment, “BlackSUMMERS’night,” will finally be released this summer. The album is peak Maxwell, with classically minded R&B grooves that are elegant and deeply seductive. Hypnotic single “Lake by the Ocean” serves as a reminder that sometimes the wait is, indeed, worth it. — G.D.K.
Bat for Lashes “The Bride” (Parlophone/Warner Bros. Records) Summer, the perfect time for romances to blossom amid cheery, bubblegum pop. Unless you’re Natasha Khan, whose Bat for Lashes project returns after four years this summer. In her case, bring on the steamy, Gothic heartbreak, as “The Bride” documents the woes of a woman whose husband-to-be dies on the way to the wedding. Uplifting stuff it is not, but if a spring show in Los Angeles was any indication, it’s engrossing, as Khan delivers the novel-worthy sadness with booming, choppy beats and chilling, watery synthesizers. — Todd Martens
JULY 10
Brian Wilson Band / “Pet Sounds” 50th anniversary In this anniversary year of the Beach Boys’ album that consistently appears at or near the top of fan and critics’ polls of the greatest albums of the rock era, the group’s creative leader will serve up a complete performance of this boundary-stretching work, which remains as much a wonder to behold in 2016 as it was in 1966. The album is being given a deluxe reissue on four CDs and one Bluray disc, due Friday, with even more archival extras to complement those included on the stunning 30th-anniversary CD box set that Capitol Records put out in 1996. — R.L. Hollywood Bowl, www.hollywood bowl.com, $14 to $151
JULY 16-18
In the Red Records anniversary For the last quarter century, label chief Larry Hardy has delivered a mass of rock ’n’ roll nearly unparalleled in both volume and distortion. Over that period, In the Red Records, named either for a negative bank balance or a to-themax amplification philosophy, has issued hundreds of singles (the 7-inch vinyl kind), albums, CDs and tapes. The label will celebrate its 25th anniversary with a threeday festival by some of its best acts, including the Oblivians, the Gories, Boss Hog (with Jon Spencer and Cristina Martinez) and Cheater Slicks. Equally impressive, though, will be the younger acts the label continues to support. Those will include a performance of Ty Segall and Mikal Cronin’s 2009 collaboration “Reverse Shark Attack,” the first live show by Segall’s new band GØGGS and sets from hot young garage and psychedelic punk acts Wand, Meatbodies and many others. — R.R. The Echo and Echoplex, www.theecho.com, $21.50-$123.50
JULY 29
Fantasia “The Def inition Of …” (RCA) A dozen years after winning “American Idol,” Fantasia Barrino is at the top of her game. Her last album, 2013’s “Side Effects of You,” was a sumptuous mix of contemporary R&B, rock and vintage soul that served as a triumphant comeback after years of personal and professional setbacks. The drama is long behind her now, and her upcoming record sees her expanding her range. While lead single “No Time for It” aims for R&B summer anthem status, country ballad “Ugly” and smoky throwback “Sleeping With the One I Love” see her painting far outside her usual palette. — G.D.K.
AUG. 9-10
Alabama Shakes There are many hot shows in Los Angeles in early August, and you had to be quick if you wanted to snare tickets to Radiohead at the Shrine or Adele at Staples Center. Getting into Alabama Shakes at the Greek won’t be easy either, but at least some seats on the secondary market can be had for less than $100. The good news: No matter where you’re sitting, the raspy, passionate vocals of Brittany Howard will feel electric, and the Shakes’ brand of Southern soul is getting only more trippy. Reference points may include James Brown one moment, Marvin Gaye the next, but increasingly the Shakes are feeling timeless. — T.M. The Greek Theatre, www.lagreek theatre.com, Sold out
AUG. 12
Leon Russell “The Homewood Sessions” (All Access) Russell was just emerging as a star in his own right in 1970 when he and his ragtag band of instrumentalists and singers wandered into the Vine Street Theatre in Hollywood to tape a one-hour special for L.A. public station KCET Channel 28 and other public TV outlets. The result was the blossoming of the former L.A. studio musician into the “Master of Space and Time” personae he took on as one of rock’s most colorful characters of the early ’70s. The 21-track album includes many of the songs that earned him belated induction into the Rock and Roll Hall of Fame in 2013: “Delta Lady,” “Superstar,” “A Song for You” and his versions of the Rolling Stones’ “Honky Tonk Woman” and Bob Dylan’s “It Takes a Lot to Laugh, It Takes a Train to Cry.” — R.L.
AUG. 19
Vaud & the Villains This L.A.-based musical-theatrical collective has taken Bruce Springsteen’s 2006 “Seeger Sessions” celebration of big band-folkgospel-jazz as a starting point and expanded it into a fully staged juggernaut that’s as joyful as pop music gets. Having begun almost a decade ago playing vintage numbers from the past century of American music, the Villains recently released an album of original material, fittingly titled “Original Salvation.” Their live shows are an irresistible blend of inspired musicianship, bawdy humor, stylish theatricality and unfettered human spirit. — R.L. Ford Amphitheatre, fordtheatres.org, $35
AUG. 27-28
FYF Fest What was once a scrappy, sometimes uncomfortable festival has gradually matured into one of Southern California’s most formidable summer offerings. Today, FYF Fest may have its sights more on the mainstream than the underground, but it hasn’t shed its adventurous roots. Intense, topical local hero Kendrick Lamar anchors the first night, while dance-rock forebears LCD SoundSystem close the second. There’s plenty else to like throughout both days, from the melodic, electronic ambiance of AIR to the jarring, computerized protest music of Anohni to the highly kinetic and colorfully assertive pop of Grimes. — T.M. Exposition Park, fyffest.com, $125-$339
SEPT. 7, 9, 10, 27, 28 AND 29
Drake & Future — Summer Sixteen Tour Drake and Future were already amid of creative surge last year (four releases between the pair, including two that hit No. 1) when they joined forces for “What a Time to Be Alive,” a surprise collaborative mixtape that topped the charts. Now, the frequent collaborators are hitting the road for a co-headlining summer tour that continues their victory laps as two of rap’s MVPs. Both are masters at the art of mood creation, with Future’s mind-numbing club raps and Drake’s emotional singalongs. It’s already one of the year’s hottest tickets too, with Staples Center dates selling out fast enough for the pair to add additional shows at the Forum. — G.D.K.