Los Angeles Times

L.A. CIRCA ’94

- glenn.whipp@latimes.com By Glenn Whipp

See the “People v. O.J.” locations.

Yes, Randy Newman, from the South Bay to the Valley, from the Westside to the Eastside, everybody loves Los Angeles these days. Television, especially. In this recurring feature, L.A. Stories, we look at what TV is saying about the City of Angels in 2016.

Screenwrit­ers Scott Alexander and Larry Karaszewsk­i weren’t lacking characters to include in their sprawling limited series “The People v. O.J. Simpson: American Crime Story.” Consider, with Simpson, his defense team, prosecutor­s Marcia Clark and Chris Darden, Judge Lance Ito and, yes, even socialite Faye Resnick, the woman who gave us the “Brentwood hello,” there was a surplus of stories to tell.

But, in that narrative thicket, the writers wanted to make sure one character didn’t get lost.

“This is such an L.A. story,” Alexander says. “It was very important to give Los Angeles a prominent role.”

“The People v. O.J.” hops from Brentwood and Beverly Hills to the Valley and downtown, using the city’s demarcatio­n to define its characters and the trouble they have understand­ing one another.

Most of the infamous sites involved in the 1994 double murder have been razed, closed or changed. Simpson’s Tudor mansion was bulldozed long ago. Nicole Simpson’s South Bundy Drive condo was sold and extensivel­y remodeled, making it unrecogniz­able. Mezzaluna, the Brentwood restaurant where Nicole dined on the last night of her life and where Ron Goldman worked as a waiter, closed in 1997.

But there were still plenty of spots and props that helped the “O.J.” team tell the story. Here are a few.

1 Robert Kardashian’s home, 16254 Mandalay Drive, Encino

The massive Valley property, described as “garish” and a “Tehran bordello” by “The Run of His Life: The People v. O.J. Simpson” author Jeffrey Toobin, still looks exactly like it did in 1994 when Kardashian leased it and, shortly afterward, let Simpson stay there to keep out of the media spotlight.

“Even the kitchen is stuck in time,” Karaszewsk­i says, “and that’s the room that always spells trouble on a period shoot.”

2 Mr. Chow, 344 N. Camden Drive, Beverly Hills

We first meet John Travolta’s canny defense attorney Robert Shapiro in this elegant Beverly Hills institutio­n, a place where power players come to be seen as much as to eat its Chinese cuisine.

“We originally set this in Spago, but the old Spago is no longer there,” Alexander says. “Mr. Chow is and looks exactly the same. And the people there still float above their worlds, perfect for introducin­g Shapiro.”

3 Marcia Clark’s home, 3314 Club Drive, Cheviot Hills

This modest ranch house stood in for Clark’s Valley location, its ordinarine­ss providing a stark contrast to the swanky homes of defense attorneys Shapiro and Johnnie Cochran.

“We wanted to show the resources the defense team had,” Karaszewsk­i says. “So any time you had a set associated with the defense, it was soft lighting and carpeting and with the prosecutio­n, it’s florescent­s and linoleum. One look at Marcia’s house and you see it needs a paint job, which she probably can’t afford.”

4 O.J. Simpson statue, Flavor Flav’s possession, location unknown

The miniseries ends with Simpson (Cuba Gooding Jr.) standing in his backyard, gazing up at a life-size statue made in his likeness, realizing, perhaps for the first time, that he is no longer that man.

The producers went on a desperate hunt for the real statue before the shoot but couldn’t find it. Then they came across a tweet from musician Flavor Flav, a member of Public Enemy, saying he had it. Too late, though. They used a duplicate (pictured).

“But it could not have found a more perfect home,” Alexander says.

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