Try messing with his kid. Just try.
Mel Gibson so rarely stars in movies these days that his new thriller, “Blood Father,” would be an event even it were lousy. Luckily, it’s a small gem: a good oldfashioned chase picture, thickened with pulp.
Gibson plays ex-con John Link, a growly tattoo artist struggling to stay clean in the California desert. Erin Moriarty plays his long-lost daughter, Lydia, who shows up in his life with murderous drug dealers on her tail, forcing him to revisit some of the worst of his old friends to keep her alive.
Based on a Peter Craig novel, “Blood Father” is like a grubbier version of “Taken,” with Gibson as a super capable dad protecting his daughter using decades of know-how — in this case gleaned from prison and biker gangs. Thirty or 40 years ago, this would have starred Lee Marvin or Charles Bronson and might have become a cult favorite.
Director Jean-François Richet maintains too zippy a pace, not leaving much space for scene-setting or character nuance. But he’s helped a lot by reliable character actors such as William H. Macy (as Link’s neighbor/ sponsor) and Michael Parks (as the kingpin of a racist memorabilia empire).
Most important, Richet has Gibson, whose manic “Lethal Weapon” energy has mellowed into something soulful. Whether Link’s debating politics with his troublesome kid or fighting off armed thugs with just a steak knife, he’s a wonder to watch. The guy playing him is welcome back any time.
“Blood Father.” MPAA rating: R, for strong violence, language and brief drug use. Running time: 1 hour, 28 minutes. Playing: In limited release.