An earnest search for J.D. Salinger
A Jewish outcast at a waspy boarding school, Jamie Schwartz is hardly the only kid in the world to identify with Holden Caulfield. But the protagonist of the gentle memory piece “Coming Through the Rye” has one key distinction: his encounter with Holden’s famously reclusive creator, novelist J.D. Salinger. The movie’s key distinction is Chris Cooper’s forbidding but soulful turn as the idolized writer.
Recalling his own adolescent search for Salinger, writer-director James Sadwith unfolds a mildly engaging coming-of-age road trip, set in a nostalgia-kindled 1969. Yet as heartfelt and personal as the story is, much of it feels like standard teen angst. Even Jamie’s particular obsession with “The Catcher in the Rye” — he’s adapted it for the stage — hasn’t the intended dramatic pull.
As the 16-year-old aspiring writer, Alex Wolff is fittingly earnest and self-involved. Jamie’s open-heartedness is evident; his holy grail is Salinger’s blessing for his independent-study project, but truly he’s seeking communion and validation.
The film conveys this without building a compelling case for why Jamie deserves our attention — or the affection of the smart, spirited and exceedingly grounded Deedee (a captivating Stefania Owen).
The most stirring moment belongs to Cooper, who turns a barely audible, exasperated sigh into a complicated life story.
“Coming Through the Rye.” Rating: PG-13, for some drug material, sexuality and language. Running time: 1 hour, 35 minutes. Playing: In limited release.