THE FORCE IS WITH ‘ROGUE ONE’
The latest ‘Star Wars’ film roars past the competition with its $155-million debut.
With a last-minute jolt to the 2016 box office, Disney’s “Rogue One: A Star Wars Story” shot past all other competition to land the third-best opening of the year.
The film brought in an estimated $155 million in the U.S. and Canada, surpassing analyst expectations of $140 million to $150 million. “Rogue One” is also a hit globally, with $135.5 million, although that’s below expectations of $150 million.
“This is the start you hope for. This is the start you wish for,” said Dave Hollis, Disney’s distribution chief. “We’re excited about the very excited response from audiences.”
With an estimated $200million production budget, “Rogue One” takes place before the events of George Lucas’ first “Star Wars” film from 1977 and focuses on a band of rebels that must steal plans for the Death Star. The first spinoff film in the long-running space opera franchise, it stars Felicity Jones, Diego Luna and Alan Tudyk, among others.
“Rogue One” had the second-highest December debut ever, behind only “Star Wars: The Force Awakens,” which opened last year.
The new film is an important one for Disney as it expands the franchise beyond its central narrative. Its stellar performance for the Burbank entertainment giant, which paid $4 billion for Lucasfilm in 2012, bodes well for the multiple other “Star Wars” movies planned in the next several years. They in-
clude an “Episode XIII” for next year and a Han Solo anthology film for 2018.
“This was a little bit of a litmus test of what these standalone films can mean, both storytelling-wise and commercially,” said Hollis, noting that the spinoffs have the potential to “create a way in” for new “Star Wars” fans. “But the bar that we have to hit is very hard.”
The key to its success is the sustained excitement among the core fan base for anything “Star Wars.”
Critics and audiences alike appear pleased with the spinoff. It has an 84% rating on Rotten Tomatoes, and moviegoers (59% male; 63% ages 25 and older) gave it an A CinemaScore.
Some 62% of viewers saw the picture in regular two-dimensional format, with the rest choosing 3-D screenings. Of the film’s total gross, $29.2 million came from more than 700 IMAX screens worldwide, making it the second-highest December IMAX opening in history, again behind “The Force Awakens,” and the biggest domestic IMAX opening of 2016.
However, the movie couldn’t match last year’s debut of “The Force Awakens,” which earned a recordbreaking $529 million in its first weekend of worldwide release, including $248 million in the U.S. and Canada.
The J.J. Abrams-directed epic ended up being the third-highest-grossing movie ever, with $2.07 billion, behind “Titanic” and “Avatar,” far surpassing expectations.
“The Force Awakens” was the first “Star Wars” movie in a decade, propelled by pent-up demand for the return of the Jedi saga and beloved characters like Princess Leia, Han Solo and Luke Skywalker. The new movie, in contrast, features a cast of almost entirely new characters. It was directed by Gareth Edwards (“Godzilla”).
Although “Rogue One” posted the fourth-highest December opening of all time internationally, one true test of the film’s success will be its debut in China, where “Star Wars” is far less embedded in popular culture. “The Force Awakens” took in $124 million in that country — a sizable sum, but less than many had predicted. “Rogue One” opens in China in early January.
The only other new weekend release was Warner Bros.’ “Collateral Beauty.” The picture, starring Will Smith as a father still struggling to cope years after his daughter’s death, pulled in $7 million.
It came in well below analyst projections of $12 million, but it its performance was good enough for a fourth-place finish for the weekend.
“Collateral Beauty,” which was positioned early on as a potential awards season contender, was panned by critics, with a 14% rating on Rotten Tomatoes. Audiences (59% female; 74% 25 and older), however, have given it an A-minus CinemaScore.
In limited release, critics’ favorite “Manchester by the Sea” expanded widely to the tune of $4.2 million, good enough for sixth place. The film, which received five Golden Globe nominations, has grossed $14 million.
Also expanding was Lionsgate’s “La La Land,” to 200 locations. It pulled in $4 million over the weekend, an overall seventh-place finish. This brings the film’s gross to $5.3 million. “La La Land” is an awards-season frontrunner, with seven Golden Globe nominations.
Another awards-season favorite, Paramount’s “Fences,” opened in just four theaters — two each in Los Angeles and New York — and brought in $128,000.
Debuting this weekend will be Fox’s comedy “Why Him?” Fox’s “Assassin’s Creed” and Sony’s “Passengers,” while Universal’s “Sing” will open Wednesday.