Los Angeles Times

L.A. PHIL Music Director Gustavo Dudamel shares a laugh in 2014 with CEO Deborah Borda, whose exit has captured the arts world by surprise.

Shock and gratitude greet the news of Deborah Borda’s jump to the N.Y. orchestra.

- By Deborah Vankin

The classical music world — and the arts world at large — was reeling Wednesday morning with the sudden and unexpected news that longtime Los Angeles Philharmon­ic President and CEO Deborah Borda will be leaving the organizati­on. She’ll be replacing Matthew VanBesien as president and CEO of the New York Philharmon­ic starting Sept. 15.

“It was pretty unexpected!” said Jesse Rosen, head of the New York-based League of American Orchestras. “I tend to hear rumblings before they happen, and I hadn’t heard anything. If anyone saw this coming, they weren’t saying.”

Rosen said Borda’s departure shouldn’t be a headspinni­ng surprise, but the fact that she’s circling back to head up the New York Philharmon­ic, where she served as executive director from 1991 to 1999, is significan­t and possibly unpreceden­ted in the orchestra world.

“Deborah has been in L.A. 17 years, so the fact that there might be another chapter in her profession­al career shouldn’t surprise people,” Rosen said. “But the surprise of coming back as CEO to a place she’s already [headed up] before, that’s the surprise. I’m not aware of any other instance where [the head of] an orchestra left and went back a second time to be CEO.”

Borda, a New York native who grew up in Queens, is considered one of the most

successful arts leaders in the country. She oversaw the opening of Disney Hall in 2003 and super-charged the Los Angeles orchestra’s endowment to the tune of $255 million, the most recent public figure. She grew its budget from $46 million when she arrived in 1999 to $120 million for the 2015-16 season; the orchestra is now the most financiall­y secure in the country. And, of course, she famously lured the charismati­c, wild-haired “It conductor,” Gustavo Dudamel, in 2009.

So it makes sense the New York Philharmon­ic would come calling.

But few thought that call would come so soon, not least of all the L.A. Phil.

“I think it’s safe to say we were all very surprised,” its executive director, Gail Samuel, said. “Once you think it through and talk to Deborah, it begins to make sense. But, yes, we were definitely surprised.”

In a short phone interview with The Times, Disney Hall architect Frank Gehry both laughed heartily and nearly cried, his voice cracking with emotion over the news.

“My friend is leaving us, right?” he said off the bat. “She told me 24 hours ago. I sensed because she’d been traveling a lot. Her partner lives in New York, and they don’t get to see each other a lot. I felt that urgency coming. But I didn’t know.”

Gehry said that Borda’s rare combinatio­n of talents — both in arts management and as a trained musician who empathizes with artists — “will be hard to replace.” But he’s not concerned about the long-term future of the L.A. Phil, he said.

“Any time a key person like that leaves, there’s challenges. They have to look at their assets, who’s there and assess the realities of that,” Gehry said. “But Deborah’s done what all great administra­tors do. She has trained her team. She’s brought a rigor to the organizati­on. She’s leaving them in really great shape and hands — it’s a well-run ship.”

Nearly everyone reached for comment on Wednesday morning was quick to acknowledg­e what a “get” Borda was for the New York Philharmon­ic.

“The search committee and I immediatel­y knew that Deborah Borda was the best and only person to help lead the New York Philharmon­ic at this pivotal time as we head into an exciting future along with [Music Director designate] Jaap van Zweden,” New York Philharmon­ic Chairman Oscar S. Schafer said in a statement.

“She is recognized worldwide as a premier leader in the arts, and her proven track record of bold vision and innovative leadership fits hand in hand with this great city and this great Orchestra. We could not be more thrilled that she has chosen to return to the New York Philharmon­ic and to her New York home.”

Van Zweden, who was in Los Angeles last week to conduct the Philharmon­ic in a program that included Beethoven’s Fifth, added that he was “thrilled” with Borda’s appointmen­t and what he sees as a “new era” for the New York Philharmon­ic.

“Her energy and commitment to music is unparallel­ed, and she has a special passion for community access and inclusion,” he said in the statement.

Longtime former Los Angeles County Supervisor Zev Yaroslavsk­y, who was responsibl­e for securing about $50 million in public funds for Hollywood Bowl renovation­s and for supporting the L.A. Phil’s 30-year lease on the venue, said that he was “stunned by the news.”

“I had a conversati­on with her about a year ago in which I got the distinct impression that L.A. was her last stop, that she was gonna stay,” Yaroslavsk­y said. “She’s been a significan­t part of making Los Angeles the cultural capital it is. We’re lucky to have had her, but people don’t stay forever.”

Dudamel was traveling internatio­nally and unavailabl­e for comment. However, in a statement that the L.A. Philharmon­ic released Wednesday morning, he spoke affectiona­tely of his and Borda’s mutual journey.

“Deborah and I have come such a long way together in the last 10 years, and it has been a truly productive road that we have traveled,” Dudamel said. “Together we have fought for music education and community, and she believes, as do I, in breaking down walls, not building them. We will miss her energy, vision and spirit … and also her loving and caring presence!”

In the same statement, Borda said her gratitude was “profound.”

“I especially express my deepest thanks and admiration to my partner for now almost the past decade, Gustavo Dudamel,” she said. “Leaving him and indeed my L.A. Phil family is not easy, but my solace is in returning to my home and my family. I have been blessed to work with such courageous and loving partners. The institutio­n is in a robust and healthy state both artistical­ly and financiall­y and is wonderfull­y positioned to continue to make history ... and it will!”

Samuel said that the L.A. Philharmon­ic is hard at work planning its 2018-19 centennial season, which will bear Borda’s influence but that teamwork is essential going forward.

“It’s a big piece of news for everyone today, and that’s still setting in,” she said of Borda’s departure. “But there’s a lot of people here, and we have a lot of plans moving forward, and planning our centennial season; that work has always been done by a team of people — and that continues.”

For his part, Gehry said he may be racking up more frequent-flier miles than usual.

“Oh, man, in terms of friendship and all that, I hate to see her go!” he said. “We’d get together every week for dinner. We’re very close. I guess I’ll just have to go to New York more!”

 ?? Wally Skalij Los Angeles Times ?? DEBORAH BORDA nearly tripled the L.A. Phil’s budget and lured charismati­c conductor Gustavo Dudamel to the city during her 17 years leading the orchestra.
Wally Skalij Los Angeles Times DEBORAH BORDA nearly tripled the L.A. Phil’s budget and lured charismati­c conductor Gustavo Dudamel to the city during her 17 years leading the orchestra.
 ?? Lawrence K. Ho Los Angeles Times ??
Lawrence K. Ho Los Angeles Times

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