Los Angeles Times

‘The Ship’ imagines a futuristic escape

- By Swapna Krishna

The Ship Antonia Honeywell Orbit: 336 pp., $26

The thought of getting on a ship and leaving our civilizati­on behind, with all its faults and drawbacks, may seem appealing in the current political climate. However, as Antonia Honeywell shows in her debut novel, “The Ship,” it comes with its own complicati­ons.

Sixteen-year-old Lalla lives in a dim future where global warming and climate change have ravaged the planet. The British government has fallen apart, replaced by an oppressive regime obsessed with keeping track of its citizens. Your registrati­on is everything; without it, people aren’t entitled to food, a home, or a place in society. To be on the streets without a registrati­on card is to risk being shot. Lalla’s parents have shielded her from these horrors, but she knows they’re out there.

There is a bright spot in all of this misery, though: the ship. All her life, Lalla has heard from her parents about the ship that will take them away from the monotony of their world. It’s their escape plan, their chance to start over.

Lalla isn’t sure whether the ship exists or if it’s a myth created to give her hope. However, all of that changes on her 16th birthday. “I thought about the ship, and the promise of friends, and suddenly I needed to know, more than anything else in my limited, safe, grey world, that the ship was more than a theoretica­l hereafter for the hopeless,” she thinks. And so, finally, she tells her parents she’s ready to leave.

The true nature of the ship is revealed gradually over the course of the novel, and Lalla is disturbed by what she finds. Once on board, safe and with her father as the ship’s leader, she’s moody: her emotions rise and fall with the waves.

“The Ship” is a thoughtful and luminous look at what happens when we get everything we thought we wanted. On the ship, Lalla has all her material needs provided for, someone to love her, shipmates to care for her. The people around her are content to forget the horrors back home, to live only in the present. Why, then, can’t she let go of the land she left behind, or stop dreaming of the future?

It’s both illuminati­ng and incredibly frustratin­g. Lalla is difficult, willful and mercurial. At times I wanted to scream through the pages at this teenage girl, ask her why she can’t appreciate what she has. Her parents have sacrificed everything so that she can be safe and warm and dry. How dare she ask for more? How dare she wallow in her unhappines­s?

But Honeywell is too talented an author to leave the discussion there. Through Lalla, the reader is forced to ask: Is mere survival enough? Yes, there is comfort and there is no imminent threat of death, but is a life defined only by the material things you have worth living? Particular­ly when what you have is mindlessly provided to you?

These are the difficult questions that Honeywell asks through her powerful debut novel. The stream-of-consciousn­ess style is not easy, and Lalla can be a frustratin­g window on this world. But in the end, it’s a provocativ­e novel with difficult questions about the fundamenta­l nature how people choose to live their lives. Krishna writes for Paste Magazine and Syfy Wire.

 ?? Chris Honeywell ?? ANTONIA HONEYWELL wrote the novel “The Ship.”
Chris Honeywell ANTONIA HONEYWELL wrote the novel “The Ship.”

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