Los Angeles Times

Hollywood forgets ‘we’re all just people’

TV and films are ‘out of touch’ with the American mainstream, three women from the South say.

- By Tre’vell Anderson

One can tell what the world thinks of them by looking at the cultural production­s in which they are depicted. For Southerner­s, the images are abundant and varied. From “Forrest Gump” and “Fried Green Tomatoes” to “Beasts of the Southern Wild,” “Treme” and even “Hustle & Flow,” movies and TV shows often portray those below the Mason-Dixon line as outside the mainstream, with rich and unique cultures that transport viewers to new worlds. As if the South weren’t really part of the United States. These images — even when full of admiration or told by Southern natives — are often paired with the general sentiment that Southerner­s are not only conservati­ve but also politicall­y regressive and out of touch with everyone else — or at least those in coastal major cities like Los Angeles.

Ironically, though, “out of touch” with the American mainstream is exactly what many Southerner­s think of Hollywood and the entertainm­ent it produces.

“The folks in Hollywood, those that went there to ‘make it big,’ they got enamored with the bright lights and the money and forgot where they come from,” says Ann Jones of Flowery Branch, Ga. “They forget that we’re all just people, but I think that comes from getting away from the family farm and getting ensconced in themselves.”

Jones is one of three Southerner­s we talked with in depth about their entertainm­ent and media consumptio­n — what they like, what they dismiss and what they think Hollywood does and doesn’t get about their lives in this time of cultural and political division. Their expression­s are part of a continuing conversati­on we began after the presidenti­al election — and will continue to have with others across

the country — about the perceived clash of Hollywood values and American values.

Rom-coms to radio

Angelyn Dionysatos doesn’t have time for TV. A 30-year-old conservati­ve from Sandy Springs, Ga., she works in public relations by day and goes to law school part time at night. She’s also president of the Atlanta Young Republican­s. Despite her busy schedule, she subscribes to cable, Netflix, Hulu and Amazon Prime.

The last TV show she watched regularly was “The Vampire Diaries.” Not only was she a fan because it filmed in Georgia but she was also intrigued by the fantasy of it all. “Buffy the Vampire Slayer” was another favorite, though she points out that such shows are “an aberration from my normal consumptio­n style” because she doesn’t like to be scared.

Dionysatos finds herself most attracted to rom-coms and Ryan Gosling movies. That’s what she pulls up when she has a rare Friday or Saturday night to herself.

“Sometimes just coming home after a long day and a long week, getting takeout and sitting on my couch and picking out a movie to watch — it’s not fancy or expensive, but it’s relaxing and cathartic,” Dionysatos says.

And don’t cheat her out of her happy endings.

“I watch the ones where they get married at the end,” she says, laughing. “I want to see the wedding. I don’t want the implicatio­ns of one.”

Ultimately, Dionysatos says, she just wants be entertaine­d, and that’s what film is supposed to do.

“It allows people for two hours to transplant themselves out of whatever is going on or things they are dealing and spend some time in somebody else’s world,” she says. “That’s what entertainm­ent is to me, and I don’t think it has to be fantasy or reality.”

She would, however, not like to stumble into something that has a political view she disagrees with, such as “Scandal’s” episodes about abortion and Black Lives Matter, or the entirety of “Glee.”

“It literally diminishes my enjoyment and my experience,” Dionysatos says. “I guess I’m not sure of what the real goal is, and when they do that, how they think it’s achieving a goal.”

Granted, she says, everyone wants to use their platform to disseminat­e their views. It’s a concept Dionysatos understand­s, respects and appreciate­s.

“But I think there are lines that get crossed and venues where it’s inappropri­ate to insert so much of your political take on something,” she says. “And when you do that to a point where it becomes distractin­g to your central purpose — which I think is to entertain people — I see that as a problem.”

Dionysatos, an avid Facebook user, gets most of her news from the social media site, which she checks every morning before getting out of bed. For her Georgia political news, she reads the Atlanta Journal Constituti­on and, to “stretch your brain,” the Wall Street Journal. But her most consistent news source is talk radio.

On her commute to work and school, she tunes in to conservati­ve pundit Hugh Hewitt’s weekday radio show.

“It’s an effortless way to learn about what’s going on that day when you may not always have time to read as much as you want to,” Dionysatos says.

She’s also a fan of Christian radio as “a great way to remind you of who’s in charge and what’s really important, because faith is the bedrock of everything.”

She’d love Hollywood to leave politics to elected officials but knows it’s easier said than done.

“That oversimpli­fies what’s going on and what forces are at play,” she says. “It’s not a little-known fact that Hollywood is dominated by people who lean left. It seems to me that there are only a handful of conservati­ves, some whom are public about it, as well as an undergroun­d network of folks who are fearful of disclosing that they are conservati­ve.”

Evolving tastes

Katie Burke, 24, is originally from Columbia, S.C. After graduating from Furman University in Greenville, S.C., in 2015, she settled in the college town, which has a population of just over 60,000 and is less than two hours from family. Save perhaps her job as a blood drive organizer for a local nonprofit blood bank, many might say Burke lives a normal twentysome­thing’s life. She goes to work, hangs out with friends and comes home to crank up a show on Netf lix or Hulu.

Every now and again, however, Burke leaves Greenville for a little excitement, like the time she traveled to Atlanta to see Beyoncé’s Formation tour.

“It was the best night of my life, seriously,” she says. “And I thought her pregnancy photos were beautiful. She would have twins. She’s just so … perfect.”

Bruno Mars and Jason Derulo also get Burke dancing. And lately, country music has found its way onto her playlist.

“I just started hearing the same songs over and over [on the radio],” she says, noting a newfound love of crooner Thomas Rhett.

But on Thursday nights, the music is off, the phones are silenced and the TV — yes, Burke has cable — is tuned to her go-to scripted drama, “Grey’s Anatomy.”

“I have to be home at 8 p.m. to watch every Thursday, and though this season, I have some creative difference­s, I [still] love the sexual tension and the romance mixed with the medicine action and good, sweet story lines,” she says.

As for other scripted shows, she notes “Private Practice,” “The West Wing,” “Friends” and “Gilmore Girls” as standouts — most of which she gets via streaming services. Her cable subscripti­on is also put to good use on the reality shows she loves, such as “The Bachelor” and “The Bacheloret­te,” “The Real Housewives” and “Dancing With the Stars.”

On the film front, Burke’s alltime favorite is “Forrest Gump.” In fact, anything Tom Hanks does is good with her, she says. The last movie she saw in theaters was the Emma Watson-fronted “Beauty and the Beast.”

“I thought it was so good I saw it twice,” she says.

And yet, while Burke clearly counts herself a lover of film and TV, when asked to give the industry a grade, she offers a B-minus.

“I think it’s best when they’re not trying to be as trendy and cutting-edge,” she says. “Sometimes they try too hard.”

Like NBC’s short-lived “The New Normal,” where a gay couple allowed their surrogate and her 9year-old daughter to move in.

“Sometimes I wonder if I live in a bubble and everyplace else there’s all these things that people might be experienci­ng that it relates to,” Burke says. As an example, she mentions a 2016 episode of “Modern Family,” one of her favorite shows to watch with her mom. It featured a trans boy as one of the new friends of a pre-teen character.

“It felt like [the show was] trying to make a statement versus something we’d ever see in South Carolina,” she says. “But sometimes I feel like shows feel like they have to have things like that or they’re not relevant.”

Burke does not identify as conservati­ve, though she did volunteer on a Republican senator’s campaign last election cycle. When it came time to choose between Donald Trump and Hillary Clinton for president, she voted for Clinton and says she considers herself “politicall­y moderate.” Since Trump’s election, she admits she’s stepped away from politics and now mostly gets her news from her Facebook friends, coworkers and the infrequent alerts between commercial­s during “Lockup” on MSNBC.

Of course, she’s noticed that Hollywood has become more expressly political in the last six months, with late-night show hosts taking on the healthcare fight and award-season red carpets brimming with banter about the government’s various antics.

While conservati­ve commentato­rs from Dana Loesch to Sean Hannity criticized Meryl Streep’s Golden Globes speech about Trump, Burke sees a potential utility in using such a massive platform in this way.

“It’s tough, because as annoying as it is, they are saying things that need to be said,” she says. “And there are a lot of people who don’t watch the news that do watch these award shows, like people in South Carolina who might be blinded to things if they only watch one news network.”

Even so, she says, “it can be overshadow­ing the reason why I watch the awards show — for the celebratio­n.”

Her least favorite movie of the 2017 awards season was “La La Land.”

“It was overrated, and I know it’s not a popular belief,” Burke laugh. “But the fact that it had as many award nomination­s as ‘Titanic’ is embarrassi­ng, because they’re not in the same class.”

Her favorite movie was “Hidden Figures” because of the strong female characters and that it was based on the lives of real women who helped put men on the moon.

On reflection, however, Burke realizes that she didn’t connect with any film last year.

“None of them really applied to me,” she says. “But I’m OK with it. That’s why I go to movies.”

To escape.

A news consumer

Ann Jones is a businesswo­man. A fourth-generation farmer, she’s known throughout Georgia and the world for her cattle and equine expertise as owner of Jones Cutting Horses in Flowery Branch. She often travels, sometimes 30 weekends a year, judging horse shows around the world. This has afforded her the opportunit­y to rub shoulders with members of Hollywood’s elite.

“Some of them are ordinary people and some of them are of the opinion that they deserve special attention,” she says. “Hollywood is probably made up of regular people that now have more money than they have sense.”

That lack of sense, she says, can result in a community of folks who have lost touch with reality.

“I know what it is to survive and meet a payroll and have people depend on you,” Jones says. “I think that sometimes the folks in Hollywood don’t realize that though the star makes the big bucks, there are 150 other people depending on that person’s performanc­e right down to the gentleman or lady that sweeps the floor.”

She notes her “excellent friend” Newt Gingrich, the former Republican presidenti­al candidate for whom she campaigned, as an example of someone who “gets it.”

“He values everybody,” she says. “That’s sorely lacking when you get outside of the South and into some affluent areas.”

Because of that, Jones adds, most movies and TV shows don’t pay enough attention to the common man. She prefers “Law & Order” and old James Bond movies. Her schedule doesn’t allow her time to see the latest films in theaters, but she notes, “John Wayne was a great cowboy.”

News is perhaps the most consistent form of media she consumes, from a variety of sources, including newspapers, apps on her phone and Fox News. Despite folks’ perception­s that those who watch Fox News are closed-minded, she contends, “Whether you’re conservati­ve or not, if you’re liberal, I’ll agree to disagree with you.

“I realize as a conservati­ve that we all gotta meet in the middle to get this country straighten­ed up. You can’t divide up, because a house divided cannot stand.”

Jones does, however, believe that the intense and unrelentin­g criticism lodged at Trump since his January inaugurati­on is “slanted and a little bit across the line.”

“I don’t feel like the [Obama] administra­tion got the treatment that this administra­tion is getting,” she says. “If I felt like the last administra­tion had gotten the same treatment, then it wouldn’t make a difference.”

The incongruou­s treatment, she says, might have had something to do with President Obama being the first black man to hold the office. Media, she says, “felt that some of the questions [they should’ve been asking] were taboo.

“And it mattered not to me if the man was purple. It didn’t mean a hill of beans to me, because, I tell you, this go around, I worked for Ben Carson, a very intelligen­t gentleman.”

Much like the media, Jones says that Hollywood goes unchecked, meaning it can put whatever messages it wants into TV shows and movies.

“I’m very much a Christian, and when you get far away from your maker, you allow the turmoil,” she says. “I prefer not to let it in. If you want to watch it, watch it. But I think sometimes TV does push the point, for whatever reason. I think sometimes it’s just because they can. They go unchecked, because they think they’re above [the rest of us].”

As for the types of production­s she’d like for Hollywood to do, Jones is hoping for “something a little bit middle of the road.”

“They have reality that is beyond reality, and then you have the stories that push the limit,” she says. “Let’s just be entertaine­d. Let’s not pick an agenda. I want realism, [not escapism], the actual life that we’re living.”

She mentions the TV series “Alice,” which ran from 1976 to 1985, as an example of “pure entertainm­ent.” But does Hollywood even have the capacity to do that?

“Probably not right now,” Jones continues. “There’re so many liberals there, and because of it, [nothing] has been told from a conservati­ve viewpoint in so long. It’s probably going to take a new generation of filmmakers before that occurs.”

Until then, she says, the industry’s effort to be truly universal will go unreached.

“They’ve not achieved the universal appeal, because I don’t think when they do their research for a film, that they’re willing to understand [our] point of view. I don’t think they are willing to do that research to get at what actually goes on [in our lives].

“But if they were only interested in what really happens, would they attract viewers? I don’t know.”

‘I think sometimes TV does push the point ... They go unchecked, because they think they’re above [the rest of us].’ — ANN JONES ‘I think there are lines that get crossed and venues where it’s inappropri­ate to insert so much of your political take.’ — ANGELYN DIONYSATOS ‘I think it’s best when they’re not trying to be as trendy and cuttingedg­e. Sometimes they try too hard.’ — KATIE BURKE

 ?? Bita Honarvar For The Times ??
Bita Honarvar For The Times
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Bita Honarvar For The Times
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Jeremy Fleming

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