Los Angeles Times

Fabled dancer learns new moves

- — Sheri Linden

Sixty may be the new 40, but for ballet dancers, like all athletes, physical realities limit their time in the spotlight. At the ripe old age of 46, the ballerina Wendy Whelan, widely considered one of the best of her generation, faces those limitation­s with humor, grace, bafflement and remarkable openness in “Restless Creature: Wendy Whelan,” an intimate and engaging chronicle of her final months with the New York City Ballet.

Directors Linda Saffire and Adam Schlesinge­r weren’t friends of Whelan’s before they began filming her, but the level of trust that developed is powerfully evident in the access Whelan granted them. They’re flies on the wall for her soulsearch­ing conversati­ons with journalist­s, friends, colleagues and family. They shadow her not just in rehearsal spaces, backstage and at home, but in the operating room for the arthroscop­ic hip-reconstruc­tion surgery that she hopes will give her one more season with NYCB. A dazzling talent with thoroughly undiva-like deportment, Whelan may at times seem to be repeating herself. But it becomes clear that she’s working through her shock over fading youth and strength, and grappling with nothing less than her identity.

The film captures the intense emotion of the October 2014 performanc­e that capped Whelan’s 30-year career. But more crucial is the way it shows her creating new challenges for herself, turning the terrifying prospect of irrelevanc­e into a shot at reinventio­n. “Restless Creature: Wendy Whelan.” Not rated. Running time: 1 hour, 34 minutes. Playing: Laemmle’s Royal, West Los Angeles.

 ?? Paul Kolnik George Balanchine Trust ?? CAMERAS followed Wendy Whelan as she retired. Above: In “Agon” with New York City Ballet in 2013.
Paul Kolnik George Balanchine Trust CAMERAS followed Wendy Whelan as she retired. Above: In “Agon” with New York City Ballet in 2013.

Newspapers in English

Newspapers from United States