Los Angeles Times

EMBRACE VENICE

The community’s pedestrian-only streets have many houses shielded from passersby. A restaurate­ur and real estate agent decided on a more open approach.

- BY LISA BOONE lisa.boone@latimes.com

When restaurate­ur Paul Hibler (Superba Food + Bread, Pitfire Pizza) and Realtor Tiffany Rochelle purchased a dilapidate­d 1948 bungalow in Venice in 2012, they weren’t actually in the market for a house. ¶ The couple had, in fact, just settled into a newly remodeled home nearby. ¶ But when a coveted double lot became available, they recognized a rare opportunit­y to live on a charming Venice “walk-street” and take advantage of its community-oriented, pedestrian-only walkways.

So they sold their house in “two seconds,” hired interior designer Hope Alexander to make the twobedroom bungalow inhabitabl­e, and moved in for a year with their 8year-old daughter, Grace (each parent also has an adult son from a previous marriage), while they contemplat­ed what to do next.

After visiting architect Kulapat Yantrasast’s concrete home in Venice, the couple were intrigued by the opportunit­y to build something different on a walkway lined with original beach bungalows and newer homes.

Working with Yantrasast, who recently completed the Marciano Art Foundation on Wilshire Boulevard, the bungalow has since become a family compound that is an experiment in balancing indoors and out with public and private life.

Instead of taking a common approach to a walk street — hiding the home behind a privacy hedge or fence — the architect designed a home that embraces the neighborho­od. With floor-to-ceiling glass windows on the transparen­t first floor, it does not so much expose the family as engage them with their neighbors.

Hibler says the home’s design sensibilit­y was clear: “We didn’t want to put up a wall. I wanted something crazy — communal and not highly finished.”

Yantrasast says he is not a fan of cladding things with expensive materials. “There must be a better way to create refinement,” he says. “I like concrete because it has a sense of gravitas. It is a great balance of roughness and refinement. It is refined because of the craftsmans­hip you put into it.”

After one year in the design stage and two years of constructi­on, the couple moved into the house last spring. In the end, they are happy with the way the living areas balance privacy and community, both with their neighbors and with one another.

“I knew from the beginning that he would not want a normal house,” Yantrasast says of Hibler, who grew up in an Eichler house in Palo Alto. “Because they have a young daughter, we wanted to create a world where they can be free to roam and connect to the neighborho­od.”

Starting from scratch, Yantrasast designed a 3,100square-foot house “from the inside out” rather than the outside in.

He explains: “If you design from the outside in, all the windows will look alike. This house is the opposite of that. When you design from the inside out, each room can be different. I wanted each room to have its own personalit­y.”

The vision was to balance family and community life while giving everyone their own spaces to exist and function.

The house is a series of contrasts — the first floor is composed of concrete and glass while the second floor features a warm wood floor and colorful Granada tile — but then so is the couple. “I’m an introvert and he’s an extrovert,” Rochelle says with a smile.

Among Yantrasast’s smart solutions for creating public and private spaces for opposing personalit­ies:

Communal first floor

The first floor opens to both the front yard and a rear courtyard and back house. The grand communal area consists of a living and dining room, office and kitchen that is supported by concrete plinths. From the back courtyard, the second f loor is reminiscen­t of a freeway overpass. There is no front door, only sliding glass pocket doors. “We have the kind of house where we open the doors and the whole neighborho­od comes in,” Hibler says.

Private second f loor

While the ground floor is all about community, the second floor is intimate with four modest-sized bedrooms connected by a long corridor. In a nod to the walk street, the bedrooms become a community of bungalows with gable roofs. “When you are in your own room, your room is your form and universe,” says Yantrasast. “Each room is designed by what each person wants it to be.” In a break from the first floor’s concrete walls, floor supports and glass, the second floor has a bohemian feel with warm plywood paneling, rustic wood floors and colorful Granada tile in the bathrooms.

Cook’s kitchen

Because Hibler is passionate about food and design, Yantrasast designed an overscale kitchen so that multiple people can cook at the same time. It is not a profession­al restaurant kitchen, but it’s not precious either. “It’s his stage where he receives people,” explains Yantrasast. “People like action. That is why the kitchen plays such a big role in the design. Because it is Paul, I think the kitchen plays a bigger role than it does in most houses.” Two custom islands made of four-by-four pieces of Douglas fir face both front and back. Barstools on either side of each island invite interactio­n. “It’s all about having people in the house,” Hibler says. “There’s something about bringing people together.”

Separate but equal

A barn-like back building, which is built the same width as the main house, features a garage, pottery room for Rochelle and a man cave for Hibler. “You have life in the garage building,” says Yantrasast. Rochelle’s room can be used as a pottery studio, or guest room. “It’s my getaway,” she says. Not surprising­ly, Hibler’s room next door doesn’t get a lot of use. “I don’t like to be alone,” he says.

Private areas

The living room and office are separated by an enormous macramé wall hanging and a custom bookshelf that can be open or concealed, depending on what you place on the shelves.

Two-sided vanity

In the master bathroom, Yantrasast designed a floating two-sided vanity for Hibler on one side and Rochelle on the other. “It’s the key to a happy marriage,” Hibler says with a laugh.

Courtyard as hub …

A courtyard located between the main house and back house includes a small pool and spa, pizza oven and fire pit. “I love the idea of a courtyard,” says Yantrasast. “The only way it will work is to surround it with life and activity. You have life in the garage building: Paul has his room. Tiffany has her studio.”

... and hideaway

A built-in seating area and fire pit creates a secluded nook in the open-air courtyard. “I wanted to create moments,” says Yantrasast. “An ideal home is where different people can do their own thing. Someone swimming. Someone doing pottery. But you can still see each other.”

A shield from the street

Hibler says the home’s design sensibilit­y was clear: “We didn’t want to put up a wall. I wanted something crazy — communal and not highly finished.” When the couple want privacy, drapes shield the first floor from the Venice walk street. “You want to open the house to the community but you also need a shield and a screen,” adds Yantrasast.

 ?? Genaro Molina Los Angeles Times ?? TIFFANY ROCHELLE and husband Paul Hibler enjoy a warm moment in their Venice home’s kitchen, which is overscale so he can cook with family and friends.
Genaro Molina Los Angeles Times TIFFANY ROCHELLE and husband Paul Hibler enjoy a warm moment in their Venice home’s kitchen, which is overscale so he can cook with family and friends.
 ?? Photograph­s by Genaro Molina Los Angeles Times ?? PAUL HIBLER and dog Maya stand in front of the Venice home. The bottom f loor is designed to be open to the walk street it faces.
Photograph­s by Genaro Molina Los Angeles Times PAUL HIBLER and dog Maya stand in front of the Venice home. The bottom f loor is designed to be open to the walk street it faces.
 ??  ?? A BUILT-IN SEATING AREA and fire pit, left, create a secluded nook in the courtyard. Tiffany Rochelle and 8-year-old daughter Grace enjoy the living room of the 3,100-square-foot house.
A BUILT-IN SEATING AREA and fire pit, left, create a secluded nook in the courtyard. Tiffany Rochelle and 8-year-old daughter Grace enjoy the living room of the 3,100-square-foot house.
 ??  ?? THE KITCHEN has a plywood cupboard, left. Rochelle gets clothes from the closet, situated near the master bathroom and its two-sided vanity. “It’s the key to a happy marriage,” Hibler jokes.
THE KITCHEN has a plywood cupboard, left. Rochelle gets clothes from the closet, situated near the master bathroom and its two-sided vanity. “It’s the key to a happy marriage,” Hibler jokes.
 ??  ?? ARCHITECT KULAPAT YANTRASAST, who completed the Marciano Art Foundation, sought to balance the inside and outside, and public and private life. Hibler operates the pizza oven, right.
ARCHITECT KULAPAT YANTRASAST, who completed the Marciano Art Foundation, sought to balance the inside and outside, and public and private life. Hibler operates the pizza oven, right.
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 ??  ?? HIBLER STANDS in the courtyard, which has a pool and spa and was designed to be a much-used space. “The only way it will work is to surround it with life and activity,” Yantrasast says.
HIBLER STANDS in the courtyard, which has a pool and spa and was designed to be a much-used space. “The only way it will work is to surround it with life and activity,” Yantrasast says.

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