Sometimes crass, sometimes treacly
In the wrong-headed drama “A Family Man,” Gerard Butler plays Dane Jensen, a slimy, hard-charging team leader at a Chicago corporate placement firm who’s competing with his female counterpart (Alison Brie) to replace their semiretiring boss (Willem Dafoe, in a rare bad performance). But Dane must reconsider the selfish, workaholic ways that infuriate his long-suffering wife, Elise (Gretchen Mol), when their 10-year-old son, Ryan (Maxwell Jenkins), is diagnosed with leukemia.
As drawn, Dane, a guy so amped he mixes Red Bull with his morning coffee, has no real capacity for change, despite a newfound “commitment” to family.
Dane may ditch work to tour landmark buildings with budding architect Ryan, but later, in a truly tone-deaf scene, he’s loudly wheeling and dealing on his cellphone from his near-death son’s hospital room.
Dane’s stabs at redemption, which include a climactic grand gesture on behalf of a hard-to-place client (Alfred Molina), feel as fake and forced as Ryan’s illness, Dane and Elise’s marital woes, Dane and Ryan’s bonding bits and the recruitment agency’s “Boiler Room”-type machinations.
Alternately crass and treacly, overbearing and under-finessed, the film, penned by headhunterturned-screenwriter Bill Dubuque and directed by Mark Williams, is on life support from the get-go.