Los Angeles Times

They still have lessons left to teach

Learn about the ‘rich, complex history’ of black colleges in ‘Tell Them We Are Rising.’

- By Makeda Easter

Uncovering the untold stories in black history and culture has been filmmaker Stanley Nelson’s passion throughout his 30-year career. Rather than focusing on individual­s, Nelson’s work highlights institutio­ns that have helped African Americans survive and thrive in the U.S.

Nelson’s previous documentar­ies have looked at the black press, the Black Panthers and the civil rights era freedom riders. His latest film, “Tell Them We are Rising: The Story of Black Colleges and Universiti­es,” dives into the rich, complex history of America’s historical­ly black colleges and universiti­es.

Airing Monday on PBS, the film is the second in his three-part series on black history called “America Revisited.”

“I went into filmmaking because I thought there was an African American community, an African American history that we weren’t seeing on film,” Nelson said. “It’s been very satisfying for me to be able to tell some of the great stories and go into some lives that I never thought I would go into.”

There are roughly 100 public and private HBCUs in the nation, most of them in the South, educating nearly 300,000 students. Most were establishe­d after the Civil War, and until the desegregat­ion of schools in the 1950s and 1960s, HBCUs served as a major source of higher

learning for black Americans.

Despite brutal punishment­s, some slaves secretly taught each other to read and write — they saw it as a path to liberation. These informal networks were the beginning of a black education system and eventually the HBCUs.

Told through interviews with historians and HBCU graduates, woven with archival photos and video, “Tell Them We Are Rising” charts the course of HBCUs — from their rise after the end of slavery in the 1860s to their prominent role as civil rights advocates for the African American community. For example, in 1960, four black North Carolina A&T State University freshmen sat down at Woolworth’s whites-only lunch counter in Greensboro. They stayed seated until the store closed, even after being asked to leave. Their nonviolent protest started a movement, as hundreds of HBCU students from other states organized their own sit-ins.

“Tell Them We Are Rising” also showcases HBCUs as incubators for some of the most influentia­l figures in U.S. history, including Booker T. Washington, who graduated from Hampton University, Martin Luther King Jr., a Morehouse College graduate, and W.E.B. Du Bois, who graduated from Fisk University. Other prominent HBCU graduates include Toni Morrison (Howard University), Oprah Winfrey (Tennessee State University) and Spike Lee (Morehouse College).

Nelson was inspired by his parents, who both attended HBCU’s in the 1930s.

“It changed my life,” he said. “It changed [my father’s] life, my kids’ lives, the lives of my family all down through the generation­s. It’s probably one of the most significan­t things to happen to my family.

Many of the nation’s black doctors, lawyers and other profession­als graduated from these schools during the 1930s and 1940s, a period dubbed the “Golden Age of HBCUs,” creating a pathway to form a black middle class.

“It took almost 10 years to make the film,” Nelson noted. “The film is 170 years of history…We can’t tell you everything, but you have an idea of what black colleges and universiti­es are today and what they will be in the future.”

The film’s final section explores the murky future of HBCUs. While some schools continue to flourish, others like Morris Brown College in Georgia, where enrollment dropped to less than 50 students, are all but shuttered.

Currently, HBCUs educate about 10% of African Americans going to college and produce 17% of the nation’s graduates, said Michael Lomax, president of the United Negro College Fund, a nearly 75-year-old organizati­on founded by HBCU presidents.

While many people question the need for HBCUs in an age when black people have access to higher education, both Nelson and Lomax say the schools are just as important as they’ve ever been, serving as an intellectu­al haven for young African Americans in today’s political climate. In a New York Times op-ed, Nelson addressed the need for HBCUs in the age of President Trump. Although Trump — who won just 8% of the black vote — pledged “unwavering support” to HBCUs, some school administra­tors and lawmakers question his commitment.

Some schools continue to thrive in this uncertain time for HBCUs. Nelson points to Texas Southern University, a school that experience­d a dramatic increase in enrollment in the last year.

“There’s a drastic, amazing uptick in applicatio­ns because there’s a heightened awareness in this country of the racial divide,” Nelson said. “I think young African Americans are saying … ‘I want to spend four years where I can get my college education and everything I do is not judged by race.’ ”

Lomax said the movie connects HBCUs to a new generation of young people who are considerin­g where to go for college.

“This film reminds us of why we need [HBCUs],” he said. “They’re deeply rooted in the African American community. They have lifted our community out of poverty, out of ignorance, out of second-class citizenshi­p and they are still doing that work.”

 ?? PBS ?? HISTORICAL­LY BLACK colleges and universiti­es have long opened higher education to African Americans. This is Spelman College’s 1898 academic class.
PBS HISTORICAL­LY BLACK colleges and universiti­es have long opened higher education to African Americans. This is Spelman College’s 1898 academic class.
 ?? PBS ?? STANLEY NELSON chronicles highlights of black history in the U.S.
PBS STANLEY NELSON chronicles highlights of black history in the U.S.

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