Los Angeles Times

SOMEBODY HAD TO VOICE IT. SO HE DID.

- calendar@latimes.com By Amy Reiter

‘I feel like I’m a walking therapy session . ... But it means a lot to people.’ — DANIEL KALUUYA, on reactions to ‘Get Out’

NEW YORK — Anyone who has seen Jordan Peele’s horror-social satire “Get Out” understand­s the intense appeal of Daniel Kaluuya. As Chris, a young black photograph­er who gets sucked into a racial nightmare — a “sunken place” — when he visits the family of his white girlfriend (Allison Williams), the British actor takes audiences to places that are honest and true and, for many, difficult and discomfiti­ng.

The $4.5-million film has earned more than $252 million worldwide since its February 2017 release, has been embraced by critics and has earned four Oscar nomination­s, including for best picture and Kaluuya’s performanc­e, but its deeper success is the fresh perspectiv­e on race it has offered and the frank conversati­ons about racism — the real horror at the picture’s heart — it has stirred.

At New York’s Beekman Hotel in December, Kaluuya, now on screen in the hit “Black Panther,” dives into just such a raw conversati­on with enthusiasm. What do people say when they approach you?

Some black women hug me and walk away. A lot of black men talk about dating white women and how they’ve been there too. People open up about their racial experience­s. I feel like I’m a walking therapy session. It’s quite intense. But it means a lot to people. Do you feel like white and black audiences respond differentl­y to the movie?

Yeah, because they’re at a different point in their well of racial knowledge. It’s like when Trump became president. A lot of liberals were shocked. A lot of black people weren’t. It’s similar. I was at an airport and a white man said, “Wasn’t it all a dream?”

That’s how he sees racism. It’s not my job to educate you on this. Whatever it means to you it means to you. I think black people are like, “Yeah, thank you for articulati­ng it.” And white people are like, “What is this?” They’re just piecing it together, because that’s not their experience. Is the honesty what drew you to it?

Yeah, it’s this stuff you kind of shouldn’t say. But why shouldn’t you say it? We’re living in a social climate where you have to navigate all that. Jordan just said it, and it’s exciting because anything can happen. It feels like it’s costing Jordan to say this. Did it cost you anything to embody that?

It helped me because I let out all the … I was feeling. That rage, I feel that. But that’s not socially acceptable. When you’re a young black man, you’re not allowed to be emotional. One of the reasons I act is people pay me to be emotional. So it was cathartic for me. I feel lighter. I let it all out in a space I could trust. Do you think it matters that you didn’t grow up in America, didn’t share Chris’ African American experience, as Samuel L. Jackson suggested?

Jordan was wary when he first spoke to me. And I said, “Yeah, this is through an African American perspectiv­e, but you are articulati­ng a black truth within the Western world.” You leave the M25 [the freeway encircling London] in England, it’s not easy. Everyone’s white. That’s really alienating. I lived that. I felt it. I was like, “Yo, this is my interpreta­tion. This is how I feel. This is how I see it. Do you feel what I’m feeling?” It was on Jordan to say if he felt it. Everything else is like we’re in a political or racial debate when it’s like, I am who I am and I’m proud of where I come from and what I’m about. How do you hope the movie will advance conversati­ons about race? I hope people listen to black people more. You’d be surprised how little people listen to black people when it comes to racial issues. It’s weird. I hope they see it from our point of view and go “Maybe how that person sees it is how that person sees it. Maybe they have experience­s that you would never understand, which is why they are doing something.” Chris got out at the end of the movie, and it’s this joyous moment, but he still has to live his life. He has to process that he was singled out, persecuted, kidnapped, abused because he was black. Being black and having self-belief has cost him. Standing up for himself, that cost. I hope they adopt the perspectiv­e. Actually, I just hope they listen.

 ?? Carolyn Cole Los Angeles Times ?? “I HOPE people listen to black people more . ... I hope they see it from our point of view,” Daniel Kaluuya says of the impact of horror-social satire “Get Out.”
Carolyn Cole Los Angeles Times “I HOPE people listen to black people more . ... I hope they see it from our point of view,” Daniel Kaluuya says of the impact of horror-social satire “Get Out.”

Newspapers in English

Newspapers from United States