Los Angeles Times

Creating a path to healing, where connection is key

Laub’s exhibition at Visitor Welcome Center takes on a world of emotions.

- By Sharon Mizota calendar@latimes.com

Laub’s exhibition at Visitor Welcome Center advances an ethic of healing, through a personal lens. Inspired by the writings of therapist and trauma specialist Resmaa Menakem, Laub (who goes by a single name) centers physical experience as a means of getting back in touch with one’s emotions and connecting to others.

If it sounds touchy-feely, it is, quite literally. The first thing one sees upon entering the show is “Feet Washing Station,” a low wooden bench, surrounded by cushions and “mouth-blown” glass vessels that visitors can use to wash one another’s feet. It’s art as a structure for caring.

“Mouth-blown” glass also appears along the walls, which are lined with four pairs of glass boxing gloves. These sculptures refer to Laub’s own exercise regimen, but also embody contradict­ory associatio­ns. They are at once tough and fragile, protective and potentiall­y shattered. The emphasis on “mouth-blown” glass reminds us they are made with human breath; they not only adorn the body, but are products of it.

There are also six textile works resembling the cheery, seasonal banners that some suburbanit­es hang outside their homes. They depict figures from Laub’s family, in particular his young niece, her parents and grandparen­ts. They are colorful and lightheart­ed but are stitched so densely and with such intensity that they feel a little desperate. They are celebrator­y but fiercely worked documents of desire.

It’s not clear what personal traumas Laub is trying to heal, although his experience as a trans man likely complicate­s his relationsh­ip with traditiona­l notions of gender, family and religion. Christian associatio­ns certainly arise in “Feet Washing Station,” and again in the final room of the exhibition, which features a video projection of a sleepy lamb. Off-screen, Laub serenades the animal — a Christ symbol — with lullabies of his own devising. These songs are gifts of the body: mouth-blown messages intended to soothe and care for another, even (or especially) one so different and vulnerable.

 ?? Ruben Diaz ?? LAUB’S sculpture “Boxing Gloves #2” is a contradict­ory mix.
Ruben Diaz LAUB’S sculpture “Boxing Gloves #2” is a contradict­ory mix.

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