Psychodrama of violence, betrayal
There’s just something about lighthouses that inspires good psychodrama. In director Kristoffer Nyholm’s “The Vanishing” (scripted by Joe Bone and Celyn Jones), a picturesque, isolated location makes it feel like the characters are stranded on another world, left to make their own rules.
Based on the true story of three keepers who mysteriously disappeared from Scotland’s Flannan Isles lighthouse in 1900, the film stars Peter Mullan as Thomas, a grumpy old salt settling in for a six-week shift. He’ll be manning the light alongside two less experienced colleagues: good-natured working-class bloke James (Gerard Butler) and an angsty youngster, Donald (Connor Swindells).
Mullan brings edginess and gravitas to the kind of role he’s played dozens of times. Butler, though, is a pleasant surprise, departing from his usual one-dimensional action heroes to play a dramatic part so well that one wonders why he doesn’t do it more often.
No one knows what actually happened to the Flannan Isles keepers, so the movie proposes a scenario, in which a cache of gold washes ashore, accompanied by dangerous men. What follows is a kind of seasprayed reimagining of “The Treasure of the Sierra Madre,” where people who barely know each other are driven to violence by their greed, paranoia and guilt.
Nyholm and his excellent cast don’t exactly make this well-worn story line new. But they do tell it well. And on such a splendid set. “The Vanishing.” Rated: R, for violence and language. Running time: 1 hour, 50 minutes. Playing: AMC Universal CityWalk.