Los Angeles Times

‘Stuffed’ with significan­ce

Documentar­y profiles contempora­ry taxidermy artists in a field that’s on the rise.

- By Michael Rechtshaff­en

Effectivel­y blowing the dust off those natural history museum dioramas, Erin Derham’s “Stuffed” takes a lively look at contempora­ry taxidermy in a documentar­y that’s as fascinatin­g as it is freaky.

This isn’t your weird uncle’s take on the topic.

Currently enjoying a worldwide resurgence, the meticulous craft has migrated from the trophy room to the art gallery as a younger generation from both scientific and creative quarters is drawn to the preservati­on aspect, reflecting environmen­tal concerns rather than big-game hunting bragging rights.

Among Derham’s intriguing subjects is Allis Markham, proprietor of L.A.-based Prey Taxidermy, whose studio output is informed by an elegant realism; she’s one of a few women profiled whose love of nature and sculpture have found an oddly logical intersecti­on.

Then there’s Amsterdam-based Jaap Sinke and Ferry van Tongeren, a pair of former ad men whose remarkably detailed, dramatical­ly posed tableaux are informed by the paintings of Dutch masters.

Although the majority of those profiled would likely agree that their chosen profession lies somewhere between a hobby and an addiction — with at least one of them admitting that the revelation can be a first-date killer, preferring the term “3-D wildlife artist” — their passion is palpable.

And while the casually demonstrat­ed prep work isn’t for the squeamish, the film’s aptly timed release should ensure viewers never consider their Thanksgivi­ng turkey the same way again.

 ?? Music Box Films ?? PREY TAXIDERMY’S Allis Markham is among women getting into the field profiled in “Stuffed.”
Music Box Films PREY TAXIDERMY’S Allis Markham is among women getting into the field profiled in “Stuffed.”

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