Los Angeles Times

Maybe go to see one of these 14

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As we head into the final month of 2019, lists of critically acclaimed films are piling up and moviegoers have plenty to be thankful for. Our critics, Justin Chang (J.C.) and Kenneth Turan (K.T.), offer this guide to the best of recently released films — some of which are already streaming. In general release unless otherwise noted.

Atlantics A worthy winner of the Grand Prix award at the Cannes Film Festival, this feature directing debut from the French Senegalese filmmaker Mati Diop tells a hypnotic story of migration and abandonmen­t, romance and ghosts. (J.C.) NR. Netflix

A Beautiful Day in the Neighborho­od A deeply moving companion piece to last year’s “Won’t You Be My Neighbor?,” Marielle Heller’s subtly directed drama casts an excellent Tom Hanks as Mister Rogers and Matthew Rhys as a cynical journalist who is transforme­d by their encounter. (J.C.) PG.

Citizen K Filmmaker Alex Gibney, who specialize s in helping audiences understand situations that define daunting, paints a portrait of oligarch-turned-dissident Mikhail Khodorkovs­ky, using that story as a way to guide us through the thickets of modern Russian history to today’s increasing­ly autocratic reign of Vladimir Putin. (K.T.) NR. Limited

Dark Waters If this story of a whistleblo­wer attorney, who worked for more than 20 years to expose decades of heedless environmen­tal contaminat­ion, sounds familiar, to a certain extent, it is. But this film is not business as usual, with the presence of director Todd Haynes and star Mark Ruffalo the key reasons why. (K.T.) PG-13.

Dolemite Is My Name Eddie Murphy is back, and both his old gifts and some new ones are on engaging display in the rowdy, raunchy, inescapabl­y funny film, a gleefully profane biopic and a passion project the star has been nurturing for years. (K.T.) R. Netflix

Ford v Ferrari A barnburner of a motion picture that mainlines heart-in-mouth excitement and tug-at-the-heart emotion in a career-defining effort by director James Mangold, this glorious throwback combines a smart, modern sensibilit­y with the best of traditiona­l storytelli­ng, plus sterling acting by stars Matt Damon and Christian Bale and a tiptop supporting cast. (K.T.) PG-13.

I Lost My Body As inventive a piece of animation as you’re likely to see, the extraordin­ary film is about a hand with a mind of its own, and if that sounds a little crazy, this dark, strange and altogether wonderful feature will make you believe. Directed by France’s Jérémy Clapin. (K.T.) NR. Netflix

The Irishman Its possibly true story of the life and crimes of a Mafia hit man, starring Robert De Niro, Al Pacino and Joe Pesci, is a revelation, as intoxicati­ng a film as the year has seen, allowing director Martin Scorsese to use his expected mastery of all elements of filmmaking to ends we did not see coming. (K.T.) R. Limited; available on Netflix

Knives Out Rian Johnson’s deliriousl­y entertaini­ng country-house murder mystery brings together a splendid cast (led by Daniel Craig and Ana de Armas), an ingenious script and a razorsharp indictment of class inequality and moral rot in contempora­ry America. (J.C.) PG-13.

The Lighthouse Robert Pattinson and Willem Dafoe give towering performanc­es as a pair of feuding 19th century lightkeepe­rs in this mad, magnificen­tly crafted New England gothic from “The Witch” writer-director Robert Eggers. (J.C.) R. Limited

Marriage Story An emotionall­y lacerating experience, a nearly flawless elegy for a beautifull­y flawed couple played by Adam Driver and Scarlett Johansson, both in peak form. Writer-director Noah Baumbach, a peerless observer of domestic pettiness and passive-aggressive behavior, puts every unflatteri­ng detail under his dramatic microscope. (J.C.) R. Limited; available Dec. 6 on Netflix

Parasite Winner of the Palme d’Or at Cannes, Bong Joon Ho’s deviously entertaini­ng thriller about two very different families is an ingenious weave of domestic dark comedy, class allegory and, ultimately, devastatin­g tragedy. (J.C.) R. Limited

Two Popes Who knew that serious talk about the future of the Catholic Church could be the source of so much fun? Written by Anthony McCarten, directed by Fernando Meirelles and starring Anthony Hopkins and Jonathan Pryce, this sprightly film offers spirited conversati­ons as well as a playful side. (K.T.) PG-13 Limited; a vailable Dec. 20 on Netflix

Waves Kelvin Harrison Jr., Taylor Russell, Sterling K. Brown and Renée Elise Goldsberry play a South Florida family weathering tragedy in this emotionall­y turbulent, formally astonishin­g drama from writer-director Trey Edward Shults (“Krisha”). (J.C.) R. Limited

 ?? Lacey Terrell ?? MISTER ROGERS (Tom Hanks) meets jaded journalist Lloyd Vogel (Mathew Rhys) in “A Beautiful Day in the Neighborho­od.”
Lacey Terrell MISTER ROGERS (Tom Hanks) meets jaded journalist Lloyd Vogel (Mathew Rhys) in “A Beautiful Day in the Neighborho­od.”
 ?? Wilson Webb Netf lix ?? NICOLE (Scarlett Johansson) gives her husband, Charlie (Adam Driver), a gift in “Marriage Story.”
Wilson Webb Netf lix NICOLE (Scarlett Johansson) gives her husband, Charlie (Adam Driver), a gift in “Marriage Story.”
 ?? A24 ?? RONALD (Sterling K. Brown) and his family must cope with tragedy in Trey Edward Shults’ “Waves.”
A24 RONALD (Sterling K. Brown) and his family must cope with tragedy in Trey Edward Shults’ “Waves.”

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