Los Angeles Times

Ringer riding digital union wave

The podcaster is part of push by the WGA East, other guilds to organize such sites.

- By Anousha Sakoui

When Bill Simmons, a popular former ESPN sports columnist, set up the Ringer in 2016, he drew legions of fans to his irreverent sports podcasts. As the L.A. site grew, however, so did the demands of his employees. Last summer, they formed a 66-member union with the Writers Guild of America East, and management moved quickly to recognize it.

But the process has not been seamless. Recently, Simmons’ nephew Kyle Crichton, a producer at the Ringer who appears on Simmons’ popular podcast, posted a rap to his Soundcloud page called “State of the Union,” rhyming about not wanting a handout and a lockout. The rap prompted a swift backlash on social media, with some Ringer fans suggesting the company was “anti-union.”

Four long-serving contributo­rs have left the site since September. One person close to the company, who asked not to be identified for fear of reprisals, said the office environmen­t had become more tense since the terminatio­n of certain perks, such as working from home.

A spokespers­on for the Ringer said Simmons and Crichton declined to comment.

The closely watched contract negotiatio­ns at the Ringer mark the latest push by Hollywood unions to extend their reach into digital media and podcasting, which is growing rapidly in L.A. The WGA East has in recent years mainly focused

its organizing efforts on New York City-based sites such as the Huffington Post, Vice, Vox Media, Slate and Refinery29.

WGA East officials declined to say whether other podcasting companies in L.A. were being targeted, but a person with knowledge of the union strategy stressed that the guild is not making a broader push into the West Coast, where its sister union, the Writers Guild of America West, has long dominated.

Nonetheles­s, bringing union benefits to podcasting startups and other digital media firms is a high priority, said Lowell Peterson, executive director of the WGA East.

“We see how the media landscape is changing, and our goal is to keep pace with it,” he said. “There is very much the sense that unions are more essential than ever.”

The guild scored a coup in March when Brooklynba­sed Gimlet Media, one of the early pioneers of podcasting with such popular shows as “Reply All,” became the first such company to join the union.

The Gimlet Union, which formally emerged about a month after Sweden-based Spotify announced a takeover of the 5-year-old podcaster, said in a tweet that its members had helped the firm grow from a “small, scrappy operation into a company worth $230 million ... we’re going to work toward a contract that includes equitable salary bands, rules around contractor employment, concrete diversity initiative­s, protection of our IP, and more.”

A spokesman for the WGA East said it organized the Ringer after a similar successful effort in the summer at Vox Media Inc., which owns the Verge, Recode and other digital media outlets. The businesses are related because the Ringer’s site is hosted on Vox Media’s content management system.

“We hope to strengthen our already amazing workplace culture and ensure that everyone who works at the Ringer, from video to editorial, from senior staffers to entry-level hires, receives necessary support, protection, and fair compensati­on,” the Ringer Union said in an August statement.

In late October, the bargaining committee celebrated the wrap of its first session by tweeting a photo of the group. More bargaining sessions are set for December, with talks expected to go into the new year.

In a sign of the guild’s growing interest in the medium, the WGA East is launching a podcast series Monday that features commentary from people who worked on such popular series as “Homecoming” and “Limetown.”

Podcasts are expected to take in $514.5 million in ad dollars this year, up 28% from 2018, according to the Interactiv­e Advertisin­g Bureau and PwC. There are already more than 550,000 podcasts globally on the Apple Podcast app, one of the most popular outlets for podcasts.

“Wherever there’s the distributi­on of content and the distributo­rs get content for free or cheap, there’s a strong incentive for the content creators to unionize,” said Daniel Stone, partner in the litigation and entertainm­ent and media groups at the law firm Greenberg Glusker. “People think of podcasting as new, but in many ways podcasting is just another form of radio. That industry that has been unionized for decades. It’s a natural fit for entertainm­ent unions to go after that space.”

Even journalism instructor­s are teaching courses on podcasting. Chenjerai Kumanyika, a co-host and coexecutiv­e producer of the Peabody award-winning show “Uncivil,” teaches such a class at the Rutgers School of Communicat­ion and Informatio­n in New Brunswick, N.J. Unionizati­on often crops up in class, he said.

“I have sections where we talk about these work dynamics,” said Kumanyika. “Not because I’m trying to convert them to an ideology, but that’s literally an essential part of their profession­al training.”

‘The trend of more companies unionizing is one of the few bright spots at a pretty dark, chaotic moment in time.’ — Rachel Sanders, A culture editor and unit chair of the BuzzFeed News Union.

A broader drive

Other Hollywood unions are also expanding their presence in digital radio. SAG-AFTRA, which represents about 160,000 actors and other performers, has “seen an increase in production­s in digital media in recent years and covers thousands of projects a year under various new media agreements, including podcasts,” a spokespers­on said.

The move to unionize podcasting firms is part of a broader drive to bring higher wages, benefits and improved working conditions to digital media ventures.

“One reason you see digital media shops organizing is because it’s an industry where if you don’t come from money, it’s really hard to make it,” said Jessica Schulberg, a senior reporter at HuffPost and part of the bargaining committee for its union.

The WGA East said it has gained an estimated 1,500 new members over the last few years. The NewsGuild, which has helped organize BuzzFeed News, the Daily Beast, the digital arm of NBC News and the Los Angeles Times, last year added 1,434 members.

“This part of new media was 100% nonunion for years,” said Peterson. He cited poor management and a lack of transparen­cy at many digital startups for making them “fertile ground for organizing.”

Motivated millennial­s and cost-cutting have also spurred writers and producers to seek union protection­s. Some digital media startups have struggled to convert online popularity into enough ads and digital subscripti­ons to cover rising expenses, resulting in layoffs. Last year, Vox Media Inc., Refinery29 and Vice Media were among the outlets cutting jobs. BuzzFeed laid off about 15% of its workforce, gutting several parts of the news operation this year, prompting staff to mobilize.

Buzzfeed News joined the NewsGuild (part of the Communicat­ion Workers of America) and was certified last summer after employee protests.

‘Sense of stability’

“The trend of more companies unionizing is one of the few bright spots at a pretty dark, chaotic moment in time,” said Rachel Sanders, a culture editor and unit chair of the BuzzFeed News Union. “There’s so much we can’t control, but there are some things we can control, and having a union gives people a real sense of stability and connection.”

Negotiatin­g contracts can be time consuming and arduous. It took the 350member union at Vox Media 14 months and a walkout to ratify its first collective bargaining agreement. Last month, NBC News decided not to voluntaril­y recognize the new union representi­ng its digital staff, forcing an election now set for December. The union has accused NBC of trying to thwart its efforts. NBC declined to comment, but in a memo to employees, it said the company was “deeply committed to a fair and healthy workplace for all our employees.”

Some owners have taken a hard line. Last year, billionair­e Joe Ricketts, chief executive of DNAinfo and Gothamist, abruptly shuttered the two businesses, with a DNAinfo spokespers­on citing the decision by its New York editorial team to unionize as “another competitiv­e obstacle making it harder for the business to be financiall­y successful.” The brands were revived under an already unionized new owner.

Some digital media outlets, including HuffPost, are already negotiatin­g their second contracts.

“The pay minimums we achieved in our first contract led to significan­t raises for members of the unit who were previously underpaid,” Schulberg said.

The accelerati­on of union activity in digital media belies the national trend. The rate of membership among wage and salary workers fell to 10.5% in 2018, down from 20.1% in 1983, according to the Bureau of Labor Statistics in January.

But public sentiment toward unions is rising, according to a Gallup survey.

“We have to wait to see if we are experienci­ng an uptick or just a countervai­ling trend,” said David Smith, professor of economics at the Pepperdine Graziadio Business School. “Maybe in the end, digital media owners will have to embrace a workforce that’s interested in wanting to have stability and economic security and reasonable work hours. It’s going to be hard for progressiv­e owners to stand against that in any meaningful way.”

 ?? Mike Windle Getty Images for Vanity Fair ?? BILL SIMMONS set up his sports podcast site the Ringer in 2016. Employees have formed a union with the WGA East, but the process has not been seamless.
Mike Windle Getty Images for Vanity Fair BILL SIMMONS set up his sports podcast site the Ringer in 2016. Employees have formed a union with the WGA East, but the process has not been seamless.

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