Los Angeles Times

Artist lineup for ‘Made in L.A.’

A Justen LeRoy podcast and a Kahlil Joseph meditation on news will be included.

- By Deborah Vankin

The work of 30 people will be featured in the biennial at Hammer and Huntington.

The Hammer Museum in Westwood in the fall announced that it was partnering with the Huntington Library, Art Museum and Botanical Gardens in San Marino to stage its next “Made in L.A.” biennial at both locations, and the institutio­ns have now revealed more about what that crosstown art conversati­on will look like.

“Made in L.A. 2020: a version,” curated by Myriam Ben Salah and Lauren Mackler, will feature 30 artists, writers, filmmakers and performers, it was announced Tuesday. The exhibition will highlight conceptual throughlin­es in the artists’ work, including entertainm­ent, horror and the theater-film convention of the fourth wall.

Kahlil Joseph will present his “BLKNWS,” a news feed spotlighti­ng original video footage as well as film clips, academic lectures, music videos and other found images. It will be broadcast at locations such as barbershop­s or hospital waiting rooms — “environmen­ts where people are waiting for something, in the middle of their day, ” Ben Salah said, “and aren’t necessaril­y looking for an art experience, but are open to receiving content.”

“It’s about challengin­g this authority of who decides what is the news,” Mackler added.

Justen LeRoy, who works under the name SON., will create a biweekly podcast that’s intended to be listened to as artgoers travel between “Made in L.A.” venues. Some of the podcast content will come from a conversati­on series the artist will host in the back of a South L.A. barbershop.

Several projects address the use of archival materials and overlooked histories.

Painter Monica Majoli’s “Blue boys” mines the archives of Blue Boy Magazine, a gay lifestyle and porn publicatio­n that started in the mid-’70s. She will present new watercolor woodcut transfers that depict delicate, pastel-colored naked bodies of young men based on images in the magazine. The works are beautiful but also tragic, Mackler said. “She invests in models from the late ’70s, this time right before the AIDS epidemic, and many of them died or stand in for men like them.”

Writer and curator Sabrina Tarasoff is looking at the history of the longtime Venice literary arts center Beyond Baroque and the local ’70s and ’80s-era poetry scene. She will have a haunted house installati­on built, where each room takes on the theme of a single poem by authors such as Dennis Cooper, Amy Gerstler and Ed Smith.

“Made in L.A.” spotlights emerging and under-recognized artists from the area who are working in sculpture, painting, textile, multimedia, performanc­e, assemblage, photograph­y and installati­on. Over the last decade, it has become a mainstay of the local scene.

Mackler and Ben Salah — along with assistant curator of performanc­e Ikechukwu Onyewuenyi — visited about 300 artists’ studios over nine months last year. Artists who were addressing entertainm­ent, they said, were using it as subject matter or working within it as a medium. Those incorporat­ing elements of horror were using the genre’s aesthetic or questionin­g the broader definition of what constitute­s horror. Many of the artists playing with the idea of the fourth wall — that invisible barrier between performers and the audience — were exploring the interplay between fiction and truth.

“They’re responses to our current climate, popcultura­lly, politicall­y and socially,” Mackler said. “What creates a sense of horror seems relevant now.”

Added Ben Salah: “We chose a more oblique response to the political climate, rather than plainly political work. It’s talking about things in a more poetic way, to use art for what it is, this augmented representa­tion of a certain time and era, not a direct representa­tion of it.”

Each “Made in L.A.” artist will be shown at both museums. The presentati­ons aim not to mirror each other but rather to seem different parts of the same biennial, Onyewuenyi said. “We’re housing just as ambitious projects at both locations,” he said. “A lot of the artists are thinking about making sure there’s some kind of cross-talk between the works they present.”

“Made in L.A. 2020” runs June 7 to Aug. 30. The other artists are: Mario Ayala, Aria Dean, Hedi El Kholti, Buck Ellison, Niloufar Emamifar, Christina Forrer, Harmony Holiday, Patrick Jackson, Larry Johnson, Ann Greene Kelly, Jacqueline Kiyomi Gordon, Nicola L., Brandon D. Landers, Ligia Lewis, Jill Mulleady, Diane Severin Nguyen, Alexandra Noel, Mathias Poledna, Umar Rashid, Reynaldo Rivera, Katja Seib, Ser Serpas, Sonya Sombreuil/Come Tees, Jeffrey Stuker, Fulton Leroy Washington (a.k.a. Mr. Wash) and Kandis Williams.

 ?? Christina Forrer Luhring Augustine, New York, and Corbett vs. Dempsey, Chicago ?? LOOK FOR Christina Forrer’s “Woman With Waves Coming Out of Her Mouth” in the biennial exhibition.
Christina Forrer Luhring Augustine, New York, and Corbett vs. Dempsey, Chicago LOOK FOR Christina Forrer’s “Woman With Waves Coming Out of Her Mouth” in the biennial exhibition.
 ?? Hammer Museum ?? AMONG the works in “Made in L.A. 2020: a version” are, from left, Ann Greene Kelly’s “Untitled (tire/ wheel),” Reynaldo Rivera’s “Gaby, La Plaza” and Fulton Leroy Washington’s “Mr. Rene # Man Power.”
Hammer Museum AMONG the works in “Made in L.A. 2020: a version” are, from left, Ann Greene Kelly’s “Untitled (tire/ wheel),” Reynaldo Rivera’s “Gaby, La Plaza” and Fulton Leroy Washington’s “Mr. Rene # Man Power.”
 ?? Jeff McLane Hammer Museum ??
Jeff McLane Hammer Museum
 ?? Hammer Museum ??
Hammer Museum

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