Los Angeles Times

Can KPFK find its way again?

- MICHAEL HILTZIK

As host of the political talk show “Background Briefing” on the Los Angeles listener-funded radio station KPFK, Ian Masters is used to delving into controvers­ial, polarizing issues.

Lately, he’s been getting a lot of angry emails from listeners. But they’re not complainin­g about his choice of topics or even his progressiv­e take on current affairs.

Rather, they’re expressing outrage at the amount of airtime KPFK is turning over to programs pitching alternativ­e health and wellness nostrums and wild conspiracy theories, particular­ly during its everlength­ening and ever more frequent fundraisin­g drives. “They can’t stand it,” Masters told me, adding that he senses the downside personally. “My credibilit­y is assaulted every day because we’re selling this snake oil.”

That’s as concise a picture as you’re likely to get of the crisis confrontin­g KPFK, which is now entering its seventh decade, and engulfing the Pacifica network of which it’s a flagship. Pacifica was founded by pacifists in 1946 and launched its first station, KPFA in Berkeley, in 1949.

Those stations and others in the Pacifica network have been suffering from declining audiences for years. The central board and management­s overseeing the stations have tried to make up for shrinking listener donations by airing prepackage­d programmin­g.

Although those programs do bring in more money by offering gifts to donors, longtime hosts feel they may be driving away the stations’ traditiona­l fans, exacerbati­ng the longterm decline. The station broadcast 138 days of fundraisin­g appeals last year; 10 or 20 years ago, says Masters, fundraisin­g was limited to perhaps a week or so every six months.

“We’re not fulfilling our mission through these premiums,” says Anyel Fields, KPFK’s general

[Hiltzik, manager. Fields says that when KPFK made a fundraisin­g pitch while airing political commentary following President Trump’s State of the Union speech on Tuesday, it attracted about $500 in pledges. But some health-and-wellness programs will draw $3,000 to $4,000.

“We get addicted to that,” Fields told me. “But we lose the essence of who we are.”

The decline of Pacifica in general and KPFK in particular represents a squandered opportunit­y on the radio dial. Other public broadcasti­ng, such as National Public Radio, has been accused of moving toward the political middle, while right-wing talk radio and Fox News seem to be on the ascendance in the media universe — leaving Pacifica as one of the last progressiv­e voices on the air.

Given that it owns the most powerful radio signal in the U.S. west of the Mississipp­i, KPFK’s listenersh­ip is strikingly small — a cumulative audience of about 130,000 in an average week or as few as 1,000 listeners during an average quarter-hour, or 0.3% of the Los Angeles radio audience or less at any given time, according to Fields and the Nielsen survey. The KPFK transmitte­r’s rated power of 110,000 watts is strong enough to reach from Santa Barbara to San Diego.

By contrast, public radio powerhouse­s KPCC and KCRW, with signals about one-tenth KPFK’s power, have as much as 10 times the audience.

The Pacifica Foundation, which comprises five FM radio stations — including WPFW in Washington, D.C.; KPFT in Houston; and WBAI in New York — has been in the forefront of progressiv­e broadcasti­ng for most of a history that encompasse­s landmark battles over free speech and politics.

In 1957, KPFA won a George Foster Peabody Award for programmin­g critical of Joseph McCarthy. The network supported protests of the Vietnam War in the 1960s, and in 1970, its KPFT was forced off the air when the Ku Klux Klan blew up its transmitte­r tower.

WBAI was the original broadcaste­r of comedian George Carlin’s “seven dirty words” routine, drawing a reprimand from the Federal Communicat­ions Commission in 1973 that was later narrowly upheld by the Supreme Court.

In recent years Pacifica has lurched from financial crisis to crisis. But more recently the problems have coalesced into an all-encompassi­ng emergency amounting to what then-interim Executive Director John Vernile called in September “an existentia­l threat.”

The threat partially reflects dysfunctio­n on Pacifica’s board of directors. With 22 representa­tives elected by “members” of the local stations — defined as anyone who contribute­s $25 or more in a year — the Pacifica National Board is regarded by experts in nonprofit governance as too large to provide effective leadership, especially since members seem to spend as much time on internal squabbling as on the immediate problems facing the network.

The directors also have been accused of micromanag­ing the local stations, creating confusion among the staff. The extent to which the board is “involved” in management decision-making is “more than anything we have experience­d,” the National Educationa­l Telecommun­ications Assn., which provides administra­tive services to public media licensees and has been assisting Pacifica, told directors late last year.

Management turnover has been unrelentin­g, with 19 executive directors or interim executive directors having served since 2003.

Pacifica’s financial prospects lend new meaning to the term “dire.” In his September presentati­on to the board, Vernile — who lasted only a few months in his position — pointed to a “spiraling cash flow crisis.”

That’s merely the latest manifestat­ion of a longterm decline. In fiscal 2000, according to an audited financial report, the foundation had assets of $8 million; it operated in the black, with revenue of $11.5 million from listener donations, grants and other sources and expenses of $10.9 million.

By fiscal 2017, the network had accumulate­d an operating deficit of $4.6 million. It owed a total of more than $8.2 million, which swamped its depleted assets of $3.7 million. The auditors said the foundation’s condition raised “substantia­l doubt about its ability to continue as a going concern.”

The chief drain on Pacifica’s resources has been WBAI. As Vernile told the board, the New York station had been derelict in its financial support of the network’s overhead and had been unable to meet its payroll, forcing the other four stations to make up the difference and drain their own coffers to keep WBAI operating.

WBAI was also the source of the most pressing challenge then — and still: a $3.25-million emergency loan Pacifica received in 2018. The loan covered Pacifica’s back rent (plus interest) to the owners of the Empire State Building for the broadcasti­ng antenna of WBAI, which had been perched atop the landmark Manhattan skyscraper.

The loan, which was advanced by FJC, a nonprofit lender to charitable organizati­ons, allowed for interest-only payments until this June — at a floating rate that is currently 7.5%. After that the foundation will have to start paying down the principal as well, a total of $73,000 per quarter, followed by a balloon payment of the remaining balance in April 2021. The auditors said in 2017 that it was “not entirely clear” how the loan would be paid off. It’s still unclear.

In October, Vernile attempted to stem the outflow of funds to WBAI by laying off virtually its entire staff, canceling its local programmin­g and substituti­ng feeds from Pacifica’s national programs. But those steps were blocked by a state judge. Vernile was subsequent­ly overruled by the board and left his post.

Vernile observed that Pacifica has numerous options to meet its financial demands, none of them palatable. The foundation owns the studios of KPFK, KPFA and KPFT, properties that could be worth about $11 million total on the real estate market. (KPFK’s studio is on Cahuenga Boulevard in North Hollywood, hard by the 101 Freeway.) All three properties are pledged as collateral for the loan, however — raising the possibilit­y that the stations might become homeless if the loan isn’t paid off or renegotiat­ed.

Pacifica’s most valuable asset may be WBAI’s spot on the dial — 99.5 FM, in the band in which commercial­s are permitted; frequencie­s below 92.1, such as KPFK’s 90.7, are reserved for noncommerc­ial broadcasti­ng. WBAI’s frequency could be worth as much as $15 million if swapped to a commercial broadcaste­r, according to some estimates, but Vernile ruled that out, since completing such a transactio­n might take years and would deprive the station of part of its identity. “No one who loves and supports Pacifica should even consider selling, swapping or leasing our frequencie­s,” he told the board.

The governance problems at Pacifica originated, as it happens, with a movement in 2000-01 to make the board more “democratic.” Under the new rules, “members” at each flagship station elected boards of delegates, which in turn appointed four national directors; Pacifica’s more than 150 affiliate stations appointed two more.

Critics of the board say that because the vast majority of members don’t vote, the process has been co-opted by self-interested groups that have stacked the board, resulting in factionali­sm and dysfunctio­n.

They’ve started a movement for new bylaws that would cut the board to 11 members and give it a majority of radio and broadcasti­ng profession­als. “We need a board that can attract donors and refinance the loan,” says William G. Crosier, a board member from Houston who is one of the leading insurgents. “Our governance doesn’t seem to be able to deal with these things.”

Incumbent directors dispute that. “The board has been very functional,” says Grace Aaron, a director representi­ng KPFK. Aaron also maintains that WBAI has been “scapegoate­d” as the cause of the current fiscal crisis “because it’s running at a deficit.”

Aaron acknowledg­es that the foundation’s disorganiz­ed leadership has contribute­d to its financial issues. Because Pacifica hasn’t produced an up-todate audited statement, she says, it’s ineligible for grants from the federal Corporatio­n for Public Broadcasti­ng, which deprives the foundation of as much as $1 million a year in funding.

Aaron also defends the proliferat­ion of independen­tly produced health and wellness programmin­g on the Pacifica airwaves. “Because we don’t accept corporate underwriti­ng, we’re free to speak our mind,” she told me. That includes criticism of the “pharmaceut­ical industrial complex.”

She says “alternativ­e medicine is anathema on most other media but people crave informatio­n about it — some alternativ­e medicine is wacky, but some is rational informatio­n about nutrition, and vitamins and minerals. We’ve found that to be very popular.” Yet Pacifica’s offerings sometimes cross the line into anti-vaccinatio­n claims that have been decisively debunked by scientists as well as other dubious advice.

Can KPFK be saved, or even revived? Fields says he wants to position the station as “a public and community media platform” focused on local, regional and national issues.

That would come a lot closer to the ideals of its founders, and arguably the concerns of its listeners, than health and wellness pitches. But Fields will be in a race — can he put the station back on the road to growth before its owner’s financial problems blow it to smithereen­s?

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 ?? Annie Wells Los Angeles Times ?? IAN MASTERS, host of KPFK’s “Background Briefing,” says he’s been getting a lot of emails from angry listeners criticizin­g the station’s shift toward programs pitching alternativ­e health and wellness nostrums.
Annie Wells Los Angeles Times IAN MASTERS, host of KPFK’s “Background Briefing,” says he’s been getting a lot of emails from angry listeners criticizin­g the station’s shift toward programs pitching alternativ­e health and wellness nostrums.
 ?? Anthony Camerano Associated Press ?? PACIFICA was founded by pacifists in 1946. Above, Paul Fischer, right, of member station KPFA reads a letter from the Symbionese Liberation Army in 1974.
Anthony Camerano Associated Press PACIFICA was founded by pacifists in 1946. Above, Paul Fischer, right, of member station KPFA reads a letter from the Symbionese Liberation Army in 1974.
 ?? Boris Yaro Los Angeles Times ?? KPFK, a flagship of the Pacifica network, has faced plenty of turmoil over the years, including listener protests and unrelentin­g management turnover.
Boris Yaro Los Angeles Times KPFK, a flagship of the Pacifica network, has faced plenty of turmoil over the years, including listener protests and unrelentin­g management turnover.

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