Los Angeles Times

HER SUCCESS IS NO MYSTERY

The crime drama ‘Truth Be Told’ and inspiratio­nal biopic ‘Self Made’ enable Octavia Spencer to explore different genres and indulge her passions

- BY RAMIN ZAHED

AAFTER winning an Oscar for “The Help” and being nominated two years in a row for “Hidden Figures” (2016) and “The Shape of Water” (2017), Octavia Spencer executive produced the Oscars’ 2018 best picture, “Green Book,” followed by starring in and exec producing the quirky horror pic “Ma.” She also provided the voices for the duck Dab Dab in “Doolittle” and a tavern-owning mythical creature in Pixar’s “Onward.”

But why stop there? Now there are two dramatic roles — in the Netflix biopic “Self Made: Inspired by the Life of Madam C.J. Walker” and the Apple TV+ crime thriller “Truth Be Told” (both of which she also executive produced) — that she has top of mind.

Spencer says she was drawn to “Truth Be Told” because she has always been a mystery buff. The crime drama centers on a former New York Times journalist who starts a podcast to exonerate a wrongly convicted man.

“My producing partner, Brian Clisham, knows that I’m a huge true crime and mystery fan,” she says. “We were looking for a project that could have a fighting chance in the premium world of cable and streaming, and we came across this project from Reese Witherspoo­n and Peter Chernin’s companies. They sent me the manuscript of the book by Kathleen Barber before it was published, and I just loved it.”

The project took five months to shoot in L.A. last year and was quite demanding. Spencer explains, “I had to go back and learn about some of the basic tenets of journalism as well as podcasting. I am a big fan of podcasts like ‘Serial’ and ‘S-Town.’ Playing Poppy was challengin­g because when we first meet her, she is full of good intentions, but I was grappling with her moral compass. The show kept it all very suspensefu­l until the very last episode. I had no clue who the killer was, and I won’t reveal it in case people want to catch up!”

Spencer plays a real-life character in Netflix’s four-hour series “Self Made: Inspired by the Life of Madam C.J. Walker,” which tells the inspiring story of the African American hair care entreprene­ur. “Madam’s story was always part of my upbringing. My mom used her as a standardbe­arer in our household to teach us that you can achieve anything you can dare to dream of.

“We came from very humble beginnings, so it was important for us to learn about this woman. Her siblings and parents were slaves yet she never allowed anyone to limit her. She was able to become the first self-made female millionair­e in America, across all racial and ethnic divides, at a time when women weren’t even allowed to vote.”

The Alabama-born actress says she strove to do justice to Walker’s life story, although some characters and timelines were changed. “Madam C. J. was someone I revered, so I felt this great responsibi­lity to get it right. Fortunatel­y, the series was based on the book written by her greatgrand­daughter A’Lelia Bundles, and she was also involved and a wonderful part of the process.”

The drama also stars Tiffany Haddish, Carmen Ejogo, Blair Underwood and Kevin Carrol. Kasi Lemmons (“Harriet,” “Eve’s Bayou”) executive produced and directed two episodes. “I knew that because this was a very intimate, clearly African American female story, we were going to need African American female storytelle­rs,” Spencer notes. “Of course, Kasi Lemmons was on top of our wish list for directors.”

“Self Made” was shot in Canada over two months, and Spencer worked 59 of those 60 days. “It was a very demanding role physically, and I was experienci­ng some vertigo and nausea during the shoot,” she says. “Interestin­gly, Madam C.J. also had some physical ailments: She suffered from fainting spells and had high blood pressure and diabetes, so I incorporat­ed all of that!”

The actress, who won the supporting Oscar for 2011’s “The Help,” says she’s happy to see more diversity on and off screen.

“When I was working on ‘Fruitvale Station,’ our director, Ryan Coogler, had all of the people he went to film school with working on the movie. I had never seen so much diversity on the set, and I looked around and thought, ‘Wow, this is how things should be!’

“Now, thanks to women like Shonda Rhimes and Ava DuVernay coming through the ranks, the landscape has slowly changed. I do think it should all be organic. We shouldn’t have to say we need women of all ethnicitie­s to direct and be part of the decision-making process.”▪

 ?? Rebecca Cabage Invision/AP ??
Rebecca Cabage Invision/AP

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