New star of TV, film shoots
COVID compliance bosses keep sets safe, cameras rolling. How to get the job? Well ...
The pandemic has spawned a new job on Hollywood sets — the COVID- 19 compliance supervisor.
The role was created under an agreement last month between entertainment unions and a producers’ alliance as part of the terms for Hollywood’s return to production. Already, an industry is emerging around this key position. Some companies are offering training and certification, others are providing consulting services to productions.
The film and TV community in the U. S. has slowly been returning to work since June after an almost complete shutdown in March because of the pandemic. Hundreds of thousands of jobs were lost as a result.
Producers and crew used to working on crowded and messy sets are now having to adapt to new arrangements and are looking to compliance supervisors to keep them safe and to keep productions going.
“The challenge is that we’re living in a new world; the way that people have gone about doing their jobs on the set has changed dramatically” said Thom Davis, business manager of IATSE Local 80, which represents set medics, grips and other workers.
Productions are required to have set medics; some of them have also taken on the position of compliance supervisor.
“You’ve learned to do things in a certain way,” Davis added. “And now, all of a sudden, you can’t do that. It takes a mental retraining.”
What is a COVID- 19 compliance supervisor?
According to the agreement, producers must hire a supervisor responsible for compliance and enforcement of industry protocols on each production.
The demands of the job are big: sanitization, testing, safety equipment and distancing. Cast and crew are split into different zones, based on the frequency of testing and ability to wear masks.
The compliance supervisor is responsible for making sure these groups don’t mix and has to intervene if crew members crowd together and masks slip.
The supervisor is also responsible for training other crew members, such as first assistant directors, so they can pass on safety directions to their units. They have to be available at all times during working hours, according to the agreement.
Critically, this person has the power to stop a production if there are concerns about safety and has the ability to discipline — or even fire — safety protocol violators.
Given that shutdowns on large productions can cost hundreds of thousands of dollars a day, that is a big responsibility.
How do you become a compliance supervisor?
There is no one route to the position. Unions and producers didn’t set out qualifications or training. As a result, supervisors have various backgrounds in medicine, film production or set safety.
L. A.- based Jessica Lesley saw it was an opportunity to start a new business. Lesley, 35, has a bachelor of science degree from Alabama’s Tuskegee University and went on to the L. A.- based Streetlights production assistants course, which helps young people from diverse communities access Hollywood.
This summer, she thought her degree made her a good fit for providing COVID- 19 safety services to the industry. “I started my company, and I’ve been going since June, and I’ve been extremely busy,” Lesley said, adding that she’s been booking jobs and hiring others to work with her on commercial shoots around the country.
She charges about $ 500 a day for a supervisor, less for assistants. Some charge as much as $ 1,000 a day.
Other start- ups offer compliance services and training to productions. Some focus on training for compliance supervisors.
One such is the San Carlos, Calif.- based Health Education Services. It offers a two- hour webinar for $ 50; those who pass the course receive a certificate and a listing in the the company’s database. About 300 people a week are attending, said DJay Brawner, who helps teach the online sessions.
This course is targeted at those with on- set experience, such as assistant directors or production assistants, but who may not have a background in science. Once the course is completed, participants get access to resources they can use in the job, such as screening surveys.
L. A. resident Will Nitch took the course and is on a public database of trained officers. Nitch, 40, has held various jobs in the entertainment industry, including as a production coordinator. About a month ago, he started a business with actor Eddie Hargitay, that focuses on compliance services. They bought trailers, hand- washing stations and cleaning products to provide all the services needed to make a production compliant, he said.
“My livelihood operates on whether Hollywood is operating or not,” Nitch said. “I take it very seriously. I don’t want Hollywood to shut down again.”
Pure Sets, an L. A.- based company founded during the pandemic, provides a onestop shop for productions. It has a roster of supervisors who have worked as medics, first responders, even a Navy SEAL. “One of the big challenges is finding people with a leadership quality,” said founder Julian Lemaitre.
As part of the industry agreement, every production employee must complete a COVID- 19 safety course. One such provider is a Burbankbased nonprofit, Contract Services, which offers training and support functions for the film industry. However, the training isn’t intended to cover all that a compliance supervisor might need.
For some, the job is seen as a possible way into the industry when work is in short supply. But industry experience is often expected.
“All the producers I’ve talked to, especially the studios, indicate that what they are looking for, is somebody who has extensive on- set experience and preferably has a medical background, but that’s not an absolute requirement,” said Duncan Crabtree- Ireland, SAG- AFTRA’s chief operating officer and general counsel.
No set standard of training has raised concerns.
Although unions and filmmakers agree that this role is necessary to keep the industry going and casts and crews safe, the new protocols do not lay out specific training requirements.
Thus, experience and knowledge can vary widely.
One worry is that producers may not take the role seriously enough, for example by hiring production assistants to double as compliance supervisors. Some crew have been concerned when the compliance supervisor on set has not stepped in to limit crowding or enforce sanitation standards or mask wearing. “A lot of people are jumping on it as a quick way to make a buck and don’t take the responsibility seriously,” Lesley said.
Union officials even changed the name of the position, which originally was known as compliance officer, to reflect the authority needed on set, said Crabtree- Ireland, who is leading the union’s safety and reopening initiative.
“I’ve heard sporadic concerns about the training, but I’ve also heard concerns more about how that role fits in with the existing structure of the management representatives that the people are used to dealing with,” he said.
Pasadena- based Neil Larson has been doing production safety work as a thirdparty contractor for several years and is now a compliance supervisor on sets. Larson, 61, said he took contact tracing and epidemiology courses online from Johns Hopkins University, along with other safety training. Since spring, he has been a compliance supervisor on shows like MTV’s “Ridiculousness” and Nickelodeon’s “Top Elf.”
The level of experience and effectiveness of the supervisor varies between productions. “People will come back to me from other shows saying, ‘ Oh, God, it was horrible. I didn’t feel safe,’ ” Larson said. Some producers want the compliance supervisor to just “show up and shut up” and simply tick a box by being on set, he said. “You can’t do that. You have to keep people safe.”