Los Angeles Times

New Yorker fiction editor

- By Dorany Pineda

Daniel Menaker, a longtime fiction editor for the New Yorker and former executive editor- in- chief of Random House, where he edited Salman Rushdie and Alice Munro, among others, died Monday in his home in New Marlboroug­h, Mass., from pancreatic cancer, his son announced. He was 79.

“He was me, and I am him in so many ways,” Will Menaker, cohost of the political podcast “Chapo Trap House,” wrote on Twitter Tuesday. “I miss him terribly, but am struck with a profound feeling that I am the luckiest man alive for having been his son.”

Menaker began his 26year career at the New Yorker as a fact checker in 1969. He moved up the ranks to eventually become a f iction editor and contributo­r. Throughout his career in publishing, Menaker worked with highly esteemed writers including Michael Chabon, Billy Collins, Elizabeth Strout and David Foster Wallace.

As a writer himself, Menaker was known for his witty prose. Among his published works, many of them critically acclaimed, were “The Worst” with Charles McGrath ( 1979); the shortstory collection “The Treatment,” published in 1998 and later made into a f ilm starring Ian Holm; and his 2013 memoir, “My Mistake.” He won the O. Henry Award twice for his short stories.

Menaker had two stints at Random House — first in 1995 as editor and later in 2003 in a more executive position, helping the publishing house sustain its literary reputation. In between, he was executive editor at the rival house HarperColl­ins.

Working for others didn’t always come easy for Menaker. He almost lost his job at the New Yorker after f ighting with his longtime editor, William Shawn, over word choice, according to a 2003 New York Times story. He was also the only manager to join a union organizing drive. It failed.

Once he got into book publishing, his rebellious­ness and restlessne­ss waned some.

“I came here, and I gradually felt like I could handle a little more responsibi­lity, and I enjoyed it,” he told the New York Times when he worked at HarperColl­ins. “It is about time. Better late than never.”

Menaker was also a contributo­r to the Barnes & Noble Review, where he wrote book reviews and served as editor of the daily humor piece “Grin & Tonic.”

His colleague Jim Mustich, founding editor of the Review, said in an interview that Menaker was the embodiment of wit. “Not just the whittled down meaning of mere cleverness, but a more expansive version, in which humor is allied with generosity, irony to intelligen­ce, and playfulnes­s of mind to seriousnes­s of purpose,” he said.

Novelist Gary Shteyngart echoed that sentiment.

“He struck me as one of the funniest people in publishing,” Shteyngart said in an email Tuesday. “Lunch with him was a long volley of laughs and sometimes martinis. He was both an oldschool editor and someone attuned to how literature was changing. He was always open to possibilit­ies but he yielded the red pen with brio. He removed a few unnecessar­y chapters from my book, for sure.” Menaker edited Shteyngart’s 2006 novel, “Absurdista­n.”

Menaker attended Swarthmore College in the 1960s and went on to earn a master’s degree at Johns Hopkins University. He taught brief ly at a high school in Manhattan before being hired by the New Yorker.

 ?? Robin Platzer Fil mMagic ?? WITTY PROSE Daniel Menaker at a New York gala in 2005.
Robin Platzer Fil mMagic WITTY PROSE Daniel Menaker at a New York gala in 2005.

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