Los Angeles Times

A film landmark on safe ground

The last Cinerama Dome crisis led to safeguards for the landmark

- BY JESSICA GELT

The historic Cinerama Dome has safeguards in place to keep it standing as is.

It was 1998 and L.A. film lovers were distraught about a proposal by Pacific Theatres to gut the Hollywood Cinerama Dome, surroundin­g it with a complex of restaurant­s and a movie multiplex that would become ArcLight Cinemas.

The proposed $60-million developmen­t, critics said, would obscure the view of the 1963 design by midcentury icon Welton Becket and Associates as the world’s first allconcret­e geodesic dome. The Cinerama lobby was to be replaced with a restaurant, and stadium seating would do away with the venue’s legendary epic screen. The public outcry was fierce. The Los Angeles Conservanc­y rallied behind its preservati­on, and a grass-roots organizati­on called Friends of the Cinerama Dome launched. Jackie Goldberg emerged as an advocate on the City Council, and by that December, Pacific Theatres agreed to a keep the beloved theater much as it was — and still is.

What goes around, comes around: On Monday, Pacific and ArcLight theaters announced that they would not reopen, and film lovers took to Twitter to express fear that their beloved Cinerama Dome was in

imminent danger. Could the structure be vulnerable to demolition? Could some craven developer turn it into an upscale steakhouse?

The short answers: probably not, and probably not.

In 1998 the Cinerama Dome was designated L.A. Historic-Cultural Monument No. 659. This protects the building — to a point, said Linda Dishman, president and chief executive of the L.A. Conservanc­y, and Ken Bernstein, principal city planner and manager of the city’s Office of Historic Resources.

“Even if a developer emerged in the wings today and had plans to demolish and redevelop the site, there would be extensive public process, and many opportunit­ies for the public to weigh in on the preservati­on and use of the Cinerama Dome,” Bernstein said.

Any request for a permit to demolish the Cinerama Dome would go through the city, Bernstein said, and his department would direct the owner to begin an environmen­tal impact report. The EIR process, which can take up to a year, is designed to examine what would be damaged by demolition, and it would explore alternativ­es to that damage.

The historic-cultural monument status also means that the City Council and L.A.'s Cultural Heritage Commission can delay a demolition permit for up to one year, Dishman said.

After the EIR is completed, the City Council would decide how significan­t the impact would be and could deny demolition. The Cultural Heritage Commission ordinance that would be used to navigate this process does not give the City Council the ability to deny demolition based on the historic significan­ce of the building, nor would it ensure that the Cinerama Dome would have to continue operating as a movie theater.

The ordinance does, however, give the city power to review planned alteration­s to the building ’s interior and exterior. Alteration­s — for the dome to operate as a massive restaurant, for example — would have to meet federal guidelines called the Secretary of the Interior’s Standards, which Dishman described as the Ten Commandmen­ts of alteration.

She said conversion to a restaurant would be tough because it is very difficult to vent a geodesic dome. The building was built with about 300 pentagonal and hexagonal panels, each weighing as much as 3,200 pounds and structural­ly reliant on one another, so you can’t just pull a few out. This challenge is what laid to waste the 1998 plan for a restaurant in the lobby.

“This feels so much like 1998 because there was this huge outcry when they talked about making changes and taking away the lobby,” said Dishman, adding that fans and architectu­re buffs should do what people did back then. “I think the thing for people to do now is to really implore Pacific Theatres to make sure this building continues to have a future as a movie theater.”

Pacific built the dome following a patented Buckminste­r Fuller technique for bolting together the panels. After Cinerama Dome opened, other domed theaters were erected in places such as Orange, Anaheim, Pleasant Hill and San Jose.

All the other domes have been demolished except for San Jose’s Century 21 dome, which was declared a city landmark and is eligible for listing on the National Register of Historic Places. It stands in the shadow of a glossy new Silicon Valley office complex.

 ?? Jay L. Clendenin Los Angeles Times ?? THE CINERAMA DOME is L.A. Historic-Cultural Monument No. 659, which ensures debate about changes to the building.
Jay L. Clendenin Los Angeles Times THE CINERAMA DOME is L.A. Historic-Cultural Monument No. 659, which ensures debate about changes to the building.
 ?? Ellen Jaskol Los Angeles Times ?? THE CINERAMA DOME on Nov 26, 1986, when it screened the brand-new “Star Trek IV: The Voyage Home.” Such events are etched into the building’s history.
Ellen Jaskol Los Angeles Times THE CINERAMA DOME on Nov 26, 1986, when it screened the brand-new “Star Trek IV: The Voyage Home.” Such events are etched into the building’s history.
 ?? Genaro Molina Los Angeles Times ?? INSIDE the Cinerama Dome, a 1963 design that the city of Los Angeles has given historical protection­s.
Genaro Molina Los Angeles Times INSIDE the Cinerama Dome, a 1963 design that the city of Los Angeles has given historical protection­s.

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