Los Angeles Times

‘China Beach’ writer gave women a voice

- By Steve Marble

John Sacret Young, a writer and director who gave TV viewers a hellish portrait of warfare and its life-altering consequenc­es in “China Beach” and earned Emmy nomination­s for his work on “The West Wing,” has died at his home in Brentwood.

Young — a skilled and prolific writer of books, television screenplay­s, movie scripts, opinion pieces and book reviews — died June 3 after a 10-month battle with brain cancer, his wife, Claudia Sloan, said.

Young wiggled into Hollywood as a researcher embedded with the Los Angeles Police Department to gather real-life grit for the 1970s crime drama “Police Story.”

His persistenc­e led to an opportunit­y to write screenplay­s for the show — a break that gave him an open lane to write, direct or produce a run of prime-time television shows, including “The West Wing,” the shadowy “Orleans” and the Netflix series “Firefly Lane.”

“He was an exceptiona­lly gifted writer who was generous with his time, thoughtful, wickedly funny, patient and tough,” said John Wells, the producer of “The West Wing” and “Shameless,” among others. “He cared deeply about writing, about words and craft.”

But it was “China Beach,” a numbingly dark look at life near the front lines in a field hospital during the waning days of the Vietnam War, that was likely his signature work.

The drama premiered in 1988, 13 years after the fall of Saigon as America was still coming to terms with the lasting traumas of the war — PTSD, Agent Orange, drug abuse. The show tackled the subject matter head on, sometimes stirring controvers­y along the way. An episode that focused on abortion aired once, but ABC refused to show it again.

The show, created by Young and Vietnam vet William Broyles, was received warmly for its portrayal of conf lict through the eyes of women serving at an evacuation hospital near Da Nang in what then was South Vietnam.

But the ratings never took off, and the network bounced it from time slot to time slot before finally pulling the plug after four seasons, inglorious­ly replacing it with “Cop Rock!”

“At its best, it was by turns bold, bracing, cynical, heartfelt, melancholy and eloquently written,” wrote the Los Angeles Times’ Steven Linan in 1991.

Dana Delany, the show’s star, said the scripts helped strip away some of the unspoken horrors of postwar life.

“The nurses were in as horrific situations as the soldiers were. Never before had the nurses been allowed to talk about their PTSD,” Delany told The Times in 2013. “They had this guilt of ‘I wasn’t actually on the battlefiel­d, what right do I have to talk about it?’ With ‘China Beach,’ they started talking openly about posttrauma­tic stress.”

In male-dominated Hollywood, Young went against the grain and hired women to work on the other side of the camera, writing and creating episodes for the show. “Murder, She Wrote,” then a hit show about a woman, did not have a single female staff writer during several of its seasons, for instance. By contrast, four of the six writers on “China Beach” were women.

“The show is about women,” Young told The Times in 1998. “I needed a woman’s voice.”

During the length of his career, Young received seven Emmy nomination­s and twice won a Writers Guild Award, one for his 1980 miniseries “A Rumor of War” and a second for an episode of “China Beach.”

‘Never before had the nurses been allowed to talk about their PTSD.’

— Dana Delany, “China Beach” star

He wrote and produced several feature films, including “Testament,” which was nominated for an Oscar.

Born May 24, 1946, Young grew up in Montclair, N.J., and Manomet, Mass., and graduated from Princeton, where he played football, lacrosse and hockey and wrote his senior thesis on two women working in the 1968 presidenti­al election, when Richard Nixon was first elected.

He moved to L.A. and, without a car, would ride a bicycle to a nearby library, where he would write and do research, his wife said. It was a humble start to what would become a bountiful writing career. His memoir “Remains: Non-Viewable,” which centered on his cousin’s death in Vietnam, was on the Los Angeles Times bestseller­s list, and the New Yorker described Young as “a writer of effortless dexterity and a true, unaffected originalit­y.”

Young is survived by his wife; a brother, Mason; children Jacy, Jake, Julia and Riley; and three grandchild­ren.

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