Los Angeles Times

Life-changing gift

- Daron James

“It was very emotional,” Janusz Kaminski says of working on “The Fabelmans,” a life story from Steven Spielberg in which the director holds a mirror up to his own family portrait. “I learned so much about him before I came into his life,” the two-time Oscar-winning cinematogr­apher shares with The Envelope. In revisiting Spielberg’s past, scenes were framed with an eye for classical compositio­n while lighting was romanticiz­ed during the family’s stay in their New Jersey home. When young Sammy (a stand-in for Spielberg himself and here played by Mateo Zoryan Francis-DeFord) is given a movie camera by mother, Mitzi (Michelle Williams), to help him overcome troubled dreams, the moment becomes an ebullient metaphor. “It really signifies what the movie is about,” Kaminski says. “He wanted to be loved like any other child, and accepted, rewarded and admired. He got the greatest gift of his life from her. Half of his genes are from her, which I think are his artistic tendencies, and the physical gift that allowed him to make movies.” Mitzi shines like an angel in the lower contrast image while the silver camera becomes a focal point. “I made the conscious decision to make the camera glow, to stand out almost like a talisman. He gets this magical thing that illuminate­s his path.” —

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