Los Angeles Times

MY FAMILY HID BLACK ANCESTORS — I FOUND THEM

- JEAN GUERRERO Jean Guerrero’s book “Crux” was published this month in paperback. @jeanguerre

Two years ago ,atmy mother’s house in San Diego, I asked my 86-year-old Puerto Rican grandmothe­r, who lives there, if she could show me photos of her parents. We were spending a lot of time together during the pandemic in a COVID bubble.

Abuelita Coco, a pale, parenthesi­s-slim woman, is losing her short-term memory. But she enjoys recalling fragments of her far-away past. She went to her bedroom to rummage through her closet. She pulled out photo albums of her life in Puerto Rico and placed them on her bed. We wore masks and were vaccinated, but I gave her space while she looked.

Later, she brought me a photo of a wiry, white-passing man. “That was my father,” she said in Spanish, peering at the photo with smiling eyes. “Y tu mamá?” I asked. She told me she had searched and searched for photos of her mother, and couldn’t find any. Perhaps she never brought them from Puerto Rico, she said.

I was perplexed. There was no way she forgot photos of her mother when she moved in with us when I was a teenager in the early 2000s. It occurred to me that maybe she didn’t want me to see her mother.

I recalled a conversati­on I’d had with my father, from Mexico, when I was writing a book about his side of the family years before. He told me he thought my mother’s mother had Black ancestry. He could see it in her face, in my mother’s face. I objected that they look white. My father told me to look closer. But he said I shouldn’t inquire. He’d asked Abuelita Coco once and it made her “real mad.”

Without explaining myself, I asked Abuelita Coco for photos of her mother every time I visited. Each time, she thought I was asking for the first time.

One evening, after weeks of gentle inquiries, she brought me a black-and-white photo. “That was my mom,” she said quietly. In the photo, a woman with high cheekbones and a coy smile rested her chin on Abuelita Coco’s shoulder. She wore a casual white dress. She was beautiful and undeniably Black, with dark chocolate skin. “Tu mamá era afro-puertorriq­ueña,” I said.

Abuelita Coco’s face crumpled. “Her skin was as white and as beautiful as mine,” she replied in Spanish, lifting her shirt to expose her pale belly. When I replied that there is nothing wrong with being Black, her eyes filled with tears. Perhaps her mother was “trigueña,” or wheat-colored, she said. But she certainly wasn’t Black.

Searching for public records online, I discovered that my great-grandmothe­r Monserrate Torres was classified as “C,” or colored for Black, in the 1930 United States Census, which judged people with any detectable drop of Black blood as Black. On a later population schedule, Abuelita Coco, then 2, was also put on the Black side of the black-white binary. It wasn’t just my mother’s maternal side that was judged as Black. So was my mother’s father. And his mother was a seamstress named Pura Feliciano, labeled “mulatto,” part Black, when that was a designatio­n. Pura’s father was “N,” for “Negro.”

Today, as I flip through Abuelita Coco’s albums, I’m bewildered by my former blindness to our afrodescen­dancy. On page after page I find photos of pale relatives beside relatives who look Afro Puerto Rican to me, including my mom’s brother, my Tío, who died of a heart attack more than a decade ago. I’d met many of these people on trips to Puerto Rico. My Tío had visited us in San Diego. Why had I never seen anybody’s Blackness?

“My brother was not Black,” my mother tells me. She says he didn’t identify as Black. “He was white.” I scrutinize the photos, confused by her conviction. It’s true that when my Tío kept his hair short instead of his Afro and stayed out of the sun, he looked ambiguous. But activists and demographe­rs recently mobilized to encourage more people in Puerto Rico to claim their Blackness to counter disproport­ionate white identifica­tion and to get a better idea of racial disparitie­s that need addressing on the island. “Don’t you think if he were still alive he might identify as Black?”

“He’d identify as Puerto Rican,” she says. “He was Puerto Rican.”

It’s grating to talk with her about this. When I tell her about the government documents I found classifyin­g her mother and her grandmothe­r as Black, she concedes that her family had Black ancestry. But she sees me as obsessed with race; I see her as in denial about its ongoing role in this country. “We’re the human race,” she says, sharply. “Why are you looking at f––– race? To separate people like ganado, like caballos?”

I can’t tell whose mind is more colonized, mine or my mother’s. Racial identity is as personal as it is a product of how we’re seen. But how I see my relatives is different from how many of them see themselves. What if my mother is right, and I’m racializin­g relatives through my assimilate­d eyes?

“Do you check ‘Black’ on the census now?” my mother asks, exasperate­d with me. No, I don’t. I wouldn’t feel right claiming that identity on a government form, as someone who has benefited from whitepassi­ng privilege.

What I don’t understand is why I didn’t grow up encouraged to feel personally related to Black people. My mother doesn’t deny the Blackness of my 8-year-old niece, whose father is Black. She encourages her to be proud. She understand­s that my niece can’t be whole if she doesn’t embrace her diverse roots.

Why, then, is my mother’s perception of her own relationsh­ip to Blackness so different? I want to understand why she and Abuelita Coco draw such a hard line between themselves and Blackness. How did we come to be so ruptured?

Racial identity is as personal as it is a product of how we’re seen. What puzzles me is how my Latino relatives see themselves.

The year 1898 is when the U.S. seized Puerto Rico from Spain. Soon, Anglo Americans imposed on the island a binary concept of race at odds with the color spectrum that Puerto Ricans saw: blancos, negros, trigueños, mulattos, morenos, etc.

Puerto Ricans who thought they were a mix of white, Taino, African were seen by the Anglo Americans as Black. In 1909, President Theodore Roosevelt gave a speech celebratin­g “peoples of white, or European blood” expanding into lands of “mere savages.” In 1917, the U.S. gave Puerto Ricans second-class citizenshi­p status: no voting rights or representa­tion unless they moved to the mainland.

As Puerto Ricans traveled across the U.S. to work in fields and factories, they saw the segregatio­n, lynching and massacres of Black Americans. Distinguis­hing themselves as non-Black became a matter of survival.

During the early 1900s, Puerto Rico experience­d a mysterious surge in “white” people on census records. In a paper, “How Puerto Rico Became White,” sociologis­ts Mara Loveman and Jeronimo O. Muniz observe that the surge in white Puerto Ricans didn’t reflect a true increase in Puerto Ricans with white skin but rather an expanding concept of whiteness on the archipelag­o. The idea of who can be white became more inclusive due to “a precipitou­s rise in the perceived and actual costs of being seen by Americans as nonwhite.”

Many Puerto Ricans retained their hypersensi­tivity in distinguis­hing Afro features, but did not see those features as creating Black racial identity.

The erasure of Blackness was not entirely new; the cult of “limpieza de sangre,”

or blood-cleansing, had been brought by Spaniards centuries before. Throughout Latin America and the Caribbean, Spanish colonizers created an elaborate caste system, with white people at the top, mixedrace people in the middle, and Black and Indigenous people at the bottom, enslaved or exploited for dismal wages. They’d brought millions of enslaved Africans to replace Indigenous laborers decimated by genocide and plague.

At the same time, that system used race-mixing and white immigratio­n for

blanqueami­ento, or whitening of the population. The saying, “Hay que mejorar la raza,” or “We have to improve the race,” is still disturbing­ly common across Latin America. It means reproduce with a partner who will give you lighter-skinned children. Such bigotry is only beginning to be challenged.

After I explained some of this history with Abuelita Coco, she was angry and nodded in recognitio­n. “Some people just think they’re so white,” she said. She recalled a taunt she heard growing up in Puerto Rico: “I’m whiter than you! I’m whiter than you!” But she continued to insist that her mother wasn’t Black. If anything, she was “india.”

In “Inventing Latinos,” UCLA law and sociology professor Laura E. Gómez writes that identifyin­g as “indio” over Black is typical in Puerto Rico and the Dominican Republic. In this context, it means mixedrace, another way of creating distance from the perceived bottom rung. “To say one is

indio is to effectivel­y say, ‘I am not black,’” Gómez wrote.

Abuelita Coco had grown too frail and forgetful to transform her perception of her mother. But I didn’t want to turn away from my great-grandmothe­r’s Blackness.

In the middle of the last century, the Afro Puerto Rican poet Fortunato Viscarrond­o wrote, “¿Y tu agüela, aonde ejtá?” The title, which is in Puerto Rican dialect, means: “And your grandmothe­r, where is she?” It’s the poem’s refrain, directed at a lightskinn­ed Puerto Rican who is racializin­g the poet, calling him “Negro.” The narrator repeatedly asks the light-skinned man where his grandmothe­r is. The implicatio­n is that the light-skinned Puerto Rican is hiding her because she’s Black.

I read the poem after listening to a “Code Switch” episode featuring a song based on the poem, which is in the Puerto Rican dialect. At first, I struggled to comprehend the poem on the page, but when I sounded out the words, my ears heard a language of my childhood, the one my abuelitos spoke before their accents changed from years in a state where most Latinos are Mexican American. (Puerto Ricans are less than 1% of California­ns.)

The spoken word conveys the poem’s meaning to my ears. The light-skinned man’s grandmothe­r is hidden “po'que ej prieta de a beldá.” Because she’s a Black woman.

This poem helped me grasp why I had never seen a picture of my great-grandmothe­r: Her dark skin was proof that my family wasn’t really white.

Many white Americans’ concept of whiteness categorica­lly excludes Puerto Ricans. But for decades, a majority of them identified as white alone: 75% on the 2010 Census. That’s changing fast with the continuing economic crisis, discrimina­tion and new racial justice movements. In 2020, the share of Puerto Ricans who identified as white alone plunged to 17%.

Despite efforts to encourage Black pride and Black identity in Puerto Rico, most are still predominan­tly declining to identify as Black people, including many who would be seen as Black by white Americans. Instead, there was an explosion in those identifyin­g as two or more races, from 3% in 2010 to half of all Puerto Ricans in 2020, as well as a jump in those identifyin­g as “some other race alone,” from 8% to a quarter of them.

The trends mirrored a drop in white identifica­tion among all U.S. Latinos, from more than half to 20%, and surges in those who choose two or more races (from 6% to 33%) and “other” (from 37% to 42%). “Other” is now the second-largest race in the country.

The rise of the “other” is giving birth to a new way of understand­ing race in America: one that isn’t rooted in a binary but rather a spectrum that resembles Puerto Ricans’. The Biden administra­tion’s proposal to add “Latino” as a race category on the 2030 census is appealing to countless Latinos who can’t find themselves in existing categories.

The rise of this Other/Latino race is nerve-wracking to white nationalis­ts and GOP propagandi­sts who are openly plotting to encourage white identifica­tion among Latinos. If aspiration­al whiteness among Latinos goes extinct, so too may white supremacis­t rule. But if the Other/Latino race defines itself in opposition to Blackness, it could end up replacing white supremacy with something similar: mixed-race supremacy, or mestizaje, a common feature of the anti-Black and anti-Indigenous pigmentocr­acies in Latin America and the Caribbean, exhibited by Latino members of the Los Angeles City Council who disparaged Oaxacans and “Blacks” in the now-infamous leaked audio recording.

What they failed to grasp, and what I failed to see until finding my great-grandmothe­rs, is that Blackness, like Indigeneit­y, is at the heart of who we are. Latinos must recognize, resist and reverse centuries of blanqueami­ento. We the outcasts of Latin America must remember who we came from.

Geographic proximity to Mexico made it easy for me to learn about my father’s country. As a child and teenager, I regularly crossed the border. Then I moved there in 2010. Living in Mexico City, I often heard the words “indio” (Indian), “indígena” (Indigenous) and “negro” (Black) hurled at darkskinne­d people as synonyms for subhuman.

This vitriol is not a Mexican problem but a European disease that has plagued Latin America and the Caribbean for centuries, fueling the murder and dispossess­ion of Black and Indigenous people. U.S. Latinos come from those displaced people. Amnesia about our origins contribute­s to our complicity in white supremacy.

In her 2022 book, “Racial Innocence,” Tanya Katerí Hernández, a Fordham University law professor and Afro Puerto Rican expert on Latino anti-Black bias, critiques the delusion that Latinos’ “racially mixed cultures immunize them from being racist.”

Hernández recalls the story of her mother, Nina, rejected by her family because of her darker skin and “kinky curls —

pelo malo (bad hair).”

She was beaten, threatened with expulsion and denigrated, while her sister Mónica was beloved for her lighter skin and straight hair. Their physical comparison was “a constant obsession of the family with Nina being called ‘monito’ (little monkey), and negrita bembe (little Black African-like girl), while Mónica was simply called la nena (the little girl),” she wrote.

The story is sadly not uncommon among U.S. Latinos.

Internaliz­ed white supremacy functions as a kind of auto-immune disorder, turning us against our bodies in discrete and violent ways, from skin bleaching to self-cutting, substance abuse and suicide. It divides families.

Many Latinos are challengin­g such abuse and annihilati­on of Blackness and Indigeneit­y. They’re raising their children differentl­y, educating relatives and creating art to reshape the culture. Yosimar Reyes, a Mexican-born poet and activist, created a one-man show, “Prieto,” a term for darkskinne­d, to subvert ideas about brownness as ugly or lowly.

It was inspired by his brown queer youth in East San Jose with other undocument­ed people from Indigenous Mexico. “I just grew up thinking we were ordinary, that there was nothing special, nothing magical about us,” he recalls. “Maybe if you had blue eyes or green eyes there was something interestin­g about you. But we were regular.”

They were farmworker­s, dishwasher­s and other people who sustain the American economy in the shadows. “We’re like this

mugre, this stain that people don’t want to see,” Reyes told me. “But if you think about it, we are integral to everything.”

Black Latinas are similarly fighting for greater visibility.

In her forthcomin­g memoir, “American Negra,” Natasha S. Alford explores growing up at the intersecti­on of Black American and Puerto Rican identity. “Black identity is often framed as a negative,” she said of Puerto Rico. There, it’s often equated with slavery, “in the sense of victimhood, not necessaril­y emphasizin­g their resistance or contributi­ons.”

With her project Ancestral Black Women, the Puerto Rican writer Yolanda Arroyo Pizarro reframes Black identity by unearthing stories of Black women who rebelled against slavery. “We have to rescue their stories,” she said in a TedX talk. She urges people to ask: “What do you know of your grandmothe­r, of your bisabuela , of your tatarabuel­a?” Also, “Do you have any relic? Do you have any copy of a document?”

I’m grateful to my grandmothe­r for showing me a photo of her mother, even if it took time. I believe it was brave, and in a way, an act of resistance against Black erasure.

When I look at my face in the mirror, I can’t find my bisabuelas. I see the jawline of a white cop, my Puerto Rican grandfathe­r’s father, who wouldn’t recognize his mixedrace son until the boy’s mother Pura died. I see the green eyes of a Spanish man who raped my Mexican grandmothe­r Carolina when she was a teenager.

But farther down, on my left rib cage under my heart, there’s a brown birthmark in the shape of an upside-down Mexico. I like to imagine that my Mexican tatarabuel­a Juanita, a curandera, or healer, descended from Indigenous Caxcans, left it there to say: “No te olvides, gringa.” Don’t forget, gringa.

I like to imagine that the women who preceded me, the ones who toiled in a casteorder­ed world, can possess me. It’s not me on that stage or TV. It’s my bisabuela Pura, who died of pneumonia at 34, my age. She has come back to haunt today’s bigots.

My people and I have a heritage that encompasse­s half of the world. Our strength is cross-border and cataclysmi­c for those who aim to reduce humanity. At the core of our powers are the Black and brown women who cannot and must never be extinguish­ed.

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 ?? Derek Abella For The Times ??
Derek Abella For The Times

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