Los Angeles Times

These climate comics are seriously funny

Global warming is deadly, which is why world needs humor more than ever to power us toward solutions.

- SAMMY ROTH This column is the latest edition of Boiling Point, an email newsletter about climate change and the environmen­t in California and the American West. For more climate and environmen­t news, follow @Sammy_Roth on X.

Lots of people enjoy laughing at billionair­es — but it wasn’t just any billionair­es who were the targets of Esteban Gast’s comedic jabs this month at the Crow, an intimate comedy club just off Metro’s E Line tracks in Santa Monica.

After admitting that a few years ago he vacationed at an all-inclusive resort (“still the same old me ... I’m on your level,” he joked, stepping down from the stage), Gast marveled at the executives for whom unlimited margaritas weren’t enough.

“They would be there and be like, ‘Can I buy the plates?’ ” he riffed. “Like, they would find something that they’d be like — ‘How much for the resort?’ You know what I mean? They’d be like, ‘How much for that server?’ And you’re like, ‘That’s a man.’ ”

It was strong material. And then Gast brought it back to the evening’s theme: the climate crisis.

“Darren Woods, the CEO of Exxon, has unlimited margaritas, and he wants more?” Gast asked.

Gast commended activists who shame fossil fuel executives. He also suggested that “we’ve got to good cop-bad cop them.”

“If I see Darren Woods, I just want to be like, ‘Hey man, I want you to know you’re enough,’ ” he said, to the delight of the 30 or so people in the audience, who roared with laughter. “‘I want you to know, you don’t have to prove anything to anybody.’

“Maybe that works. Maybe he’s like one long hug away from being like, ‘What am I doing?’ ”

When I’ve told friends and family that I was planning to write about “climate comedy,” their reaction was usually some variation of, “That sounds weird. Isn’t climate change depressing?” The short answer is yes, climate change isn’t the happiest topic. Deadly heat waves, devastatin­g fires, destructiv­e storms — pick your poison. The outlook is grim.

Which is why we need comedy: to help us cope, and to remind us there are viable solutions at our fingertips. Solar panels, wind turbines, electric cars, heat pumps, induction stoves — we’ve got most of the tools we need to stop burning fossil fuels.

So I’ve been delighted to discover there’s a growing cadre of comics learning to talk climate — and taking their acts across the country. Gast is on the vanguard of this movement. He’s comedianin-residence at clean energy advocacy group Generation­180, where he helps get other comedians up to speed through a fellowship program called the Climate Comedy Cohort.

“Think about it as a comedy writers room, but half of the writers are comedians and half the writers are climate change experts, and they are providing each other informatio­n,” said Caty Borum, executive director of the Center for Media and Social Impact at American University’s School of Communicat­ion, which helps run the cohort.

There’s a long history of comedians using jokes to raise awareness of serious subject matter. Few people are better versed in that history than Borum. After working as a philanthro­py director and producer for Hollywood legend Norman Lear early in her career, she conducted extensive research into comedy’s power to prompt social change, ultimately writing two books.

One takeaway: Humor can serve as translatio­n, taking technical informatio­n that’s meaningles­s to many people — like 2 degrees Celsius — and providing an “entryway” through jokes, Borum said. If people laugh now, they may want to learn more later.

“We as humans are emotional creatures. Part of how we are persuaded is being amused,” Borum said.

Generation­180 put that principle to work in its Climate Translator videos, pairing comic David Perdue with a guy in a lab coat (not actually a scientist) to explain the economic benefits of climate-friendly electric heat pumps, among other topics.

Another takeaway from Borum’s research: Comedy tends to be more memorable than other types of storytelli­ng.

“Marketing people have known this forever. This is why Super Bowl ads are so funny,” she told me.

I certainly won’t forget the show at the Crow — especially Gast, but also Brad Einstein’s high-energy set.

He started out by telling us he was once a “perpetrato­r of climate misinforma­tion,” when he was paid to write tweets for “one of the largest oil conglomera­tes on the planet.” Alas, he said, a nondisclos­ure agreement meant he couldn’t say which company.

“That really sucks,” he said. “It’s worse than when you’re just done with a breakup, and then you get a call on your cellphone in the middle of the night, and they just want to get closure. Because there’s nothing worse than dealing with an ex-on-mobile.”

I thought about it, then groaned, then laughed. I was far from the only one.

“I was the voice of ExxonMobil,” Einstein confirmed. “The [nondisclos­ure agreement] is long since done.”

Einstein went on to belittle Exxon for what he sees as rampant greenwashi­ng — the corporate practice of trying to persuade the public that a company is good for the environmen­t and public health when in reality its actions are overwhelmi­ngly harmful.

He hit Exxon especially hard for its “women in STEM” public relations materials, roasting the oil company for promoting the noble cause of employing more women in science, technology, engineerin­g and mathematic­s while simultaneo­usly selling products that are cooking the planet, polluting the air and introducin­g microplast­ics to our bodies. He closed with a rousing song on guitar.

I can’t replicate the song’s hilarity in this column, but suffice to say, here’s part of the chorus: “Because they’re women in STEM — STEM! If you hate them, then you hate women, especially women in STEM — STEM! No criticism — it’s only women in STEM ... And we promise that we’re honest, you can take us at our word. Just please pay no attention to this dead oil-soaked bird ...”

Exxon, by the way, isn’t amused. Spokespers­on Emily Mir told me via email that there’s “nothing funny about climate change.”

“That’s why we’re focused on implementi­ng real solutions for a net zero future by pursuing more than $20 billion in lower-emission investment­s from 2022 through 2027,” she told me — without mentioning that the company is spending far more on expanding oil and gas production, while also suing shareholde­rs who dared to urge the company to work harder on climate.

To be fair to Exxon, not every comedian at the Crow had me guffawing. But there were plenty of laughs.

Across town, meanwhile, another climate comedy event was happening at roughly the same time.

As part of the Netflix Is a Joke festival, actor Nick Offerman (a.k.a. Ron Swanson from “Parks and Recreation”) hosted a show at the Wilshire Ebell Theatre to raise money for the Natural Resources Defense Council, an advocacy group. The comics — including Steve Agee, Nicole Byer and Kumail Nanjiani — mostly didn’t tell climate jokes. But they wanted to support the cause.

The week before the event, I asked Offerman how he’d decided to fundraise for NRDC.

“I am not a brilliant scientist, or really a brilliant anything, except maybe a shoveler. I am super good at shoveling, and luggage. I’m very good at carrying luggage. I can do 13 pieces, even through the Atlanta airport,” he said. “But since I am not a scientist, I basically use what platform I have to be a cheerleade­r to the best of my abilities for people doing this good work.”

And how had confrontin­g the climate crisis become near and dear to Offerman’s heart?

He told me about his connection with soil — being raised in a small town by parents who grew up on farms, and reading Wendell Berry and Michael Pollan, and starring in a cutesy ad called “Face Plant,” part of an NRDC campaign to persuade Congress to offer growers financial incentives for planting cover crops, which can suck heat-trapping carbon dioxide out of the atmosphere.

He described how he came to realize that many of Earth’s environmen­tal and health problems stem from coal, oil and gas.

“My gateway topic is agricultur­e, but I find all of these topics inseparabl­e,” he said. “The way that we’re farming industrial­ly fills our watersheds with poisons. That’s all driven by fossil fuels. The way that we industrial­ly produce meat and eggs and dairy, and harvest ocean life. The root of it all is fossil fuels, whether we’re making blue jeans in Southeast Asia or soybeans in Iowa.”

Offerman is right. And he sees humor as an ideal tool for spreading the word.

“I basically try to serve the pizza of comedy and sneak as much of the broccoli of agrarianis­m into that pizza,” he said.

That’s what I enjoyed most about Gast’s billionair­es riff, and some of the other climate humor I’ve heard recently.

Rather than putting global warming front and center, these comedians are telling jokes about universal topics and then layering in climate and clean energy, once audiences are already laughing. It’s a similar strategy to the one recommende­d by writers and producers encouragin­g Hollywood studios to make more movies and TV shows that reflect the reality of climate change.

Gast and the Climate Comedy Cohort are also talking about the Inflation Reduction Act, the $369-billion climate and clean energy law signed by President Biden — a valuable choice by those comics ahead of the November election, especially with polls showing that even climate-conscious young voters don’t give Biden much credit for the landmark law, if they know about it at all.

During his set last week, Gast briefly touted the legislatio­n’s benefits before poking fun at its bizarre name.

“Clean Air Act, Clean Water Act — the next one is Inflation Reduction Act. And you’re like, ‘I love how priorities have shifted,’ ” Gast said. “They were trying to sell it, and they’re like, ‘Should we save the Earth?’ And people were like, ‘Eh, too partisan.’ ”

But when the pitch was, “Should eggs cost less?” In that case, “Pass it!”

Depressing or optimistic? Maybe both. The bill didn’t win any Republican votes, but it did get through Congress.

Beyond Gast and his colleagues, other comedians are having fun with the Inflation Reduction Act.

Take Yellow Dot Studios, a media nonprofit founded by director Adam McKay. In sharp contrast to the hopelessne­ss espoused by McKay’s climate metaphor film “Don’t Look Up” — in which a bumbling U.S. president played by Meryl Streep denies the obvious scientific reality that Earth is about to be destroyed by a comet — Yellow Dot has produced comedy videos highlighti­ng the clean energy tax incentives in Biden’s climate law. McKay’s nonprofit has also worked with the Climate Comedy Cohort.

“We want people to be enjoying themselves and laughing,” said Staci Roberts-Steele, Yellow Dot’s managing director.

My former editor told me not to use cliches. But she retired, so here goes: Laughter is the best medicine. Or for climate, at least, it’s a lot more useful than despair. How can we wrangle this existentia­l threat if we believe we’re doomed no matter what?

I was perusing the website formerly known as Twitter recently when I happened upon a decade-old clip from Aaron Sorkin’s TV drama “The Newsroom,” in which a climate scientist played by Paul Lieberstei­n (better known as Toby Flenderson, Michael Scott’s foil on “The Office”) is interviewe­d by news anchor Will McAvoy (Jeff Daniels). Lieberstei­n offers his prognosis for humanity: “Your house is burning to the ground, the situation is dire. Your house has already burned to the ground, the situation’s over.”

In other words, he says, “You’re already dead.”

McAvoy is incredulou­s. There must be something we can do, right?

“There’s a lot we could do, if it were 20 years ago or even 10 years ago. But now — no,” Lieberstei­n tells him.

Watching the clip today, my feelings toward Lieberstei­n’s scientist are similar to how Michael Scott must have felt about Toby.

Sure, it’s kind of funny — in the same way that watching President Streep let Earth get decimated by a comet in “Don’t Look Up” was disturbing­ly amusing. It doesn’t make me want to fight to save humanity. It makes me want to tear my hair out.

It’s also not based in reality. As scientists keep saying — and as I hope the Aaron Sorkins of the world are able to internaliz­e — dealing with the climate crisis isn’t as simple as living or dying. A lot of people are already dead, and many more will die. But there are plenty of lives we can still save. Every wildfire that’s a little less severe, every storm that’s a little less ferocious, every heat wave that’s a little less hot — it all matters. Every 10th of a degree counts. Even if we don’t limit global warming to 2 degrees Celsius, 2.1 is way better than 2.2.

Gast gets it. One of the greatest lies ever told, he said at the Crow, is that there’s no hope.

“People are like, ‘We’re all gonna die,’ ” he said, sounding exasperate­d. “And you’re like, ‘Yeah, to be human is to be mortal. Were you immortal before the ice caps started melting?’ What do you mean we’re gonna die?”

Laughter is the best medicine — and the best jokes are true.

So let’s keep making one another laugh, and fighting the good fight, and asking oil executives if they’d like some hugs.

 ?? Andrew Max Levy ?? ESTEBAN GAST, seen at a backyard show in Los Angeles in 2022, is among a vanguard of comics poking fun at the climate crisis.
Andrew Max Levy ESTEBAN GAST, seen at a backyard show in Los Angeles in 2022, is among a vanguard of comics poking fun at the climate crisis.
 ?? Melissa Moseley HBO ?? ACTOR Jeff Daniels portrayed Will McAvoy, a news anchor who interviewe­d a climate scientist on HBO’s “The Newsroom.”
Melissa Moseley HBO ACTOR Jeff Daniels portrayed Will McAvoy, a news anchor who interviewe­d a climate scientist on HBO’s “The Newsroom.”
 ?? Jay L. Clendenin Los Angeles Times ?? HUMORISTS, like Hollywood legend Norman Lear, can take technical informatio­n and provide an “entryway” through jokes.
Jay L. Clendenin Los Angeles Times HUMORISTS, like Hollywood legend Norman Lear, can take technical informatio­n and provide an “entryway” through jokes.

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