Macworld (USA)

Airpods Pro is just the start of Apple’s audio-processing revolution

In some ways, they’re Apple’s first dedicated AR product.

- BY JASON SNELL

I’ve been loving my Airpods Pro ( go. macworld.com/aipr) since I got them not long ago. I was originally an Airpods skeptic—i never liked the way Earpods fit or sounded—but their wire-free convenienc­e made me a believer. The

Airpods Pro took it further with the introducti­on of noise-cancelling technology that allows me to use them when I’m vacuuming, mowing the lawn, or flying, and their clever Transparen­cy mode lets me stay in tune with my surroundin­gs

when I need to.

But this is just the beginning. I agree with my colleague Dan Moren that the features of Airpods Pro hint at Apple’s future in augmented reality tech (see page 47). As Apple increases the amount of processing power that it can fit into Airpods, Transparen­cy mode is a huge hint of the audio-processing possibilit­ies to come.

SOFTWARE THAT WORKS LIKE MAGIC

I produce a lot of podcasts ( go.macworld. com/icom), many of which feature speakers who are participat­ing from challengin­g audio conditions. They’ve often got bad (or no) microphone­s, they’re in echoey rooms, and frequently there’s a heater, air conditione­r, or fan running in the background. (Nothing marks the passing of seasons for a podcast editor more than hearing the recordings move from the hum of AC to the buzz of heating!)

What I’ve learned in the last few years as I’ve become more savvy about audio software is that for a few hundred dollars, you can buy software that will process audio in ways that seemed impossible ( go. macworld.com/prcs). I own plug-ins that will remove electrical hums and broadband hiss from the background of an audio file automatica­lly and in a very short period of time. That person who recorded next to a blasting air conditione­r in the middle of summer? My software can make it so you wouldn’t even know the AC unit was there.

Then there’s the de-echoing software, which can take the sound of someone who is in a room full of hard surfaces and sounds like they’re at the bottom of a well, and clean them up to the point that they sound almost as good as someone in a sound booth.

Blowing wind? There’s a plug-in for that. Extraneous breathing? There’s a plug-in to wipe that out. The list goes on. Profession­al audio software is really good. Way better than I ever expected.

Which brings me back to Airpods Pro.

PROCESS MY WORLD

Right now, Airpods Pro has three audio modes. In the first, there’s no processing at all—the outside world is only filtered out because you’ve stuck little earbuds in your ear holes, which naturally blocks some of the sound. In the second, the Airpods each use two microphone­s to monitor the noise in your surroundin­g environmen­t and then generate an inverted waveform to cancel out that noise—that’s how noise cancelling works.

The third mode, Transparen­cy, is the most interestin­g. It relays sound from an external microphone and layers it over whatever you’re listening to, so you are

artificial­ly hearing the outside world. It’s a dramatical­ly different sound and I’ve heard a lot of people say they appreciate being able to listen to audio while also having the sounds of the real world accessible.

What strikes me about Transparen­cy, though, is that Apple seems to be adjusting the sound from the outside world very little, if at all. When I use Transparen­cy, I don’t just hear people talking or the sound of a car coming down the street—i hear a background hum from traffic on a nearby freeway.

Now, imagine a future version of Airpods Pro, with a little more processing power. In addition to Transparen­cy mode, perhaps there’s a Smart Transparen­cy mode that takes a cue from all the audio processing software out there to do things like remove unchanging background noise and even remove room echo so that what you hear is clearer than it might be if you heard it unfiltered. The algorithms are there today, measuring the reflectivi­ty of the room on the fly and cancelling echoes; it’s just a matter of building hardware powerful enough to process all the data in real time.

I recently read a story about the quest for “smart” hearing aids ( go.macworld.com/ smai) that suggested that algorithms can do a pretty good job of filtering out background conversati­ons, and might even be able to figure out how to emphasize the voices of specific speakers based on who a person is looking at. The challenge, once again, is processing power—and it’s hard to imagine that Apple won’t be able to keep progressin­g the power of the Airpods Pro.

ACCESSIBIL­ITY FOR ALL

Airpods aren’t hearing aids. And I’m not entirely sure Apple wants to enter the hearing-aid market, though given the company’s constant discussion of the importance of medical and health initiative­s and device accessibil­ity, I wouldn’t put it past them. With the advent of hearing-aid deregulati­on in the United States, it’s not impossible that Apple could apply the lessons it’s learned about audio processing and integratio­n with other Apple devices to improve the audio of people with mild to moderate hearing loss.

But let’s leave formal hearing aids aside for a moment. One thing I’ve learned in the last few years is that accessibil­ity features almost always have unexpected benefits. Likewise, I think Apple has an opportunit­y to augment the hearing of Airpods users, whether they consider themselves hearing impaired or not. There are probably a lot of us who would welcome a dialogueen­hancement mode for use at noisy parties that would try to filter out all noise except for the human voices in the foreground. I’d love a filter that would let me hear public-address announceme­nts but eliminate background chatter.

This isn’t easy stuff, and it requires a lot of technology to achieve it, but the

Airpods Pro make me feel that Apple is already moving down this path, and fast. Right now I view my Airpods Pro as a great set of noise-cancelling earbuds to use while listening to music or podcasts, but they’re also augmented-reality devices for my ears. In some ways, they’re Apple’s first dedicated AR product. Transparen­cy mode’s goals are modest, but its future potential comes through loud and clear. ■

 ??  ??
 ??  ?? The black patch on the Airpods Pro is a microphone used for noise cancelllat­ion.
The black patch on the Airpods Pro is a microphone used for noise cancelllat­ion.
 ??  ?? Apple has an opportunit­y to augment the hearing of Airpods users.
Apple has an opportunit­y to augment the hearing of Airpods users.

Newspapers in English

Newspapers from Australia