Marin Independent Journal

RUNNING WILD OVER THE WILDERNESS

Caper novel ‘Picnic in the Ruins' is a hoot, but there's a serious message about cultural conservati­on

- By Allen Pierleoni Southern California News Group

“I wanted to try something I hadn’t seen before, but more than anything I just wanted people to read a crime novel they can have fun with,” says Todd Robert Petersen, referring to his new book, “Picnic in the Ruins,” out from Counterpoi­nt Press.

The book is a romp populated with a cast of eccentric characters and marked by extreme moments of dark humor, delicious irony and bizarre scenes. It all takes place in the surreal red-rock backcountr­y and small towns of Utah and Arizona, and in national parks and national monuments.

But there are also revelatory themes that run through the story, which is centered around the archaeolog­ical sites and cultural artifacts created by the Indigenous people who once lived in the territory. Big issue questions arise: Who owns the artifacts? Who owns the land? Who owns history, after all? As one character puts it, “The artifacts on their own are meaningles­s. They need a story of the people who made them and used them.”

Petersen, 51, is a professor at Southern Utah University, where he teaches creative writing and film theory. He is also the author of “It Needs to Look Like We Tried,” “After Dark” and “Rift.”

He teaches his creative writing students partly by example, counseling them, “If you’re afraid of making mistakes, then you’re going to be afraid of putting something new out there.

Push into new territory.”

This conversati­on has been edited for length and clarity. Q You gathered material for the book partly by

talking with locals during the 20 years you’ve lived in Utah, right?

A

Initially, I didn’t know that’s what I was doing. Sometimes writers get themselves tuned to a frequency and stuff starts coming our way. I’ve had hundreds of conversati­ons with park rangers and superinten­dents, American Indians, special-collection­s archivists, mapmakers, archaeolog­ists, geologists. Enough of these conversati­ons cohered in a way

that I felt I wanted to tell the story.

Q You’ve been up close and personal with the backcountr­y.

A There of was time a when long period I was out there, sun-baked, with boots on the ground. Punctured tires are common in those areas, so I’ve sort of semi-destroyed vehicles while I was exploring. That’s where a lot of the book’s details come from.

Q

Did you find artifacts?

A

I did, under the guidance of National Park Service archaeolog­ists and after agreeing not to talk about where this stuff is. I don’t think I found anything that had never been found before, though. We walked through one place where points [arrowheads and spears] were once made, and there were a few dwellings and long petroglyph panels. You’re moving through this space and you look up and, “Whoa!” The petroglyph­s took my breath away. I got to help do an inventory of petroglyph panels.

Q

One school of thought says artifacts should be left where they’re found and not taken at all. Another promotes removing them from collection­s and returning them to where they were originally found. are so many people that it’s no longer delightful to go there. One doesn’t want to pull up the drawbridge, but every now and then, that’s what you want to do.

Q

The National Park Service seems to be in a Catch-22.

A

With the mandates the parks have for maintainin­g and preserving them for the future, they’re faced with an almost impossible task. That is, given the idea they’re trying to maintain, which is: These places are amazing and we should be doing something to make sure that people have access to them, and also that they’re protected from other kinds of commercial endeavors that might turn them into something else. There’s not a solution to all of this. The more I think about it, the more the complexity of the situation is revealed.

Q

“Picnic” was thoughtpro­voking and funny. What can we look forward to next?

A

I thought I would play around with another madcap crime story, about some people on the run in an Airstream trailer. We oftentimes have these high-speed chases in crime novels, and I thought, “What would it be like if there was a lowspeed chase in an Airstream?” Also, Area 51 and the Extraterre­strial Highway are going to play a part, too. I’ve got my will all worked out, so if I disappear ... .

 ?? PHOTO BY SAM DAVIS ?? “Picnic in the Ruins” author Todd Robert Peterson.
PHOTO BY SAM DAVIS “Picnic in the Ruins” author Todd Robert Peterson.
 ?? COURTESY OF COUNTERPOI­NT
PRESS ??
COURTESY OF COUNTERPOI­NT PRESS

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