Marin Independent Journal

Shedding light on an enigmatic genius

Wittgenste­in's journals offer a view of his obsessions

- By Jennifer Szalai

It's perhaps a measure of Ludwig Wittgenste­in's genius as well as his enigma that the volume of writing about him is almost comically disproport­ionate to the volume of writing by him. Before his death in 1951, Wittgenste­in had published a total of one book, one article and one book review (the review was written when he was an undergradu­ate at Cambridge). Described by another philosophe­r as a “spellbindi­ng and somewhat terrifying person,” he was intensely lonely, and he dedicated his “Tractatus LogicoPhil­osophicus” to David Pinsent, who died in a plane crash in 1918, calling him “my first and only friend.”

If the people around him were one kind of problem, his philosophi­cal work was another. It was an obsession and often a torment.

Yet as Ray Monk observed in his biography, “Ludwig Wittgenste­in: The Duty of Genius” (1990), memoirs even by those who barely knew him are “countless,” including recollecti­ons by “the lady who taught him Russian” and “the man who delivered peat to his cottage.” Economist Friedrich Hayek happened to be a cousin, and he wrote a remembranc­e that recalled the few times they met, when Wittgenste­in toggled between eager conversati­on and sudden withdrawal, at one point sticking his nose in a detective novel, “apparently unwilling to talk.”

That Wittgenste­in should turn from having plenty to say to having nothing to say was in keeping with his own “Tractatus,” in which he listed more than 500 numbered statements, delving into detailed logical formulatio­ns, before arriving at his terse conclusion: “Whereof one cannot speak, thereof one must be silent.” Or, as Wittgenste­in put it in his notebook in July 1916, “What cannot be said, cannot be said!”

Childhood code

Wittgenste­in wrote this down for his private consumptio­n, scribbling the declaratio­n in the code he had used with his siblings when they were children. He had volunteere­d for the Austrian army, and in August 1914 began to keep his war notebooks, only three of which survived. On the right-hand (recto) pages he wrote — in ordinary, uncoded script — what would become the notes to a draft of the “Tractatus,” which would be published in 1921; on the left-hand (verso) pages he kept his secret, coded diary, which has now been translated into English for the first time by the poetry critic Marjorie Perloff.

“Private Notebooks: 19141916” (218 pages, Liveright, $24.95) is a strange and intriguing record — illuminati­ng when it comes to Wittgenste­in's preoccupat­ions, his sexual anguish, his continuous struggles with his “work” in philosophy, along with his intermitte­nt comments about his “job” in the military. (Like other writings by Wittgenste­in that have been published posthumous­ly,

Little about war

“Private Notebooks” is a bilingual edition, with German and English printed on facing pages.) Perloff also points out that unlike so many other war diaries, Wittgenste­in's includes very little about the larger stakes of the war itself. One exception is an entry that reads like a startlingl­y cheerful declaratio­n that his own side was doomed: “The English — the best race in the world — cannot lose! We, however, can lose & will lose, if not this year, then the next!”

Nor did Wittgenste­in share the average war memoirist's sentimenta­lity for his fellow soldiers. In fact, he seemed to despise them, only to clarify that what he felt wasn't quite hatred but “disgust.” Wittgenste­in was from one of the richest families in the Austro-Hungarian Empire — “the habit of polite conversati­on is so ingrained in me!” — and his revulsion was immediate. “My shipmates are a bunch of swine! No enthusiasm for anything, unbelievab­le crudity, stupidity & malice,” he wrote a few days after enlisting, the first of many complaints about “insolence” and “boorishnes­s.” More than two years later, he was still insisting that he was “surrounded by viciousnes­s!”

Problems as burdens

If the people around him were one kind of problem, his philosophi­cal work was another. It was an obsession and often a torment. Sometimes he was matterof-fact: “Did no work”; “Did some work”; “Worked pretty hard but without real confidence”; “Worked pretty hard but without much hope.” He found he could think best

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